Resultados para "Hard Times" en Literatura y ficción

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is the shortest of Dickens's novels. It is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester.

Through the story of Thomas Gradgrind, a strict, no-nonsense man who values "facts" above all else, Dickens explores the consequences of an education system that prioritizes logic and reason over imagination, emotion, and humanity. Gradgrind's rigid philosophy deeply affects his children and the lives of many others, including the innocent and idealistic Sissy Jupe, whose life is shaped by her connection to the circus and its emotional, colorful world.

'Teach these boys and girls nothing but Facts. Facts alone are wanted in life.' So says Thomas Gradgrind, a wealthy, utilitarian school board superintendent. Father to Tom and Louisa, he shapes the minds of all the young children, including his own, with the exception of only one: the circus-born Sissy Jupe.

Hard Times is Dickens' scathing portrait of Victorian industrial society and its misapplied utilitarian philosophy. And Thomas Gradgrind is one of his most richly dimensional, memorable characters. Filled with the details and wonders of small-town life, Hard Times is also a daring novel of ideas---and ultimately a celebration of love, hope, and the limitless possibilities of the imagination.

Step into the industrial heart of 19th-century England with Charles Dickens' powerful social critique, Hard Times. In this compelling tale, Dickens explores the stark realities of a society driven by utilitarianism, class division, and the relentless demands of industry. This story unfolds in the fictional mill town of Coketown, where human compassion is overshadowed by cold calculation and where the struggles of the working class clash with the ambitions of the wealthy.

Hard Times is set in and around Coketown, a fictitious, Victorian mill town in the North of England. A town of red brick, machinery, and tall chimneys. A town blackened by soot, shrouded in mist, and choked by smoke. The working men and women of Coketown, referred to generally as "Hands" as if they were merely extensions of the machinery they operate, and not individuals with loves and likes, memories and inclinations, souls to weary and souls to hope.

Despite the title, Dickens's portrayal of early industrial society is less relentlessly grim than that in novels by contemporaries such as Elizabeth Gaskell or Charles Kingsley. Hard Times weaves the tale of Thomas Gradgrind, a hard-headed politician who raises his children Louisa and Tom without love and to have no empathy, their lives completely devoid of beauty, culture, or imagination. Only after a series of crises does their father realise that the manner in which he raised his children has ruined their lives.

In the spare, no-nonsense Gradgrind household, Tom and Louisa are raised according to their father's unyielding guiding philosophy: facts - nothing but facts. But while a ban on imagination is mere policy for the Gradgrind children, lack of whimsy is a necessary survival skill in Coketown, the grimy and grim working-class burg devoted to nothing but the relentless advance of industry...

This short novel follows the fate of Sissy Jupe, a warm-hearted circus child, and the family that adopts her. Deserted by her ailing father, Sissy is taken into the cold household of the Gradgrind family, which operates a school. The "eminently practical" Thomas Gradgrind believes only in facts and figures and has raised his children accordingly, thoroughly suppressing the imaginative side of their nature, and the consequences are devastating.

Self-made cotton mill owner and braggart Josiah Bounderby marries Thomas Gradgrind's daughter, Louisa. He later accuses a dismissed laborer of stealing from his bank, but the culprit's identity is revealed as a surprise to everyone! This Dickens tale, about the pratfalls of utilitarianism and the gifts of joy and love, is an underappreciated classic.

'Now what I want is Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life…'. So says Thomas Gradgrind in Dickens' immortal story set in the North of England in the 19th century. Gradgrind, a local industrialist, gave this advice to his children, set against a backdrop of huge wealth and even huger poverty, where the rich marry for money and the poor cannot afford to divorce.

One of Dicken’s best works appraising English society. Highlights the social and economic pressures of the times. A masterwork.

Charles Dickens's Hard Times (1854) is a satirical novel, as well as a romantic one. It is a commentary on social issues of the Industrial Revolution. He sets the tale in his imaginary northern location of Coketown. Gradgrind, father of Tom and Louisa, as the superintendent of schools wants education and life to be founded on facts alone. Bounderby, a Banker, and Industrialist is a boastful, bullying, self-proclaimed vagabond made good

Hard Times is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirizes the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it. Moreover, it is his only novel not to have scenes set in London. Instead, the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town.

The library girls are back, striving for a better tomorrow As the war reaches London, they’ll band together… War strikes close to home for chief librarian Cordelia when her flat is bombed, and her beloved Robert is called up and sent abroad. Fortunately, her colleagues Mavis and Jane can...

Hard Times is Dickens's most political novel. Set in the industrial north of England, in Coketown, he examines the lives of working people, who are taught by the capitalists Gradgrind and Bounderby to think only of the facts of life and not to indulge in imagination. Gradgrind’s own children have been so educated and as a result are dysfunctional and disconnected from their feelings. Only the travelling circus company of Sleary seems to offer any hope of humanity in Coketown.

In Coketown, England, wealthy retiree Thomas Gradgrind has founded a school based on his belief that life should be factual - not fanciful. Among his pupils are his children, Thomas and Louisa, who are raised on his teachings of rational self-interest and grow into loveless, despairing adults. As he bears witness to his children’s suffering, Gradgrind is forced to confront the dangers of his dispassionate, utilitarian philosophy.

Bestselling author Chrissie Walsh is back with another gritty, heartbreaking historical saga to escape into When the Great Depression hits Liverpool hard, can Weaver Street's close knit community keep each other safe? As Liverpool and its residents begin to heal from the wounds and memories of...

Even before I met them I knew they were trouble. It was supposed to be a simple prison transfer that ended up anything but. Hunter and Ryker were two hardened criminals that shouldn’t look as good as they do. As a police officer it was my job to follow the rules and that meant ignoring whatever feelings these men stirred in me. I read their files. Ryker likes to torture people to death. So when they kidnap me, I know my fate is sealed.

In the squalor of a textile town, successful businessman and arch-pragmatist Thomas Gradgrind, proclaiming that he is a self-made man, teaches his children to suppress their imaginations and embrace hard facts. He arranges the marriage of his daughter Louisa to Josiah Bounderby, an unattractive, boastful manufacturer who is thirty years older her senior, and Gradgrind's son Tom goes to work in Bounderby's bank. But after Tom steals from his employer and Louisa flees the horrors of her marriage, Gradgrind must reconsider his lifelong devotion to facts and utility.