Resultados para "Sherwood Anderson" en Clásicos

A vivid and haunting collection of interconnected stories, Winesburg, Ohio portrays a cast of isolated individuals in a small midwestern town at the end of the 19th century. Central to the book is George Willard, a young newspaper writer, to whom a variety of Winesburg’s residents, past and present, attempt to confide their secret desires, failures and innermost truths.

Winesburg, Ohio is a little-known masterpiece that forever changed the course of American storytelling. At the center of this collection of stories stands George Willard, an earnest young reporter for the Winesburg Eagle who sets out to gather the town’s daily news. He ends up discovering the town’s deepest secrets as one by one, the townsfolk confide their hopes, dreams, and fears to the reporter. In their recollections of first loves and last rites, of sprawling farms and winding country roads, the town rises vividly - and poignantly - to life.

Hugh McVey is an inventor who moves from Missouri to Bidwell, Ohio. He creates a mechanical cabbage planter to ease the workload of farmers, but an investor exploits his product. His next invention, a corn cutter, makes him a fortune and transforms the small town in Ohio into a center of manufacturing. McVey, lonely and ruminative, meets Clara Butterworth, who attends Ohio State.

Sherwood Anderson's most enduring work, Winesburg, Ohio, is considered one of earliest works of modernistliterature. The sequence of short stories centers on the life of George Willardand those who live in the rural, pre-industrial town. "Adventure," a shortstory within the novel, tells the tale of Alice Hindman, a twenty-somethinggirl, and her continued devotion to her former lover Ned Currie, who left her toseek his fortune in Chicago.

Considered to be Anderson's masterpiece, this series of short stories with recurring characters depicts the joys of love, the pains of loss and the prejudices and secrets of a small town as seen through the eyes of its inhabitants. The main character, George Willard, is said to resemble the author in many ways.

Winesburg, Ohio, a collection of stories set in a fictitious town in the 1890s, has long been considered Sherwood Anderson's masterpiece. Haunting and powerful, it draws readers into the streets and houses of Winesburg - and into the darkly complex lives of each of Anderson's unforgettable "grotesques."

Through 23 connected short stories, the author looks into the lives of the inhabitants of a small town in the American heartland. In a simple and intense style, these psychological portraits of the sensitive and imaginative of Winesburg's population are seen through the eyes of a young reporter-narrator, George Willard. Their stories are about loneliness and alienation, passion and virginity, wealth and poverty, thrift and profligacy, carelessness and abandon.

I alle Sherwood Andersons bøger er hovedtemaet de menneskelige drifter og det civiliserede menneskes laengsel efter at genfinde en sand forståelse med naturen. I denne roman skildrer Anderson sin opfattelse af de sortes kontakt til det naturlige, uhaemmede liv, som står i staerk kontrast til, hvad han betragter som sine hvide "artsfaellers" degeneration.

Sherwood Anderson beskrev selv "Winesburg, Ohio" som "halvt selvstaendige fortaellinger, halvt roman". I dag er den kendt som et af de mest banebrydende vaerker i moderne amerikansk litteratur, og den har haft en enorm indflydelse på den amerikanske novelle. Bogen udspiller sig i den førindustrielle amerikanske lille by Winesburg, og omkring den centrale hovedperson, Winesburgs eneste journalist, den unge George Willard.

Winesburg, Ohio is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small town at the end of the nineteenth century. In the perfectly imagined world of Winesburg, an archetypal small American town, Anderson reveals the hidden passions that turn ordinary lives into fonts of unforgettable emotions. Played out against a deceptively placid backdrop, Anderson's loosely connected stories coalesce, like chapters, into a powerful novel of love and loss.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. That same year his first book ‘Windy McPherson’s Son’ was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense. He also married a further two times.

Sherwood Anderson's wonderful story of a young boy, brought up on an unsuccessful chicken farm, whose impoverished parents try their luck at running a restaurant. The father, not a natural showman by nature, attempts one night to entertain the sole diner with tricks which use eggs. The result is disastrous.

No nation has ever achieved the literary diversity of America. From nativist humor to immigrant triumph, Americans have recorded their visions and hopes better than anyone

A wonderful collection of short stories" by some of the all-time great American writers: 1. "The Diamond Lens" by Fitz James O’Brien; 2. "Titbottom’s Spectacles" by George William Curtis; 3. "The Fall of the House of Usher" by Edgar Allan Poe; 4. "The Eyes of the Panther" by Ambrose Bierce; 5. "The Lightning Rod Man" by Hermann Melville; 6. "Seeds" by Sherwood Anderson; 7. "Who Was She?" by Bayard Taylor; 8. "The Man who stole a Meeting House" by John Townsend Trowbridge; 9. "Memoirs of a Yellow Dog" by O. Henry

Ten classic short stories from the quills of great bird-loving authors.

A highly unsettling collection of macabre stories in which death and the dead are key themes. Moon’s Gibbet by Egerton Castle, A Strange Goldfield by Guy Boothby, The Withered Arm by Thomas Hardy, The Pistol Shot by Alexander Pushkin, The Premature Burial by Edgar Allan Poe, The Dead Hand by Wilkie Collins, The Famous Race between the Hearse and the Steamroller by Sidney Keyes, The Masque of the Red Death by Edgar Allan Poe, Nine O’Clock by Wilkie Collins, The Queen of Spades by Alexander Pushkin.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The plains of the American Mid-West are home to some very fine exponents of the literary craft. Throughout this vast landscape stories seem to be everywhere offering their experiences as works just awaiting the final touches and flourishes of these famed authors. They deliver in very talented ways.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.