Resultados para "Melissa" en Clásicos

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“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

A mysterious stranger is questioning Gemma's lineage. She doesn't want to believe him. But could he be right? A trip back in time will reveal a sickening truth she doesn't want to accept. Thanks to her parents, Harrison's family line is broken, and he no longer exists. Can Gemma change the past and bring her boyfriend back? To do this, she must trust a stranger and learn everything she can before she loses Harrison forever.

Elinor is an Extraordinary and the only one in England capable of wielding fire in over 100 years. As an Extraordinary she is respected and feared, but to her father she represents power and prestige for himself. Mr. Pembroke, having spent his life studying magic, is determined to control Elinor and her talent by forcing her to marry whom he chooses, a marriage that will produce even more powerful offspring.

Crossover sensation Melissa de la Cruz created an instant New York Times best seller with the inventive Witches of East End. In this follow-up, everything is going smoothly in North Hampton now that Joanna and her daughters, Ingrid and Freya, are allowed to perform magic again. But chaos erupts with the arrival of Freya’s twin brother, Freddie, who’s finally escaped from Limbo. And Freddie’s convinced that Freya’s fiancé, Killian Gardiner, is the one who landed him there in the first place.

As a null, Scarlett Bernard possesses a rare ability to counteract the supernatural by instantly neutralizing spells and magical forces. For years she has used her gift to scrub crime scenes of any magical traces, helping the powerful paranormal communities of Los Angeles stay hidden. But after LAPD detective Jesse Cruz discovered Scarlett's secret, he made a bargain with her: solve a particularly grisly murder case, and he would stay silent about the city's unearthly underworld.

When LA’s vampires, witches, and werewolves make a mess, they call Scarlett Bernard to clean it up. Her ability as a null erases all magical traces from anything—or anyone—that comes within ten feet of her, and keeps humans in the dark about the city’s paranormal activity. One night when she’s called to a grisly crime scene, Scarlett is spied by the all-too-human LAPD cop Jesse Cruz, who strikes up a deal with her: he’ll keep quiet about the supernatural underworld if she helps him crack the case.

His practice newly established, metaphysician Ned Mathey can't afford to turn away any clients. But the latest Londoner to seek Ned's magical aid gives him pause: Mr. Edgar Nevett, an arrogant banker, is the father of the bully who made Ned's life hell at boarding school. Nevertheless, Ned accepts the commission to ensure the Nevett family silver bears no ancient or modern curses, and then prepares to banish the Nevett family to unpleasant memory again.

Een ontroerende en speelse hervertelling van het verhaal van Medusa. Natalie Haynes heeft als missie om nieuw licht te werpen op vrouwelijke personages in Griekse mythen. Medusa is de enige sterfelijke dochter in een familie van Gorgonen. Terwijl ze opgroeit met haar twee zussen beseft ze al snel dat zij de enige van het gezin is die ouder wordt, verandering ondergaat en kwetsbaar is. Wanneer de god en heerser van de zee, Poseidon, in Athenes heilige tempel een onvergeeflijke misdaad begaat, neemt de godin wraak op een onschuldige: Medusa.

This book is a collection of ancient and classical legends involving islands in the Atlantic Ocean. It includes Socrates's discussion of Atlantis, the classical Irish tales of Oisin, the British stories of Arthur, and the tale of Ponce de Leon. The narrative is interspersed with poetry and song. The narrative is interspersed with poetry and song.

Charles Dudley Warner was an essayist, novelist, and friend of Mark Twain. My Summer in a Garden is a landmark of American garden writing. In the book, Warner chronicles his work in the garden, where he and his cat, Calvin, try to ward off a stream of invaders, from the neighbors' cows and thieving children, to the pusley weed. He makes the rounds of his beloved vegetable patch, to feel the sun on his back, the hoe in his hands, and to ponder the philosophical implications of contact with the earth, and companionship with gently growing things.

"A Message to Garcia" is an inspirational essay by Elbert Hubbard, and was first published in 1899. It highlights the value of individual initiative and uses, as its primary example, a dramatized account of a brave feat performed by an American soldier, Andrew S. Rowan, just before the Spanish-American War. The narrative describes Rowan carrying a message from President William McKinley to General Calixto García, a leader of the Cuban insurgents in the mountains of Cuba. The essay has been published in book form and reprinted in many anthologies of inspirational literature.

The King of the Golden River by John Ruskin is a timeless fairy tale that weaves moral wisdom into a vivid, magical narrative. Written in the mid-19th century, this enchanting story follows three brothers living in a fertile valley: the cruel and greedy Schwartz and Hans, and the kind-hearted Gluck.

At twenty-nine, Valancy Stirling is an “old maid” trapped within the tedium and troubles of family life. She escapes by building the imaginary world of the Blue Castle. When she is diagnosed with a serious heart ailment, Valancy realizes she has never been happy. She doesn’t want to waste what time she has left. She seizes the moment. This catalyst for change leads her on towards relationships and entanglements far beyond what she could have predicted, including with a mysterious man known as Barney Snaith.

Many great writers have written about war, but few have explored the personal trauma endured by combatants as did Leonid Andreyev in this tale of the traumatic experiences of a soldier in the Russo - Japanese war in 1905.

"King Pest: An Allegory" is a fantastic account by the American writer Edgar Allan Poe (1809-1849) who with excellent humor narrates a night of terror, taking on the subject of epidemics, in this case the Plague.

The narrator knows very little about his friend. Upon arriving, the narrator describes the Usher family mansion in great detail, focusing on its most fantastic features and its unearthly atmosphere. Shortly after entering, the narrator is greeted by Roderick, who displays a number of strange symptoms. He claims his senses are especially acute: therefore, he cannot wear clothes of certain textures or eat particularly flavourful foods, and his eyes are bothered by even the faintest lights.

"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy" (1842), is a short story by Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague known as the Red Death by hiding in his abbey.

The narrator begins by booking passage on a ship to travel from Charleston, SC to New York. He soon finds that an artist friend, Mr. Cornelius Wyatt, along with Wyatt's wife and two sisters, will be on the same ship. Our narrator reports that there are three rooms booked for this party, and he wonders what the explanation can be. Of course, it must be a servant! But he sees that the word servant had been on the passenger list, but had been crossed out. We also learn at this point that the narrator knows Mr. Wyatt's sisters, but has never met the wife.

The narrator presents the facts of the extraordinary case of his friend Ernest Valdemar, which have incited public discussion. He is interested in mesmerism, a pseudoscience involving bringing a patient into a hypnagogic state by the influence of animal magnetism, a process that later developed into hypnotism. He points out that, as far as he knows, no one has ever been mesmerized at the point of death, and he is curious to see what effects mesmerism would have on a dying person.