Resultados de "Black Eye Entertainment" en Todas las categorias

The character of Jack "Flashgun" Casey was first penned by former newspaper and advertising executive George Harmon Coxe, Jr. in the March 1934 issue of Black Mask, the legendary Pulp Magazine. Casey was a cameraman who took photographs that accompanied reporter's newspaper stories. His keen eye for detailed served him well at solving the crimes he was assigned to photograph. "Flashgun" Casey was an instant success with the Black Mask readers and soon made the leap to the silver screen and to radio.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

The Cisco Kid was a popular film, radio, television, and comic book series based on the fictional Western character created by O. Henry in his short story “The Caballero’s Way,” published in 1907 in the collection Heart of the West. The Cisco Kid came to radio October 2, 1942, with Jackson Beck in the title role and Louis Sorin as Pancho. With Vicki Vola and Bryna Raeburn in supporting roles and Michael Rye announcing, this series continued on Mutual until 1945.

The Golden Age of Radio had incredibly scary mystery shows that kept Americans chilled and thrilled. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This is a terrific collection of 12 great radio mystery shows.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim & Marian Jordan in Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny, Bob Hope, Fred Allen, Bing Crosby, Groucho Marx, Ann Sothern as Maisie, and many more!

This collection contains 16 of the greatest shows ever broadcast during the golden age of radio - including episodes of The Jack Benny Program, The Abbott & Costello Show, Burns & Allen, Gunsmoke, The Amos 'n' Andy Show, Philip Marlowe, Gang Busters, Suspense, X Minus One, Our Miss Brooks, Sherlock Holmes, and many others. Relive the best radio shows from yesterday and the legendary stars that made them amazing in this incredible collection.

Created by S. S. Van Dine, Philo Vance was quite popular in books, movies, and on radio. He was portrayed as a stylish, very intelligent, and cultured private detective - an Americanized Sherlock Holmes - working out of New York. Not that Vance needed any help solving a crime, he did work closely with his secretary and right-hand woman Ellen Deering, and his pal John Markham, New York County District Attorney. First heard on NBC radio in 1945, Philo Vance, Detective enjoyed success in syndication beginning in 1948 starring Jackson Beck. This volume includes 16 episodes.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

The golden age of radio had incredible Western shows that kept Americans glued to their sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress. This collection includes Gregory Peck in an hour-long episode of The Gunfighter on the Screen Director's Playhouse; James Stewart as Brit Ponset, a.k.a. "the Six-Shooter"; William Holden in The Virginian on General Electric Theater; William Boyd as Hopalong Cassidy; William Conrad as US Marshal Matt Dillon on Gunsmoke; and many more!

The golden age of radio had incredible detective shows that kept Americans glued to their sets. Families gathered around their living room radios to hear their favorite Hollywood stars voicing fiction's most famous gumshoes. This collection includes Dick Powell as suave detective Richard Diamond, Vincent Price as the Saint, Jack Webb as Sergeant Joe Friday on Dragnet, Richard Kollmar as "enemy to those who make him an enemy, friend to those who have no friend" on Boston Blackie, and much more!

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on radio. It soon made a successful transition to television, becoming the longest-running dramatic series in TV history.

From the pens of the world’s best-known and respected supernatural fiction authors comes The Weird Circle - tales of mystery, suspense, horror, and the macabre! Now, enjoy sixteen of the greatest mysteries of all time! The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others), with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Life in Wistful Vista followed a well-developed formula but was always fresh. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista.

Father Knows Best was a situation comedy built around the Anderson family and life on Maple Street in the fictitious Midwestern town of Springfield. Robert Young starred as Jim Anderson, head of the household, husband of Margaret, and an insurance man by occupation. The couple had three children. The weekly radio script, although played for laughs, offered words of wisdom and “recipes for domestic happiness” that American families could identify with. Jim’s understanding wife Margaret was the picture of domesticity as mother to Betty (aged 18), Bud (16), and Kathy (10).

The CBS Radio Workshop aired from January 27, 1956, through September 22, 1957, and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. Creator William Froug launched the series with this powerhouse two-part adaptation of Brave New World and booked author Aldous Huxley to narrate his famous novel. The CBS Workshop regularly featured the works of the world's greatest writers, including Ray Bradbury, Archibald MacLeish, William Saroyan, Aldous Huxley, Lord Dunsany, and Ambrose Bierce.

The Stan Freberg Show ran on CBS radio for only 15 episodes in 1957. Despite its short run, the show developed running gags and stock jokes that are still remembered today. Much of the show took deadly satiric aim at the advertising business, making it difficult for CBS to find a sponsor. By week 13 it was apparent that a sponsor would not be signing on, so CBS cancelled the show. This collection features all 15 episodes of The Stan Freberg Show plus a bonus episode of The CBS Radio Workshop where Stan explains the art of satire to a skeptical censor.

Whitehall 1212 was the famous telephone number for Scotland Yard - the headquarters of the London Metropolitan Police Force - and also an exciting true crime drama from the golden age of radio! Whitehall 1212 was a crime drama that aired on NBC from 1951 until 1952. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum, Scotland Yard’s repository of death. Similar to The Black Museum, starring Orson Welles, Whitehall 1212 dramatized true-crime cases solved by Scotland Yard.

Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape! Escape, designed to free you from the four walls of today for a half-hour of high adventure! Escape was radio’s leading anthology series of mystery and high-adventure, airing on CBS from July 7, 1947 until September 25, 1954. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942, until September 22, 1955. Airing on CBS radio and sponsored by the Signal Oil Company, the Whistler (played by Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The Whistler often commented directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. One of the show's trademarks was the ironic twist endings that helped serve as a payoff for the listener.