Resultados narrador por "Mitchley Richard" en Todas las categorias

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

John Clare was born on 13th July, 1793 in Helpston, a few miles north of Peterborough. Schooled only until the age of 12, his early career was that of agricultural labourer, pot boy, gardener and lime burner. His early life of hardship and frequent malnutrition led to his diminutive stature of five feet and contributed to his later health problems. In 1820 his first poems were published and began to earn him a reputation as the 'Northamptonshire Peasant Poet'. His poetry sold well, but only occasionally did that and other incomes keep his head above water.

Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the 23 year age difference.

The Graveyard Poets, also known as 'Churchyard Poets' or 'the Boneyard Boys' began in pre-Romantic days with a leaning towards gloom, melancholy and the general decay of churchyards. It should be remembered that in the 18th century city graveyards were a teeming mass of overcrowding and disease, their country brethren better but hardly idylls of worship. What would eventually lead to the Gothic literary genre began, in the main, with reflections by Christian clergymen upon God, mortality and the assumed afterlife.

In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection, but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and by May 1868 Hopkins firmly 'resolved to be religious'. Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.

One of the greatest of English poets, Edmund Spenser was born in East Smithfield, London, in 1552 and went to school at Merchant Taylors' School and later at Pembroke College, Cambridge. In 1579, he published The Shepheardes Calender, his first major work. Edmund journeyed to Ireland in July 1580, in the service of the newly appointed Lord Deputy, Arthur Grey, 14th Baron Grey de Wilton. His time included the terrible massacre at the Siege of Smerwick. The epic poem The Faerie Queene is acknowledged as Edmund’s masterpiece.

Whilst this given name and the poets included can seem at first glance broad and unmanageable, the name both historically and artistically is a near perfect fit. Those poets that pledged support to Charles I, a connoisseur and patron of fine arts, were in the main courtiers or closely aligned. Among their number were Robert Herrick, Richard Lovelace, Thomas Carew and Sir John Suckling. These poets shied away from verse on religion or philosophy but mused instead on love, joy and simpler things, very much living for the ‘now’.

The Pre-Raphaelite Brotherhood began as a group of painters, including Dante Gabriel Rossetti and William Holman Hunt, who wished to reject the stern and academic strictures of current painting and return to the simpler and more uncomplicated days before the Italian High Renaissance and the days of Raphael. The movement was short lived but very influential and, as well, was taken up by a number of different arts.

Benjamin 'Ben' Jonson was born in June 1572. A contemporary of William Shakespeare, he is best known for his satirical plays Volpone, The Alchemist, and Bartholomew Fair and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.

In 1667, Dryden published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London. This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670), as his talent encompassed many forms; from poetry to plays to translations. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697).

John Donne was born on 22nd January 1572 in London into a Roman Catholic family when Catholicism was illegal in England and there was turbulence and unrest with both state and church throughout much of Europe. His father, also named John, died when he was four, and his mother, Elizabeth Heywood, married a wealthy widower, ensuring the family were looked after. He received a good education in both Oxford and Cambridge but was unable to obtain a degree without taking the Oath of Supremacy, which as a Catholic he refused to do.

Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown. Drayton first published, in 1590, a volume of spiritual poems: The Harmony of the Church. Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. In 1593 he published Idea: The Shepherd's Garland, nine pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64-sonnet cycle.

Alexander Pope was born on May 21st, 1688 into a Catholic family in London. Over the years and centuries since his death, Pope’s work has been in and out of favour, but with this distance he is now truly recognised as one of England’s greatest poets. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

Over the far horizon the blanket of night begins to slowly dissolve. The sun is once more on its daily journey across the heavens. The light begins to sharpen and increase in intensity, revealing the landscape. Morning has begun, and dazed heads and sleepy faces come to terms with the new day. Our poets capture the mood, the emotions and all manner of other details in their descriptions of this time. But then with the calibre of wordsmiths such as Tennyson, Wordsworth, Milton, Southey, Donne and many more besides, we are almost spoilt.

The sun has descended below the far horizon. The inky blackness of night begins to envelop the land. Day has gone, and the nocturnal times reveal themselves. But above the dark blanket the moon, whether waxing or waning, stands sentry, and around it vast clouds and swirls of stars regiment themselves. We look up in awe and wonder, frail beneath their vista. Our gloried poets are on hand, though, to capture word and deed, emotion and feeling, friend and foe.

Shelley is one of the most revered figures in the English poetical landscape. Born on the 4th August 1792 he has, over the years, become rightly regarded as a major Romantic poet. Yet during his own lifetime little of his work was published. Publishers feared his radical views and possible charges against themselves for blasphemy and sedition. In this collection Shelley’s words are alive with intent, meaning and emotion. A true poet for all our ages.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

Westminster Abbey has seen much during its long, rich history: the coronations of Kings and Queens, the burials of Prime Ministers. However, it is also a church that remembers the men and women of the arts. Dedicated writers and poets who spoke so eloquently that the nation wished to remember them with plaques upon its walls so that all who travelled here could remember, too. Their works are worth remembering, and here, in these volumes, their wise words speak, too, and for us all. In volume 2 we collect together John Clare to DH Lawrence.

Romanticism was a new movement in philosophy and the arts that began in the late 18th century when major political events shook the world, such as the French Revolution and American independence. It marked a distinct contrast to the prevailing Enlightenment ideals and in poetry represented a more personal intuitive, emotional and meditative expression with a back-to-nature imperative. It subsequently altered the way in which we perceive poetry and beyond as well as defining our own modern sensibilities to the arts.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.