Resultados narrador por "Lucy Rayner" en Todas las categorias

Explore the enchanting world of Welsh fairy tradition as this guide unveils the enduring presence of these magical beings in Celtic myth and folklore. Join Welsh native Mhara Starling as she shares authentic Welsh beliefs, delves into the connection between magical practitioners and the fair...

By all accounts, Lucy’s handled her divorce well. She’s finally in the cozy, plant-filled house of her dreams. And although she doesn’t fit in with the other divorcées—all busy looking for their next ex—she’s excited to get down to earth and savor the small joys of life. When Lucy meets Elle, a hip younger woman who shares her same passions, their connection is instant. Taking a chance on kismet, Lucy forges a friendship that fills her days with meaning. She and Elle are inseparable, from sunup to sundown, enjoying the immediate ease and familiarity of each other’s company.

Epic poetry and tragic drama provide us with some of the richest ancient Greek depictions of women who are married to soldiers. In tales of the Trojan War, as told by Homer, Aeschylus, Sophocles, and Euripides, we encounter these mythical warriors' wives: Penelope, isolated but resourceful as she awaits the return of Odysseus after his lengthy absence; the war widow Andromache, enslaved and displaced from her homeland after the fall of Troy; the unfaithful and murderous Clytemnestra; and Tecmessa, a war captive who witnesses her partner's breakdown and suicide in the aftermath of battle. 

Ryszard loves Saxonia and desires to save the kingdom from the evil king. The miller's daughter, Galiana Mueller, agrees to help expose the king's terrible, selfish ways. As Ryszard spins gold for her to tempt the king with, he cannot help falling in love with her himself. The king soon demands Galiana's hand, wishing for more straw-spun-gold, more wealth, and more power. As he becomes corrupt entirely, Ryszard must utilize a power stronger than his magic, that of love or perhaps hope.

The kingdom knows their princess as Snow White, but the Queen Francesia, her stepmother, sees her for what she truly is, a monster. None other than the queen can see beyond the illusion of beauty. None see that she appears to be bone and ashes. No one else realizes that the child drinks blood and even kills. As the child grows, so does her thirst. Francesia knows she must stop Bone Ash, lest the princess devastate the entire realm. One will be the harbinger of the other's death, but who will survive?

A terrifying monster of a beast has captured Gervais's lady love, and he will stop at nothing to save his beauty. Posing as a gardener, the brave and strong Gervais attempts to study the beast that he longs to kill. Isabelle Mercier is the only woman he has ever cared for. When he sneaks his way inside the castle, Isabelle refuses to come with him. Could she have fallen for the beast? Is it too late for Gervais to save her?

At only sixteen years of age, she is a beautiful terror, with her wavy blond locks and her shockingly violet eyes. Her skin is as fair as she is foul. Only I can stop her. Only I dare to rise up against her, for the sake of a kingdom that is not my own. Others may scorn me for interfering, but interfere I must. I will not allow this exquisite monster to harm more than she already has. Some might call me the monster, but I? I know the truth, and I will not hesitate to do what I must.

Cinderella's powers will destroy the Kingdom of Fantasia, and the only one who can save the kingdom is her "wicked" stepmother. Lady Angelique puts her second husband to rest, then tries to do right by her step-daughter Eleonore, but when Eleonore's mystical abilities put Angelique's own daughters' lives at risk, she makes the difficult decision to lock the girl in the tower to keep the family safe.

The essential self-help guide to living in Ancient Rome, covering all areas of everyday life in this ancient civilization, from religious beliefs and travel through to what to wear.

1326 was one of the most dramatic years in English history. The queen of England, Isabella of France, invaded the country with an army of mercenaries to destroy her husband's powerful and detested lover, Hugh Despenser the Younger, and brought down her husband, King Edward II, in the process.

Ven has her future all planned out. Her dance group is going places and so is she . . . Then she collapses. On stage. In hospital, Ven discovers that she has a medical condition—one that threatens to ruin everything. No more dancing . . . walking is challenging enough. But she doesn't want your pity. Ven is determined to have a big, exciting life. Sure, her future might be different, but it's not over . . . Because if you can't dance, you can always sing!

July 1816. Kendra Donovan could use a distraction. The FBI agent has been dealing with a serious case of cold feet after impulsively agreeing to marry Alec, the Marquis of Sutcliffe. And if that isn't enough, there is also the tantalizing possibility that maybe, just maybe she could return to her own timeline. When Reginald Lansing, the Earl of Craymore, is found mortally wounded on the Duke of Aldridge's land, Kendra gets the distraction that she's been looking for. 

Jane Ellen Harrison (1850-1928) is the most famous female Classicist in history, the author of books that revolutionized our understanding of Greek culture and religion. A star in the British academic world, she became the quintessential Cambridge woman—as Virginia Woolf suggested when, in A Room of One's Own, she claims to have glimpsed Harrison's ghost in the college gardens. This lively and innovative portrayal of a fascinating woman raises the question of who wins (and how) in the competition for academic fame. Mary Beard captures Harrison's ability to create her own image.

When Neith Salah—a quantum curator charged with traveling to our parallel Earth to rescue precious artefacts—is ordered to save a priceless Faberge Egg, she figures it's just another job. The only problem: she's not sure what the egg looks like. Or where it is. Or when it is.

Enter Regency-era England—and a world in which magical mayhem and high society go hand in hand—with three novels featuring cousins Cecelia and Kate. In Sorcery & Cecelia, the two cousins have been inseparable since girlhood. But in 1817, Kate goes to London to make her debut into English society, leaving Cecelia behind. While visiting the Royal College of Wizards, Kate stumbles on a plot to destroy a beloved sorcerer—and only Cecelia can help her save him.

A bloodied and bruised girl runs out of the woods and into the path of oncoming traffic. The police are shocked to discover that she's a missing schoolgirl they've been trying to find for the past three weeks. Traumatized by her ordeal, she's unable to tell them what happened to her. When the case involving the missing schoolgirl and the murdered woman is taken on by the newly-formed Murder Force, Detective Inspector Danica Summers is touched by the vulnerability of the victims and is determined to capture the monster who ruined their lives.

Duty-bound to seek revenge, Broderick MacConnaway, son of the Thane of Dunkeld, lives haunted by memories of his lost wife, Aisling. Forming an alliance with the Lochlann family presents its own trials, but if the marriage allows him to fulfill his vengeance, then so be it. Even if the guilt over Aisling prevents him from ever loving again.... But when sinister intentions surface and Amabel is captured before she has a chance to reveal them, Broderick is forced to see past the deceptions and begin another campaign of vengeance.

Etta's happy with her simple life in the mill, but when her aunt passes and leaves her a very peculiar cat, everything goes awry. Now, determined to find her place in the world, Etta's learning to hunt, having audiences with a king, and falling for a man who's keeping something from her. Beau's happy at sea until his father passes and leaves him with an odd last request. Now he's setting up shop in a small town, searching for ogres, and, inconveniently, falling for the miller's sister - who just happens to be taken with someone else. 

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

England 1801: Lady Louisa, daughter to the Earl of Whickerton, never thought she would ever have reason enough to hate anyone; especially not Phineas Hawke, Viscount Barrington, the man with the most wickedly dark eyes she has ever seen. Louisa is suddenly forced to realize that the man she could easily have lost her heart to has discovered her most shameful secret. Anger settles in her heart, burying all tender emotions, as she tries her utmost to ignore him. That is easier said than done.