British Library Women Writers

The book opens with Neville celebrating her 43rd birthday and contemplating middle age now that her children are grown. Her mother, in her 60s, seeks answers to her melancholy in Freudianism. Her sister, Nan, a writer who has hitherto led a single and carefree life in London, experiences the loss of love and with it her plan for the future. And Neville's principled daughter, Gerda, who is determined not to follow her mother's generation into the institute of marriage, finds herself at an impasse with the man she loves.

The Tree of Heaven follows the fortunes of the Harrison family as the children grow up in the shadow of the First World War and Dorothy's brothers go off to the trenches, while she becomes involved with the suffrage movement, and later joins a version of the Women's Social and Political Union.

Tells the story of the married life of Nevis Falconer, a young woman novelist, and Simon Quinn. Temperamentally unsuited, they live this superficial existence for three years, until one day Nevis meets Marcus Chard, her American publisher, who has just arrived in London. Soon friendship develops into love. Nevis finds herself caught in a whirl of circumstances over which she has no control.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

'You don’t mean you're going to divorce him?' Miss Spanner said with horror. A sophisticated, emotive novel, Chatterton Square concerns the complex web of relationships between two neighbouring families, the Blacketts and the Frasers. Framed by the advance of the Second World War, the subtle mechanics of marriage and love are laid bare through the observation of three of the marital options open to the mid-century woman: unmarried, separated, miserably married.

David Tompkins thinks it is a splendid idea to open a tea garden at his Kentish cottage. His wife, Germayne, is not so sure. The local villagers are divided on the matter, and not necessarily supportive, particularly Mr Perch at the Dolphin, who sees it as direct competition to Mrs Perch's own tea garden. It doesn’t bode well when the official opening coincides with a break in the beautiful weather.