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Four very different English ladies, strangers to one another, rent a villa for a month near Portofino. Here their lives and loves change as they fall under the spell of this magical place.

Uno scandalo incombe sulla famiglia Bott: il povero Ernest, appena deceduto in un incidente stradale, ha diseredato la moglie Milly. Possibile che quegli occhi di colomba, quella figuretta tanto dolce e amabile meritino un castigo tanto duro? La costernazione e l'indignazione iniziale dei Bott si trasformano presto in dubbio e sospetto: e se quei venticinque anni di vita matrimoniale nascondessero un inconfessabile segreto? La soave Milly si è forse macchiata di qualche oscuro peccato?

It began in a women's club in London on a February afternoon. A discreet advertisement in The Times, addressed to "Those who Appreciate Wistaria and Sunshine..." lures four very different women away from the dismal British weather to San Salvatore, a castle high above a bay on the sunny Italian Riviera. There, the Mediterranean spirit stirs the souls of Mrs Arbuthnot, Mrs Wilkins, Lady Caroline Dester, and Mrs Fisher, and remarkable changes occur.

This is a journey of both escape and discovery for four exquisitely different women, a month of bliss and privacy for four weary souls. Their refuge on the Italian Riviera provides the perfect backdrop for a story about the search for spiritual harmony within and without.

gentle romance begins innocently enough in the stalls of a London theatre where Catherine is enjoying her ninth and Christopher his thirty-sixth visit to the same play. He is a magnificent young man with flame-coloured hair. She is the sweetest little thing in a hat. There is just one complication: Christopher is 25, while Catherine is just a little bit older. Flattered by the passionate attentions of youth, Catherine, with marriage and motherhood behind her, is at first circumspect, but finally succumbs to her lover's charms.

In un club della Londra anni Venti due signore inglesi scoprono di essere accomunate da una vita amorosa insoddisfacente, molto diversa da quella che avevano sognato il giorno del matrimonio. Mrs Wilkins, timida e repressa, è sposata con un avvocato ambizioso che "lodava la parsimonia tranne quando si trattava del cibo che finiva nel suo piatto"; Mrs Arbuthnot, estremamente religiosa, è sposata a uno scrittore di biografie sulle amanti dei re: per una donna come lei, una cosa davvero sconveniente.

L'autrice, riscoperta recentemente dalla letteratura di genere, non ha mai pubblicato, in vita, questo romanzo, che fu scoperto dall'editore fra le sue carte e pubblicato integralmente (anche se mancava il capitolo IV, del quale peraltro non si sente la mancanza). Perché il romanzo, che risale al 1901, non sia mai stato pubblicato dall'autrice, è ignoto: certamente il fatto che la protagonista si chiami Elizabeth, come in diverse altre sue opere, fa pensare a una certa ispirazione autobiografica, che può essere la causa della sua non pubblicazione.

Der Gärtner ist seit einem Jahr hier und hat mir regelmäßig gekündigt, bis jetzt ist er aber zum Bleiben bewegt worden. Ich glaube nicht, daß er viel...

Published in 1899, The Solitary Summer is a charming companion to von Arnim’s earlier novel Elizabeth and Her German Garden. As with its prequel, the novel is semi-autobiographical and in the form of a series of diary entries. The narrator decides to spend one summer alone in her country house far away from the demands and distractions of the world. She offers us a witty and lyrical account of a solitary summer, filled with reading and reflections on her beloved garden. However, her months removed from society turn out to be less solitary than planned.

Elizabeth von Arnim, who is best known for her later novel The Enchanted April, married a Prussian aristocrat and, with their five children, lived in Nassenheide, Pomerania. Elizabeth and Her German Garden is a semi-autobiographical novel about the joy that the protagonist finds in the delights of her Pomeranian garden, which provides relief from the stifling environment of her household. The novel was originally published anonymously because von Arnim feared that her husband, whom she satirised in the book, would disapprove.

"... Why, it would really be being unselfish to go away and be happy for a little, because we would come back so much nicer." Lottie and Rose belong to the same London women's club, but they don't know each other very well. They both see the same advertisement for a castle in Italy, which is available for rent for a month. For different reasons, these women want to get away from their husbands for a while and they put out an ad and find two more women in need of vacation. And so, the four vastly different women head to Italy.

Avril enchanté est un roman écrit par Elizabeth Von Arnim. Il raconte l'histoire de quatre Anglaises qui louent un château italien pour un mois d'avril, dans l'espoir d'échapper à leur vie morne dans l'Angleterre pluvieuse et de trouver le renouveau et l'inspiration dans la beauté de l'Italie.

Lucy Entwhistle's beloved father has just died; aged twenty-two she finds herself alone in the world. Leaning against her garden gate, dazed and unhappy, she is disturbed by the sudden appearance of the perspiring Mr Wemyss. This middle-aged man is also in mourning - for his wife Vera, who has died in mysterious circumstances. Before Lucy can collect herself, Mr Wemyss has taken charge: of the funeral arrangements, of her kind aunt Dot, but most of all of Lucy herself - body and soul.

London in den 20er Jahren: Vier höchst unterschiedliche englische Damen entfliehen dem tristen Alltag und reisen gemeinsam an die italienische Mittelmeerküste. Sie quartieren sich in ein kleines mittelalterliches Castello ein und entdecken zwischen Pinien und Glyzinien die Kraft des mediterranen Frühlings und der Liebe. Elizabeth von Arnims bekanntestes und erfolgreichstes Buch, gelesen von der preisgekrönten Sprecherin Doris Wolters, sprüht vor Witz.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

Romance blossoms when Catherine, a 47-year-old widow, and the 25-year-old Christopher meet at repeated performances of a poorly attended play. However, 1920s London society is shocked by such a match, its disapproval shared by Catherine’s daughter and son-in-law, the curate Stephen. As events unfold, can their relationship survive the opprobrium of those around them as well as the disparity in their ages?