Resultados para "Elliot" en Clásicos

INTRODUCED BY INTERNATIONAL BESTSELLER STEPHEN KING A STUNNING COLLECTION OF DAPHNE DU MAURIER'S THIRTEEN DARKEST STORIES - INCLUDING 'THE BIRDS' AND 'DON'T LOOK NOW' Amid the reflections and twisting alleyways of Venice, a grieving couple are haunted by the past. On a sharp December day, the...

FROM THE BESTSELLING AUTHOR OF REBECCA. 'I want to know if men realise when they are insane. Sometimes I think that my brain cannot hold together, it is filled with too much horror - too much despair . . . I cannot sleep, I cannot close my eyes without seeing his damned face. If only it had been...

The story is about a 25-year-old Harvard student who follows a "clean" life. He marries a 40-year-old clean Southern woman and the two try very hard to have a baby. Eventually, both become disenchanted with each other, and the wife's girlfriend moves in to live with her.

"Silas Marner: The Weaver of Raveloe" is a novel by George Eliot. Her third novel, it was first published in 1861. An outwardly simple tale of a reclusive weaver, in its strong realism it represents one of Eliot's most sophisticated treatments of her attitude to religion.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.

Abraham Stoker was born in Dublin, Ireland on the 8th of November 1847, the third of seven children. Strikingly at Trinity College, Dublin his health had returned with such vigour that he was named their University Athlete whilst also achieving a BA in Mathematics with honours. At this time his interest in theatre became a job offer to be the Dublin Evening Mail’s theatre critic, co-owned by Sheridan Le Fanu. He now began to also write short stories and in 1872 ‘The Crystal Cup’ was published. An interest in art developed and he co-founded the Dublin Sketching Club.

Wilkie Collins was born on 8th January 1824 in Marylebone, London. He pursued his education at Mr Cole’s private boarding school in Highbury, Islington. Here, he began his literary career under unusual circumstances: the school bully would give him no peace until he had been told a bedtime story. This ‘little brute’ helped create one of England’s greatest writers.

Abraham Stoker was born in Dublin, Ireland on the 8th of November 1847, the third of seven children. He began to also write short stories and in 1872 ‘The Crystal Cup’ was published. An interest in art developed and he co-founded the Dublin Sketching Club. Despite this busy life Stoker continued to write and these works paved the way for his most famous creation, published in 1897, ‘Dracula’. It is rightly recognised as one of the greatest horror novels of all time and although not the first with a theme of Vampires, it is undoubtedly the most well-known.

It is a delicious literary irony that Mary E. Penn, a writer of ghost, crime and mystery short stories during the Victorian era, is a complete enigma. All that remain of her life are the 29 or so stories that were published or attributed to her. ‘In the Mist’ is set in the county of Cornwall. When two lovers jealously quarrel, the result appears to end in murder. But what exactly did happen?

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In this tale a man buys a down-and-out a drink and so begins a tale of friendship, of manipulation and ultimately of the truth.

Victor Marie Hugo was born on 26th February 1802, in Besançon, France. There can be no doubt that Hugo is ranked as the greatest of French authors and poets. In ‘Claude Gueux’ one prisoner dares to challenge a system and its cruel Governor who takes away his only friend purely out of spite. The consequences are appalling.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Kipling in these more modern times is increasingly seen as an apologist for the bad ways of evil empires. It’s a simplistic analysis and avoids much of his literary talent that is entertaining, scary and downright brilliant storytelling whatever the background it is based on or comes from.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

This book is often thought to be the story of Jane Austen's own lost love. In it, she seems mellowed and more philosophical, touched perhaps by the sentiment of a story in which she saw herself as the heroine but in whose happy outcome she has a premonition that she would never play a part.