Resultados de "Willa Cather" en Todas las categorias

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

The most romantic literary lovers in history: Jane Eyre and Mr. Rochester. Oliver Mellors and Constance Chatterley. Marie Shabata and Emil Bergson. Now, all three of their classic stories are collected in one volume.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather. First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

In "The Song of the Lark," we follow the life of budding artist Thea Kronbog, who rises from complete obscurity in a tiny Colorado town to become a world-renowned opera singer. A fascinating look at life in the early 20th century as well as a deep dive into the life and struggles of a creative artist rising to the top of her profession, "The Song of the Lark" was universally praised for its realism and meticulous depiction of Thea's journey. One of the most important and powerful novels of the early 20th century, "The Song of the Lark" is presented here in its original and unabridged format.

In O Pioneers, we meet the Bergsons, a family of farmers in the fictional town of Hanover, Nebraska who have emigrated to America from Sweden. When the family patriarch dies, the running of the farm falls to the eldest daughter, Alexandra, who struggles to make the farm viable and provide for the family. Eventually, the focus turns to the romantic entanglements of Alexandra and her brother as well as touching upon the enormous difficulties of running a farm at the turn of the last century.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Christmas may come but once a year but evil, intrigue and malevolence are everyday events. Within this volume Christmas is a time when these dark forces form and coalesce to take life and liberty from people who may and who may not deserve the spin of its wheel. Some are merely evil, others have the beginnings of a conscience that displays itself in a dialogue with the devil, or perhaps only themselves. But, in this volume Christmas takes a ringside seat to the horrors of the human heart.

Christmas may come but once a year but human emotions, the driving force of our characters, are with us every day. Yet, somehow these same emotions when they happen at Christmas seem amplified; we seem more tender to their touch, their words. Whether it’s a long-lost returning soldier wondering how best to return to the arms of his family without too great a risk of shock... Or a prodigal son whose taken path has driven pain into his own and others hearts… These stories reveal much about the human condition.

"The Garden Lodge" is a short story by Willa Cather, first published in 1905. It tells the story of a woman asked by her husband if she would agree to tear down their garden lodge and build a new summer house there instead. She grows nostalgic as she remembers spending fond times there with tenor Raymond d'Esquerre when he was visiting. Although a moderate and no-nonsense woman, the singer rekindled her passion for music during his stay.

When the New Mexico territory is annexed by the United States in the mid-1800's, the Catholic Church decides it is time to re-assert its authority in the region which, due to centuries of neglect, is now a haven for corrupt priests. The Vatican chooses Father Jean Marie Latour, a French Jesuit living in Ohio, to accomplish this task, and soon after elevating him to bishop, sends him on his journey into the Wild West.