Resultados para "F Marion Crawford" en Clásicos

Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

Francis Marion Crawford (1854-1909) was an American writer, born in Italy and educated in the USA. He also studied at the universities of Cambridge and Heidelberg. He was a prolific writer in many fields, but it was his novels that were most popular, commanding a large following. His stories of the macabre and supernatural are very highly regarded. Roy Macready reads five of them from Uncanny Tales.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

Francis Marion Crawford, an only child, was born on 2nd August 1854 at Bagni di Lucca, Italy. He was a nephew to Julia Ward Howe, the American poet and writer of ‘The Battle Hymn of the Republic’. In the late 1890s, Crawford began work on his historical works which would later include ‘Corleone’, in 1897, the first major treatment of the Mafia in literature. Crawford is also exceedingly popular and anthologized as a short story writer of bizarre and creepy tales.

Francis Marion Crawford (1854-1909) was an American writer noted for his classic weird and fantastic stories, especially those set in Italy. One of the most famous of these is 'For the Blood Is the Life' - a strange and uncanny vampire story set on the coast of Calabria.

This eerie collection includes: "The Doll's Ghost", "Thrawn Janet", "The Watcher", "The Old Nurse's Story", and "The Canterville Ghost".

This collection comprises another 40 stories by and inspired by the originators of weird fiction. From White's seminal body-shocker, Lukundoo, through to Howard's dastardly Pigeons from Hell, and Benson's nightmarish The Room in The Tower. Time immemorial; worlds unimaginable.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Originally published in two volumes, Katharine Lauderdale tells the tale of a would-be New York society belle, if it were not for her miserly father. Her older sister has escaped the unhappy parental home by marrying and Katharine plans to do the same, but her father has already refused to sanction her nuptials with her cousin and childhood sweetheart, Jack Ralston. Desperate measures are needed and what role will rich Uncle Robert play in the future of the young people? How will the young couple's defiance of family and society affect their future life together?

A gripping collection of some of the world’s best classic adventure stories....

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

A wonderful collection of 50 of the best classic ghost stories ever written. 'The Missing Model' by Lettice Galbraith, 'Pomegranate Seed' by Edith Wharton, 'The Screaming Skull' by F. Marion Crawford, 'The Ghost in the Cupboard Room' by Wilkie Collins, 'The Shadow on the Blind' by Louisa Baldwin, 'A Ghost's Revenge' by Lettice Galbraith, 'The Lost Ghost' by Mary Wilkins-Freeman, 'On the Northern Ice' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Dust Cloud' by E. F. Benson, and many more.

A spine-chilling collection of creepy, unsettling and unnerving stories. 'If You See Her Face' by B. M. Croker. 'The Ghost at the Blue Dragon' by William J. Wintle. 'The Shadows' by Henry S. Whitehead. 'The Grey Cat' by Barry Pain. 'The Yellow Globe' by Alexander W. Drake. 'The Devil of the Marsh' by H. B. Marriott-Watson. 'The Spectre Spiders' by William J. Wintle. 'The Curious Vehicle' by Alexander W. Drake. 'Number Ninety' by B. M. Croker. 'The Black Cat' by William J. Wintle. 'The Permanent Stiletto' by W. C. Morrow. 'Passing of a God' by Henry S. Whitehead. 'The Chamber of Doom' by William J. Wintle. 'The White Cat' by Hugh Walpole. 'The Loosened Cord' by Alexander W. Drake. 'Mrs. Brassington-Claypott's Children's Party' by F. Anstey. 'The Inmate of the Dungeon' by W. C. Morrow. 'The Red Rosary' by William J. Wintle. 'Caveat Emptor' by F. Anstey. 'The Former Passengers' by B. M. Croker...and over 20 more unsettling tales.

A splendid collection of seafarers' tales. "Choice Spirits", by W. W. Jacobs; "A Descent into the Maelström", by Edgar Allan Poe; "Pickled Herring", by W. W. Jacobs; "The Secret Sharer", by Joseph Conrad; "Mixed Relations", by W. W. Jacobs; "The Upper Berth", by F. Marion Crawford; "The Finest Story in the World", by Rudyard Kipling; and many more.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.