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Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. His poems, predominantly short and abstract, display another facet of his talent which questions, advises and presents his audience with much to contemplate. Some are difficult to engage with but with the effort comes the reward.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

Stephen Crane's The Red Badge of Courage is a powerful exploration of the psychological and emotional toll of war. Set against the backdrop of the American Civil War, the novel follows the journey of Henry Fleming, a young and inexperienced soldier eager to prove his courage on the battlefield. Faced with the harsh realities of war, Henry grapples with fear, doubt, and the complexities of heroism. As Henry confronts the chaos and brutality of battle, he undergoes a profound internal struggle, questioning his own motives and struggling to reconcile his romanticized notions of warfare with the harsh truths he encounters.

During the American Civil War, a young Union Army private named Henry Fleming envisions that his first battle will be like a great Homerian epic. Swollen with pride and the admiration of his entire hometown, he embarks on his great military adventure with confidence. However, when the bullets first start flying and the artillery shells first start exploding, he immediately flees the battle in total cowardice.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

After battling the tempestuous sea, four men in a boat finally spy land. But will the process of getting to the land be their undoing? Based upon Crane’s experience of surviving a shipwreck when traveling to Cuba, The Open Boat is an excellent example of literary Naturalism. H.G. Wells considered it “the crown of all [Crane’s] work”.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen.

Sich am Lagerfeuer Geschichten erzählen - so war das damals im Wilden Westen. Aber diese schöne Erzähltradition hat beileibe nicht nur in den USA stattgefunden, auch wenn die vorliegende Sammlung von Kurzgeschichten sämtlich von dort stammt! Mit dabei: "Wie man ein Feuer macht" (J. London), "Die Maske des roten Todes" (E. A. Poe), "Die Eine Million Pfundnote" (M. Twain), "Rip van Winkle" (W. Irving), "David Swan" (N. Hawthorne), "Die Braut kommt nach Yellow Sky" (S. Crane), "Der seltsame Fall des Benjamin Button" (F. S. Fitzgerald).

Scratchy Wilson will have his day. When word gets around that Sheriff Jack Potter is arriving on the afternoon train with his bride, Scratchy intends to raise all kinds of hell. Published in 1898, Crane’s story was indicative of the growing sentiment for the American West. B.J. Harrison’s authentic and textured narration brings a greater depth to this American classic.

Henry Fleming is a young man who feels the draw of the glory to be found on the battlefield. As the United States is torn by civil war, young Fleming joins the army and quickly finds himself caught up in the chaos of battle. As the canons roar and the muskets flame, Fleming suddenly find himself running, fleeing the battlefield!

If you've ever felt a primal urge to eradicate a snake that disrupts your evening walk then this short story from acclaimed author Stephen Crane will make sense. The adrenaline and fear many experience comes through loud and clear, "Beware, beware, beware."

While the title "His New Mittens" doesn't sound like an inspired title, acclaimed author Stephen Crane wrote this classic to help everyone understand - or identify - with the brain of boyhood. The early experiences of anger, pain, shame, and love most of us experienced as children, and escorted us into puberty, that we look back upon as adults.

A young boy finds a homeless dog desperate for love and brings him into his home. What is frightening about Crane's take on this typical relationship, a boy and his dog, are the parallels between the young boy's treatment of the dog and his abusive, alcoholic father's treatment of those around him.

The third in a series of American Western short stories compiled by Jon Tuska, and preformed by celebrity readers.

This short story by Stephen Crane and narrated by Glenn Hascall portrays a veteran of the Civil War accompanied by his grandson in a grocery store where the veteran admits that yes he was frightened when in battle. The grandson is disappointed that his grandfather would admit he was frightened, but of course the grandson could not - nor can anyone who has not witnessed it - fully appreciate the horror of that field. But later on the grandfather demonstrates that although he feels fear he is a hero.

"A Desertion" is a short story published in 1900 about a young woman who is suspected by others in the neighborhood of indiscretion that might trouble her father.

Edmond O'Brien reads the 1895 war novel by Stephen Crane. Considered one of the most influential works in American literature it features a young recruit in the American Civil War who is faced by the cruelty of war.