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The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Dickens called David Copperfield his "favourite child," and many critics consider the novel to be one of his best depictions of childhood. Set in early Victorian England against a backdrop of great social change, Dickens acutely observed the phenomena of the Industrial Revolution and used them as the canvas on which he painted the novel. Many consider David Copperfield to be the author’s finest work.

In the scorched lands of the Maharaan lives a dark-skinned girl soon to become a woman. Capable and strong, confident and caring; all she has known is peace, all she has known is purpose. All she will bring: Death. On the icy plains, beyond the Gadori forests, lies a dead boy. Forgotten by the world and himself, he is about to be given the hardest challenge of all: Life. In the center of Kasmah one sits above all, the Integra Divinitas. Beyond the trappings of the common, bound to mankind by responsibility.