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Grumpy bad-boy tattoo artist, Conor Mac Haol, doesn't trust anyone. Least of all the new girl apprenticing at his beloved Dublin Ink. She is way too pretty and way, way too young. Coming from a broken home, Aurnia has had to grow up faster than most girls. She doesn't need anyone telling her what to do. Least of all Conor, her new (very hot, very muscled, very tattooed, and very, very rude) boss who obviously hates her. But Aurnia's troubles remind Conor too much of his dark past. He becomes obsessed with keeping her safe. Keeping her protected.

Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, June 16th 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

Though Ulysses is widely regarded as a "difficult" novel, this fresh and lively reading shows its comic genius as well as its great moments of poignance, making it more accessible than ever before.

Finn Quinn is the peacemaking charmer of the family—until he’s not. As the youngest Quinn brother, I’m the hacker, the ghost in the system, the one who keeps our empire running from behind a screen. My brothers? They are the ones who are feared and respected in the streets. I’m done feeling invisible. I’m more than a keyboard jockey, and when the war for control of Dublin explodes, and Billy Gravely makes his move, I’m ready to show them all what I’m made of.

My name is Madelaine Moneta and I am a survivor. I fought my way up from the streets of Chicago to claim a spot at one of the top-tier criminal defense practices in the city, but when the looming shadow of the local mob threatens to engulf the firm, I make a life-altering decision. Carrying my mother’s ashes, I escape to Ireland, intent on starting anew in my mother’s homeland.

For twenty-one summers, Sylvia has evaded the ironclad rules set by her village, driven by an insatiable curiosity to know the world beyond the confines of the willow her fellow fairies call home. Her ventures often lead her to the vacant human mansion beyond Elysia’s forest, where ghosts whisper and ancient treasures beckon in the darkness.

Bryan Quinn. Dublin Beast. Soulless criminal. Despised bastard. I protect my family, fight our battles, and uphold the Quinn legacy in Dublin’s brutal underworld. We have a code—the Quinn Laws—and while women are normally off-limits, Siobhan Daley betrayed us, acted on behalf of our enemy, and poisoned our father. She will pay for taking the life of someone I love—not that it’s the first time. But this time I have someone to hunt down. Someone to punish.

Dublin-born Sean O’Connor rules the streets of Kilburn with his charm and his fists. But the locals don’t take kindly to an Irishman muscling in on their patch—and they’re out for blood. As a turf war heats up, Sean digs in deeper, determined to protect his empire and his family. But every move he makes pulls him further from the life he promised his wife, Josie, and their young daughter, Orla. Josie just wants out—a quiet life far from the violence and vendettas. But with Sean risking it all, escape might no longer be an option.

He is the most feared man in Dublin, and his reputation is hard-earned. As the second born to the Quinn family, while my older brother, Tag, navigates the politics of running of our territory, I run our army. The Dublin Devils is the Quinn motorcycle club, and we are a powerful force. Roaring through the Dublin streets, I command both fear and respect from everyone north of the River Liffey—and from much of the McGuire territory to the south of the river as well. Not that Quinns go south of the river.

This debate took place oi October 2008, sponsored by the Literary and Historical Society of University College Dublin. The proposition being debated was "that this house finds it irrational to believe in God". Dr. Montgomery and colleagues argued in support of the opposition. The audience of approximately 400 voted to defeat the proposition.

This debate took place on October 2008, sponsored by the Literary and Historical Society of University College Dublin. The proposition being debated was, "That this house finds it irrational to believe in God." Dr. Montgomery and colleagues argued in support of the opposition. The audience of approximately 400 voted to defeat the proposition.

Following the suicide of her teenage mother, baby Fiona is put into State care. Fiona doesn’t know her absent father was the disgraced God of Love. Growing up, she suffers abuse and bullying and begins to see Otherworld creatures such as trolls and faeries, and worries for her sanity. Fiona discovers she has a physical strength beyond what is normal, and can fight the bullies, but is branded as violent and held in an Institution for the criminally insane. She is released on her eighteenth birthday into a hostel in Dublin City, Ireland.

Amerikanske Jocelyn flygter fra sin tragiske fortid i USA og slår sig ned i moderens hjemland, Skotland. Alt er fint, indtil Jocelyn flytter ind i en lejlighed på Dublin Street - og møder en mand, som vender op og ned på hendes beskyttede/skærmede tilværelse. Forretningsmanden Braden Carmichael er vant til at få det, han vil have - og han vil have Jocelyn. Velvidende at Joss ikke er til faste forhold, foreslår han en ordning, som med garanti vil tilfredsstille dem begge.

I can’t remember anymore if my grandfather’s eyes were blue or green, but I’ll never forget the way they wrinkled at the corners when he laughed at one of his own jokes. Or the way they sparkled with mischief when he told me tales about the magical creatures that dwelled in the forest behind his humble Irish sheep farm. As a child, I believed every fantastical word. But when he warned me about the mute boy who also lurked in those woods, the one the priest had declared to be the spawn of Satan himself, I refused to listen.

Immobilità e banalità, voglia di fuga e frustrazione. Gente di Dublino è la celebre raccolta di racconti di James Joyce, attraverso la quale lo scrittore...

Die magiebegabte Leslie arneitet im Antiquitätenladen "Pot of Gold", wo sie sich mit lästigen Kunden herumschlägt und iherer Leidenschaft für sarkastische Kommentare und magische Artefakte nachgeht. Letztere wird ihr zum Verhängnis, als sie trotz Warnung ein geheimnisvolles Ouijabrett öffnet. Dass es sich in den dämonischen Nathaniel verwandelt, der einem nervigen Teenager erschreckend ähnelt, hat sie dabei nicht geahnt.

« Dubliners » de son nom original est un passionnant recueil de nouvelles modernistes écrit par James Joyce qui dépeint de manière remarquable la vie quotidienne des gens de Dublin. Vivant à l'étranger mais écrivant toujours sur sa ville natale, Joyce a rendu Dublin inoubliable ! Les histoires des gens de Dublin décrivent des buveurs d'alcool, des séducteurs, des nationalistes, des commères, des politiciens corrompus et des ados oisifs qui s'efforcent de s'en sortir...

Die Hexe Ciara setzt alles daran, eine erfolgreiche Reporterin zu werden, und endlich zahlt sich ihre Mühe aus: Sie darf ihr Idol, einen berühmten Duellmagier, interviewen. Als er Hilfe sucht, weil eine Banshee seiner Familie den Tod ankündigt, wendet Ciara sich an ihre Freundin Leslie und den Privatdetektiv Victor.

Questa famosa raccolta di racconti vuole offrire uno spaccato dell’esperienza dublinese di Joyce. I quindici racconti restano sospesi nella nebbia della città, cogliendo delle istantanee nella vita dei suoi personaggi, offerte così, senza un inizio o una fine nel senso stretto della parola. Dal racconto più lungo, I morti, è stato tratto un film.

James Joyce fu uno dei più importanti scrittori del XX secolo e la sua raccolta di storie "Gente di Dublino", pubblicata nel 1914, fornisce un quadro realistico di come era la vita in Irlanda all'inizio del 1900. Alcuni dei personaggi che compaiono in "Gente di Dublino" saranno familiari ai lettori dell'altro capolavoro di Joyce, Ulisse. "Gente di Dublino" è un'eccellente introduzione al lavoro di James Joyce, le cui altre opere sono stilisticamente e linguisticamente più complesse.