Resultados de "Nikolai Gogol" en Todas las categorias

Es un cuento del escritor Nikolái Gógol que relata la historia de un burócrata que escribe en su diario lo que le sucede. Poco a poco va relatando su descenso a la locura. Primero se ven pequeñas cosas como fechas que no concuerdan, luego perros hablando y mandando correspondencia, y sus comentarios a través de la historia son cada vez más raros hasta que pierde la cordura completamente.

Klassischer Humor, mit einem Augenzwinkern dargereicht in Form von Kurzgeschichte, Novelle oder Komödie! 10 Meisterwerke der Literatur! Mit dabei: Der gestohlene Kaktus (K. Capek), Die 1 Million Dollar Pfundnote, Adams Tagebuch (M. Twain), Die Nase (N. Gogol), Frauen sind eitel. Männer? Nie! (K.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

The Cloak (sometimes translated as Overcoat) is a short story by Russian author Nikolai Gogol, published in 1842. The story and its author have had great influence on Russian literature, as expressed in a quote attributed to Fyodor Dostoyevsky: "We all come out from Gogol's 'Overcoat'." The story narrates the life and death of titular councillor Akaky Akakievich Bashmachkin, an impoverished government clerk and copyist in the Russian capital of St. Petersburg. Akaky is dedicated to his job, though little recognized in his department for his hard work.

May Night, or the Drowned Maiden, 1831 is the third tale in the collection Evenings on a Farm Near Dikanka by Nikolai Gogol. It was made into the opera May Night by Nikolai Rimsky-Korsakov in 1878–79 and also a Ukrainian setting by Mykola Lysenko. This story comes from the unnamed story-teller (who was previously responsible for "The Fair at Sorochyntsi"). In this tale, a young Cossack named Levko, the son of the mayor, is in love with Hanna. He comes to her house to talk about marriage and mentions that his father is not pleased with the idea, though he doesn't say anything directly and merely ignores him.

With his sense of humor and ability to observe, Nikolai Gogol presents the world with stories of little people: the weak and fragile people who try to hold on to life in the gloomy cities of Russia. The Mantle, which is listed among his masterpieces, describes how Russian bureaucracy turns everyone into a ghost of each other. It tells the tragicomic story of a poor low-ranking official named Akakiy Akakiyevich Bashmachkin, a faint character living on the margins of society who spends all his time diligently copying documents.

In this series we explore the many facets of love through literary talents that span both time and country. There are times when love is not a revelation and a calling from one soul to another but a carefully navigated path, or maybe a badly chosen path that decimates happiness. Which way will our literary leviathans take us? Inevitably it will be more than one.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. In ‘Old Fashioned Land Owners’ Gogol describes a peaceful setting and a peaceful couple who have grown old together. But foreboding makes an entrance and life is now a series of cruel twists that breaks everything.

Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.

This book collects a magnificent set of works by Russian classical authors: Alexander Pushkin, Nikolai Gogol, Fyodor Dostoevsky, Anton Chekhov, Leo Tolstoy, Mikhail Bulgakov. Each original story, springing from a common creative heritage, delivers a glimpse of the immortal Russian Soul and has influenced modern literary trends. These stories are interesting to their core and will bring pleasure to readers. Get ready to immerse yourself within these immortal works that have long been counted among the best of classic world literature: Fyodor Dostoevsky.

Included. The Apparition Of Mrs. Veal by Daniel Defoe,. Alice Addertongue by Benjamin Franklin,. The Legend Of Sleepy Hollow by Washington Irving,. Prosper Mérimée by Mateo Falcone,. Napoleon And The Spectre by Charlotte Bronte,. The Mortal Immortal by Mary Shelley,. Young Goodman Brown by Nathaniel Hawthorne,. Dr. Heidegger's Experiment by Nathaniel Hawthorne,. Overcoat by Nikolai Gogol,. The Tell-Tale Heart by Edgar Allan Poe,. The Cask Of Amontillado by Edgar Allan Poe,. An Honest Thief by Fyodor Dostoyevsky,. Frog by Edgar Allan Poe,. The Knitted Collar by Mary Anne Hoare.

Enchanting, tragic, and hilarious fairy tales for adults and children grace these pages. An initial glance might lead you to assume that these are satirical versions of classic Christmas ghost stories. However, beneath the humorous stories involving ghosts, repentant sinners, miracles, and good peasants who find well-deserved happiness, lies a psychological undercurrent that sharpens the sense of intrigue and plot movement. Often this is aided by the unrelenting social exposure of the authors who always understood how intangible the "bourgeois paradise" truly was.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

We are all driven by needs, desires, ambitions and many other forces. Life runs as normal with the obligatory ups and downs. In this volume such literary leviathans as Nathaniel Hawthorne, Nikolai Gogol, Edgar Allan Poe, Charlotte Perkins Gilman and many others provide tales from pens that seep with wisdom and worry.