Resultados de "G. K. Chesterton" en Todas las categorias

Two men appeared simultaneously at the two ends of a sort of passage running along the side of the Apollo Theatre in the Adelphi. The evening daylight in the streets was large and luminous, opalescent and empty. The passage was comparatively long and dark, so each man could see the other as a mere black silhouette at the other end. Nevertheless, each man knew the other, even in that inky outline; for they were both men of striking appearance and they hated each other.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple of murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

Both by calling and conviction Father Brown knew better than most of us that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The Head of Caesar is a short story by Gilbert Keith Chesterton: There is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs. The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of sea-green slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

"The Perishing of the Pendragons" by G.K. Chesterton is a Father Brown story where Father Brown is invited on a boat trip around the Cornish coast, where he encounters a family called the Pendragons, who are plagued by a mysterious curse tied to a local legend about a Spanish prisoner and a treacherous coastline.

"The Flying Stars" is one of Chesterton's mysteries featuring Father Brown. It's actually the first of these short stories I've read and I picked it up more because it's a Christmas mystery than to meet Father Brown, even though he is a character I'd like to read more of. The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather.

The Paradise of Thieves was published in The Wisdom of Father Brown. This mystery is a real cliff-hanger. The great Muscari, most original of the young Tuscan poets, walked swiftly into his favourite restaurant, which overlooked the Mediterranean, was covered by an awning and fenced by little lemon and orange trees. Waiters in white aprons were already laying out on white tables the insignia of an early and elegant lunch; and this seemed to increase a satisfaction that already touched the top of swagger.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

Mr. Edward Nutt, the industrious editor of The Daily Reformer, sat at his desk, opening letters and marking proofs to the merry tune of a typewriter, worked by a vigorous young lady. He was a stoutish, fair man, in his shirt-sleeves; his movements were resolute, his mouth firm and his tones final; but his round, rather babyish blue eyes had a bewildered and even wistful look that rather contradicted all this. Nor indeed was the expression altogether misleading.

The Mistake of the Machine is a short story by Gilbert Keith Chesterton: Flambeau and his friend the priest were sitting in the Temple Gardens about sunset; and their neighbourhood or some such accidental influence had turned their talk to matters of legal process. From the problem of the licence in cross-examination, their talk strayed to Roman and mediaeval torture, to the examining magistrate in France and the Third Degree in America.

"The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arc, begun in The Blue Cross.

Father Brown, a modest, mild-mannered priest with a sharp intellect and even sharper sense of the human condition, is thrown into a series of mysteries which often baffle both his peers and the authorities. Despite his humble appearance, Father Brown can easily detect falsehoods, see through disguises and defy tampered logic to get to the truth. From cases of theft, fraud and murders with no apparent weapon, Brown remains calm in the face of evil time and time again, utilising compassion, empathy and keen intuition.

Examining several social and political trends of the time, Chesterton discusses contemporary discourse around family, gender roles, education, politics and more. In good humour, he defends the traditional family unit, praises women's unique role in society and promotes an education that can be both creative and moral in its teachings. He scrutinises the forces of modernity, bureaucracy and ideological reform, spiritedly arguing that the problem is not the structural powers at play in society, but the individual's failure to act rightly.

'Madmen do not rebel against logic – they merely use it where it is not applicable.' A brilliantly unique collection of short stories, The Poet and the Lunatics was originally published in Nash's Magazine in 1921. Today, it remains a masterpiece of detective fiction. Gabriel Gale, an eccentric poet, often finds himself acting as detective when he becomes entangled in a series of bizarre and psychologically challenging events.

The Return of Don Quixote centres on the character of Michael Herne, a gentle, quiet librarian. When Michael finds himself cast as a king in a medieval play, he reluctantly fulfils the role. But after the play's end, peculiar things start to occur: Michael begins donning armour, adopts chivalric ideals and boldly questions the hypocrisies of modern society. As Michael rallies for a movement that tackles misplaced power and dishonour, it's clear that a new Don Quixote is in town…

The year is 1984. The British government has become impersonal and apathetic, not run by a particular party or corresponding ideology, but by the random selection of a new figurehead each year. When the eccentric Auberon Quin is chosen to lead the country, the nation begins to take a whimsical turn. In an attempt to liven up London, Auberon transforms the city into a mock-medieval town, complete with crests, flags and costumes. Everything is a joke–that is until Adam Wayne, a young man claiming to be the Napoleon of Notting Hill, begins to take it seriously.