Resultados para "New York" en Narrativa literaria

Paul Auster's signature work, The New York Trilogy, consists of three interlocking novels: City of Glass, Ghosts, and The Locked Room - haunting and mysterious tales that move at the breathless pace of a thriller.

Paul was reading a newspaper. Catherine was reading a novel. So begins Room on the Sea, André Aciman's scorching and elegiac love-story about a middle-aged man and woman who meet in the bullpen of jury selection and spend a sultry summer’s week trespassing ever further into each other's hearts. What begins as a flirtation quickly evolves into something deeper, something Paul and Catherine must carry on in secret - and with the understanding that anything more than a casual crush is out of the question.

Like many well-to-do Upper East Siders over the age of 65, esteemed art appraiser Percival Skinner had planned to spend his retirement living off his savings. But a market correction has left him living below his prior means. One day he’s visited by a dapper fixer in search of a famous work by a Renaissance master. Skinner knows the work well: The original was owned by his ancestor, and was passed down through his family over the generations. If, as an intermediary, he can coordinate a sale, a small fortune awaits. Problem is, he might not be the only one on the make.

Tandis que ses filles prennent leur envol, elle nous emmène aux quatre coins du monde, de New York aux îles Saroniques en passant par Mumbai, Paris ou Berlin, tissant une méditation exaltante et follement intime sur le sens d'une maison et les fantômes qui la hantent. Entremêlant le passé et le présent, le personnel et le politique, la philosophie et l'histoire littéraire, convoquant Marguerite Duras ou Céline Sciamma, elle interroge avec acidité et humour le sens de la féminité et de la propriété.

Collected for the first time, the New York stories of John O'Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive...

Aventurile simpaticei Becky Bloomwood, vechea noastra cunostinta din Ma dau in vint dupa cumparaturi, continua! Desi si-a gasit marea iubire, are o noua limita de creditare si mai si primeste o oferta de a lucra in New York, Becky se dovedeste aceeasi femeie cu principii ferme, unul dintre...

It’s 1965, and life has taken a turn for eighteen-year-old Anton Addison-Rice. Nearly a year after his brother died in a tragic accident, Anton is still wounded - physically and emotionally. Alone for the holidays, he catches a glimpse of his neighbor Edith across the street one evening and realizes that she’s in danger. Anton is determined to help Edith leave her abusive marriage. Frightened and fifteen years Anton’s senior, Edith is slow to trust. But when she needs a safe place to stay, she lets down her guard, and over the course of ten days an unlikely friendship grows.

Per Ann Stilwell passare l'estate a lavorare per il Metropolitan Museum of Art di New York è un sogno che si avvera. Ma il destino scompagina i suoi piani quando per un disguido si vede assegnata a una sede distaccata del Met: il Cloisters, una serie labirintica di chiostri spagnoli ricostruiti lungo le rive dell'Hudson, rinomato per la sua collezione di arte medievale e per un giardino ricco di piante medicinali. La giovane studentessa trova ad accoglierla Patrick Roland, l'eccentrico direttore del museo, e Rachel Mondray, la sua magnetica e ricchissima assistente.

"[Narrator Julia] Whelan's performance is unforgettable in this darkly romantic fantasy about one young woman cursed always to be forgotten...Her depiction of the darkness is smooth with a low cadence, capturing listeners' attention and their heart strings." –Booklist In the vein of The Time...

2019, New York. Leo Van Meegeren è appena uscito di prigione dopo aver scontato una pena di tre anni. È un pittore di talento, osserva il mondo attraverso i suoi occhi grigi chiarissimi ed è così abile da riuscire a riprodurre alla perfezione le opere dei grandi artisti del passato e spacciarle per vere. È proprio questa capacità che l'ha portato dietro le sbarre, e adesso le vittime delle sue truffe gli stanno addosso per saldare i conti.

Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives and blows them to pieces.

It's 1969 when 15-year-old Huey Fairchild begins high school at Claremont Prep, one of New York City's most prestigious boys' schools. His mother had uprooted her family from their small hometown of Akersburg, Georgia, a few years earlier, leaving behind Huey's white father and the racial unrest that ran deeper than the Chattahoochee River. But for our sharp-tongued protagonist, forgetting the past is easier said than done. At Claremont, where the only other nonwhite person is the janitor, Huey quickly realizes that racism can lurk beneath even the nicest school uniform. After a momentary slip of his temper, Huey finds himself facing legal charges.

Berry Hamilton was living a pretty good life - up until he was accused of stealing money from his employer. Despite having worked for the family for 20 years, Berry is found guilty of a crime he did not commit and sentenced to prison. As his wife and children turn to the community, they find themselves shunned. Left with no other choice, Fannie Hamilton and her two children, Joe and Kitty, pick everything up and move to Harlem.

It’s been thirteen years since doctors declared Libby Ross-Velasquez a goner. Yet here she is - cancer-free. So why doesn’t she feel more alive? Sure, Libby’s husband, Shiloh, has been distant. One of their daughters has a serious health condition. And her father’s death hovers over Libby like a rain cloud. Still, this eternal optimist knows she’s the winner of the existential lottery. But when her forced cheer isn’t enough to keep her family from catching her blahs, she decides to fly them all to Vieques. The Puerto Rican island is where she and Shiloh fell in love.

For eleven-year-old Esme, ballet is everything - until her four-year-old sister, Lily, vanishes without a trace and nothing is certain anymore. People Esme has known her whole life suddenly become suspects, each new one hitting closer to home than the last. Unable to cope, Esme escapes the nightmare that is her new reality when she receives an invitation to join an elite ballet academy in San Francisco. Desperate to leave behind her chaotic, broken family and the mystery surrounding Lily’s disappearance, Esme accepts.

In 1924 Manhattan, women’s suffrage is old news. For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to publish books under her own imprint. But as a woman, Julia must fight for what’s hers - including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.

Ludovica e Lorenzo sono giovani e belli. Si sono sposati anche se non usa più. Lei ha convinto il padre a aprirle una libreria nel quartiere Trieste, zona storica della borghesia romana. Lui, dottorando poco convinto in filosofia della scienza, si considera un filmmaker da quando ha realizzato un cortometraggio pieno di citazioni di film di culto. Un corto dove Ludovica, vestita di un pigiama giallo che ammicca alla tuta di Urna Thurman in Kill Bill, interpreta "la Sposina".

While portraying life in a new settlement on New York's Lake Otsego in the final years of the 18th century, Cooper deftly explores the cultural and philosophical underpinnings of the American experience. He contrasts the natural codes of the hunter and woodsman, Natty Bumppo, and his Indian friend John Mokegan with the more rigid structure of law required by a more complex society.

According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.

For the last ten years, Agnes Parsons’s biggest challenge has been juggling yoga classes and lunch dates. Her Santa Monica house staff takes care of everything, leaving Agnes to focus on her trophy-wife responsibilities: look perfect, adore her older husband, and wear terribly expensive (if uncomfortable) underwear. When her husband disappears, leaving Agnes and their infant daughter with no money, no home, and no staff, she is forced to move across the country, where she lands a job teaching at an all-boys boarding school in the Bronx.