Resultados de "G. K. Chesterton" en Todas las categorias

A wonderful collection of 30 of the greatest detective and mystery stories ever written. Featuring all the great classic sleuths, including Sherlock Holmes, Father Brown, Max Carrados, Dr. Thorndyke and Madame Rosika Storey. 1. 'Who killed Charlie Winpole?' By Ernest Bramah 2. 'The Blue Cross' by G. K. Chesterton 3. 'The Problem of the Five Marks' by Melville Davisson Post 4. 'The Comedy at Fountain Cottage' by Ernest Bramah 5. 'The Mysterious Card' by Cleveland Moffett 6. 'The Card Unveiled' by Cleveland Moffett

A compelling series of twenty essays sees Chesterton take aim at fashionable contemporary thinkers – writers and philosophers such as H. G. Wells, Rudyard Kipling and Bernard Shaw – who are proponents of rebellion and relativism. With his razor-sharp wit and charm, Chesterton cleverly unpicks these concepts, arguing that there is a better way forward.

Spirited and unpretentious, Chesterton's romp through English history recounts the thrilling story of a somewhat complicated nation, told through the soul of its people. From the Roman roads to the Magna Carta, the Reformation and the rise of democracy, Chesterton compellingly traces England's journey through history, often noting the persistent struggle between ordinary folk and overreaching elites.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather. Also present, in addition to the servants, simply because the Colonel likes his company is the local priest, Father Brown. The godfather has brought a gift for the young lady, a set of three gorgeous, large diamonds, which he has tucked away in his coat pocket.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.

Bold and prophetic, this essay is a scathing critique of eugenics and the danger it poses to both individual freedom and societal structure. With his trademark wit and moral clarity, Chesterton discusses the history of eugenics and the growing admiration of the movement – then gaining popularity amongst various intellectuals and politicians – arguing that this genre of ‘improvement’ threatens liberty, dignity and the rights of the poor.

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.