Resultados narrador por "David Shaw Parker" en Todas las categorias

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

The name H H Munro is obscured beneath the literary mantle of his nom de plume; Saki. A writer of his times, the stories perfectly portray society’s whims and tastes in a delicate yet at times, barbed humour. A divine wit who conjured words into quite extraordinary works. Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

These six stories are, for the most part taken from the writer's experience as a professional actor (A Different Money, You Cannot Be My Hands and The Reputation Preceding Jack Vitalis) but there are others which include an oneiric distraction featuring the brittle but precise discipline of the fictional Japanese terpsichorean art form Littledance, a curious tale of revenge upon the cruel attack of a titled aristocrat upon an otherwise genial and hard-working interior decorator (The Tradesman's Entrance).

Ryūnosuke Niihara was born in Kyōbashi, Tokyo in Japan on the 1st March 1892. Sadly, his mother suffered severe mental illness after his birth and so, at only eight months old, he was sent to be raised by his maternal uncle and aunt, from whom he received the Akutagawa family name. Akutagawa published "Rashōmon" in 1915 and whilst it was disliked by his friends everyone else knew better. As other short stories followed so did his growing literary reputation as the father of the Japanese short story.

Alfred Lichtenstein was born on the 23rd August 1889, in Berlin-Wilmersdorf, the son of a Jewish manufacturer. He grew up in Berlin before studying law at Erlangen in Bavaria. A writer in the Expressionist style his poems and stories are short but beautifully honed works. His tragically curtailed life allowed only a small part of his talents to rest with us. Undoubtedly a full life would have given the world a very gifted literary force.

At the end of our days we will most likely lie for eternity in the cemetery or graveyard. Many of these, now wreathed in time, have a romance and overgrown beauty as nature keeps and shelters the dead. For our varied and talented authors, a major theme, or indeed character of the stories in this volume is that very location, and how they weave it into their narratives is both fascinating, enlightening and a wonderfully distinct way of telling classic short stories.

Edward Alexander Crowley was born on 12th October 1875 to wealthy parents in Royal Leamington Spa in Warwickshire. Life for Crowley was to abandon his parents’ Christian faith and instead to inject himself into Western esotericism. In 1898, he joined the esoteric Hermetic Order of the Golden Dawn and was trained in ceremonial magic before studying both Hindu and Buddhist practices in India. His literary works were both prolific and covered many topics. In the early part of his career he published many poetry books, even plays, before his darker and more forceful works.

Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. At the turn of the century he turned full time to writing and shortly thereafter in 1903 he moved to Paris and in 1908 published to great acclaim The Old Wives Tale. With this his reputation was set. Clayhanger and The Old Wives Tale are perhaps his most lauded novels.

James Hain Friswell was born in 1825. He was an English essayist and novelist. He was a frequent contributor to many of the leading periodicals of the day. Whilst his essays and short stories were highly praised his novels and poetry were treated with disdain. He died at Bexley Heath, Kent in 1878, aged 52.

Robert Barr was born in Glasgow, Scotland on the 16th September 1849. Five years later the family emigrated to a farm near Muirkirk in Upper Canada. Although a number of his crime novels and short stories are parodies on Sherlock Holmes and other best-selling detectives of the time, he also wrote short stories across a whole range of subjects and genres usually with intriguing ideas and many laced with wit and humour.

Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867. At university, he studied law and graduated in 1888 but never felt the urgency to practice—he was more interested in politics, journalism, literature and women. Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies.

Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family. As a child he devoured the works of Poe and Stevenson in French and then again in English. His attachment to the bizarre and dark was already forming. After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

In this volume your flesh may creep and crawl a little bit as our classic authors delve into the world of vampires. Some stories you may be familiar with but for most these will be new and unsettling experiences.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. Thus began a career that spanning three decades provided thirty-three novels, hundreds of short stories, and fourteen plays.

The duel is specifically about honour. A principle that humanity often takes too far, even today. In centuries past the duel was fought by two men who could resolve their quarrel in no other way. The victim felt anything from slighted to humiliated and must regain his honour, whatever the cost. Pistols at ten paces, or rather closer with swords, should see the matter settled. Of course, despite its arrival at violence there were many rules ands traditions to take account of.