Resultados de "Barry Pain" en Todas las categorias

A pompous and pooterish city clerk with social pretensions relates anecdotes of suburban life in Edwardian England, as he and his patient and long-suffering wife, Eliza, deal with various crises and contretemps—including the vexed question of visiting cards; a malfunctioning music player; the mistreatment of the narrator’s hat; a mushroom (or toadstool) in the front garden; and the ongoing struggle to balance the household accounts …

Barry Pain was noted for his humorous tales of “Eliza” and her husband, but his tales of the weird and supernatural are equally noteworthy. This volume, More Tales in the Dark, contains eight of them.

Eliza was the first volume of the Eliza Stories by Barry Pain (1864-1928). It was published in 1900 and was the first of these stories that appeared in cheap editions and were sold on railway bookstalls. The stories were hugely popular and made Pain's name. Although the book is titled Eliza, it is her husband who is its comic hero.

Six creepy horror stories of sinister, murderous and ghostly cats. 'The White Cat' by Hugh Walpole; 'The Cat' by E. F. Benson; 'The Cats of Ulthar' by H. P. Lovecraft; 'The Black Cat' by William James Wintle; 'The Grey Cat' by Barry Pain; 'The Black Cat' by Edgar Allan Poe.

A gripping collection of the very best classic mystery and adventure stories. 1. "Rose Rose" by Barry Pain 2. "The Perfect Crime" by Seamark 3. "The Well" by W. W. Jacobs 4. "The Tea-Leaf" by Edgar Jepson and Robert Eustace 5. "The Step" by E. F. Benson 6. "The Queer Feet" by G. K. Chesterton 7. "The Beast with Five Fingers" by W. F. Harvey 8. "The Enemy" by Hugh Walpole 9. "An Impromptu Dance" by A. J. Alan 10. "The Red-Headed League" by Sir Arthur Conan Doyle 11. "The Wedding Guest" by Guy Boothby

An enthralling collection of strange stories where characters are challenged to do something completely out of the ordinary. The Earl, the Warder and the Wayward Heiress by J. S. Fletcher, The Giraffe Problem by Barry Pain, The Man who Stole a Meeting House by John Townsend Trowbridge, The Box Tunnel by Charles Reade, A Lucky Number by S. B. Hale, The Brown Wallet by Stacy Aumonier, The Bet by Anton Jacobs

A glorious collection of some of the finest British short stories ever written. The Dog – Arnold Bennet, Not On The Passenger List – Barry Pain, The Old Man’s Tale About The Queer Client – Charles Dickens, The Half Brothers – Elizabeth Gaskell, The Veiled Portrait – James McGovan, Markheim – Robert Louis Stevenson, The Bottle Imp – Robert Louis Stevenson, The Adventures Of The Kind Mr. Smith – William J. Locke, The Man Of Mystery – Barry Pain, The Brazilian Cat – Sir. Arthur Conan Doyle.

A collection of 45 short stories which threaten to unhinge the listener's mind. Strange phenomena, insane genius, inexplicable happenings and the inability to deal with life and death are all themes which run through this brilliant selection.

A colourful palette of short stories featuring artists and their love of paintings. "Rose Rose" by Barry Pain, "The Cat" by E. F. Benson, "The Model Millionaire" by Oscar Wilde, "A Queer Night in Paris" by Guy de Maupassant, "Portrait of a Lady" by Jerome K. Jerome, "Miss Harriet" by Guy de Maupassant, "The Oval Portrait" by Edgar Allan Poe, "My Adventure at Chislehurst" by A. J. Alan, "The Stalled Ox" by Saki, "The Room in the Tower" by E. F. Benson.

Fifty of the greatest classic horror stories ever written: 1. "The Beast with Five Fingers" by W. F. Harvey 2. "The Well" by W. W. Jacobs 3. "The Nightmare Room" by Sir Arthur Conan Doyle 4. "The End of a Show" by Barry Pain 5. "Bagnell Terrace" by E. F. Benson 6. "Fingers of a Hand" by H. D. Everett 7. "The Interruption" by W. W. Jacobs 8. "Gavon’s Eve" by E. F. Benson 9. "The Ring of Thoth" by Sir Arthur Conan Doyle 10. "Moon’s Gibbet" by Egerton Castle 11. "The Mystery of Sasassa Valley" by Sir Arthur Conan Doyle

A creepy collection of 50 classic ghost, horror and mystery stories which will keep you up all night. 1. "The Well" by W. W. Jacobs; 2. "This Is All" by Barry Pain; 3. "The Beast with Five Fingers" by W. F .Harvey; 4. "The Reticence of Lady Anne" by Saki; 5. "The End of a Show" by Barry Pain; 6. "The Dabblers" by W. F. Harvey; 7. "The Room in the Tower" by E. F. Benson; 8. "August Heat" by W. F. Harvey; 9. "The Idiot" by Arnold Bennett; 10. "The Cask of Amontillado" by Edgar Allan Poe...and many more.

There are certain stories which stand out from the crowd owing to the unique creativity of the plot and the skill with which the author unfolds his tale. This selection contains 50 of the most ingenious short stories ever written. Includes: 'The Lighthouse on Shivering Sand' by J. S. Fletcher; 'The Umbrella' by Arnold Bennett; 'The Lovely Lady' by D. H. Lawrence; 'The Lake' by W. F. Harvey; 'A Tiger’s Skin' by W. W. Jacobs; and 'The Strange Case of Mr. Todmorden' by F. Britten Austin.

Critically acclaimed audiobook reader Barnaby Edwards (Doctor Who, The Voyage of the Beagle, Space Danger) performs 11 tales of ghostly gothic spookiness. From tales of vampyres and spirits to devil’s deals and ethereal coachmen. Short but oh so sweet, these 11 stories from some of the most lauded authors of the Gothic period prove that you need only a few pages to tell a truly terrifying tale.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge, on 28th September 1864. He was one of 4 children. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.