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On Hallowe'en night, Mathilda Honeycutt finds out she's a SuperWitch. Not the modern, hippie kind...the real, wand-wielding, pixie-dust kind. After a life devoted to retail and coffee drinks, Mathilda is thrown into the secret world of witches, werewolves, vampires, faeries, you name it, it exists! As Mathilda discovers her magic, she also discovers she's prophesied to save the world. The problem is, she'd rather spend her time on online auctions bidding on fabulous designer shoes.

Alicia e Karel non potrebbero essere più diversi: lei piccolina, con i completi da pattinaggio sempre coordinati agli accessori e un'aria un po' snob; lui alto, trasandato, arrogante e con la fama di bullo della scuola. Si conoscono fin da piccoli e non si sopportano: forse c'entrano quell'odioso soprannome che lui le ha affibbiato alle medie (Micia-Micia), o quel bacio a tradimento che Karel non smette di ricordarle. Quando Andrea, l'allenatore, propone loro di esibirsi nella coppia artistico, Alicia e Karel per una volta sono d'accordo: non pattineranno mai insieme.

This edition of Shelley's second novel, transcribed and introduced by Deanna Koretsky, explores the work both as a complex portrayal of taboo desires and as an intergenerational story of reckoning with the horrors of racism and patriarchy. Mathilda is often understood as biographical, but this edition also highlights the issues of justice, gender, and rights.

Writing to her only friend from her deathbed, Mathilda finally reveals the history that led to her isolated life of despairing melancholy. Of her mother dying in childbirth, her father's confession of his incestuous desire and subsequent suicide, and her relationship with a handsome young poet that fails to reverse Matilda's emotional withdrawal or prevent her lonely death. The haunting and relentlessly self-examining voice of Mary Shelley's protagonist is a bare narrative of trauma of a brave woman's failed search for love, atonement, and redemption.

È il settembre del 1939, la guerra è appena cominciata e mentre il mondo si prepara al peggio, sotto cieli di piombo si consumano i drammi dei singoli. Il capitano Blazej Baranski, miracolosamente scampato alla morte, è riparato in Inghilterra per unirsi alla Royal Air Force. Axelle ha appena perso il marito e la sorella: d'ora in avanti dovrà crescere da sola sua figlia affrontando le incognite del futuro.

It tells the story of a young woman whose mother died in her childbirth - just as Shelly's own mother died after hers - and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet.

"Mathilda" is the finished draft of a short novel by Mary Shelley. Its adult theme, concerning a father's incestuous love for his daughter and its consequences, meant that the manuscript was suppressed by Shelley's own father, and not published until 1959, more than a hundred years after her death.

In his 1992 best-selling book The End of History and the Last Man, American political scientist Francis Fukuyama argued that the dominance of liberal democracy marked the end of humanity's political and ideological development. Thirty years later, with populism on the rise and the number of liberal democracies decreasing worldwide, Fukuyama revisits his classic thesis. A series of in-depth interviews between Fukuyama and editor Mathilde Fasting, After the End of History offers a wide-ranging analysis of liberal democracy today.

Ismaël, 5 ans, comme beaucoup d'enfant de son âge, a peur. Du noir, des bruits bizarres, des ombres, des sorcières et de tout ce que son imagination a bien voulu créer. Le soir, dans sa chambre, toutes ses peurs se sont données rendez-vous pour organiser le Grand Bal de la frousse. Il y a Sorcière, Monstre, Bruit bizarre, Noir, Ombre et Cauchemar... C'en est trop pour Ismaël qui va se réfugier dans la chambre de ses parents.

Mathilde, Comtesse de Cissey vit une histoire d’amour intense et absolue avec Alphonse, Comte de Galbussa, un exilé portugais. Ensemble, ils partagent des moments de bonheur si profonds qu’ils semblent défier la réalité elle-même. Mais cet amour parfait cache une ombre : la peur de tout perdre. Prête à tout pour suivre Alphonse, Mathilde est confrontée à ses propres tourments. Comment préserver cet amour lorsqu’elle craint de le voir s’éteindre?

Voor de lezers van Lucinda Riley en Santa Montefiore. Mathilda is zestien als haar moeder in 1931 plotseling sterft en ze alleen achterblijft. De wereld zit vol gevaren voor een jong meisje. Dan komt de indrukwekkende Agneta Lejongård in haar leven. Agneta blijkt Mathilda's voogd te zijn en ze neemt haar mee naar het prachtige landgoed de Leeuwenhof in het zuiden van Zweden. Mathilda weet niet dat Agneta haar tante is, maar voordat Agneta haar over haar afkomst kan vertellen, wordt Europa verscheurd door de Tweede Wereldoorlog.

Un jour d’hiver, dans une cité de Rennes, un nouveau-né est découvert au fond d’un container à ordures. Vivant. Quelques étages plus haut, une jeune fille se vide de son sang. Elle s’appelle Monroe, elle a dix-sept ans. Dans cette chambre où sa mère l’a enfermée, Monroe revit les mois passés sur la colline, chez sa grand-mère Madeleine. Là-haut, le vent, le labeur et le silence façonnent les corps. Auprès de cette vieille femme solitaire aux mains guérisseuses, Monroe, enceinte, a découvert une paix inespérée. Et puis tout s’est écroulé.

Wenn die Welt gefriert, beginnt dein größter Kampf Nach einem Streit mit ihrem Vater Achim reist die achtzehnjährige Emma mit ihrem Freund aus Norddeutschland in die österreichischen Berge. Währenddessen berichten die Medien, dass der nahende Asteroid "Mathilda" nicht gestoppt werden konnte und unaufhaltsam auf die Erde zurast. Der Einschlag löst eine katastrophale Kettenreaktion aus: Teile Europas werden durch einen Tsunami sowie verheerende Erdbeben in einen apokalyptischen Zustand versetzt.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

L'histoire de la comtesse Matilde et de son territoire : L'histoire, les Canossa (les origines, la famille, les biens), les personnages, Mathilde de Canossa, Henri IV, Grégoire VII, Henri V, les châteaux, les paroisses rurales (pievi), les bourgs de l'Apennin, le paysage, l'axe directeur de Mathilde, l'artisanat artistique/l'ars canusina et les produits œnogastronomiques.

Mathilda Honeycutt, SuperWitch, Prophesied Savior of The World, has survived the first battle of the Supernatural War. But before she can take a breath, she's deflecting spells from angry witches in her local Target, getting visits from the Federal Witches Agency, and even though she's wearing the perfect outfit, her meeting with the US government doesn't go too well.

Ogni settimana, per un anno, Susanna Tamaro scrive a un'amica lontana, Mathilda, che è tornata a vivere nel suo paese natale, l'Africa. Sono lettere che raccontano la vita quotidiana in campagna e parlano di amicizia, responsabilità, violenza, guerra, speranza, affrontando i temi fondamentali dell'esistenza. Ne nasce un diario che, con sguardo semplice e diretto, attraverso ricordi, incontri, pensieri, esortazioni e denunce, invita alla riflessione sulle piccole grandi questioni di cui la vita di ogni giorno è costellata. Con una nuova introduzione dell'autrice.

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Saga familiale d'une famille de militaires qui se situe début du XIXe siècle. Elle débute par l'amour de Nicole pour Rémy.

Bernard heard the news one busy evening in my bar on the rue des Abbesses. He heard it from Jules, who had been told by Lulu.