Resultados para "The TellTale Heart" en Antologías y relatos breves

The anonymous narrator is suffering from a strange hypersensitivity to everything around him. He lives with an old man who has a clouded bluish eye, an abnormality that fascinates and disturbs him. Resolving to kill the man and dispose of his body, he soon realizes in horror, however, his innocent victim may never let him forget what he has done.

Edgar Allan Poe (1809-1849) is celebrated for his tales of the macabre and the supernatural. “The Tell-Tale Heart” is one of his most famous. In it, the narrator tells how, without any motive, but merely because he is obsessed with his eye (“The eye of a vulture”), he murders an old man, and of the consequences when the murdered man's heart seeks revenge.

Actor David Ian Davies' telling of Poe's Gothic horror tale "The Tell-Tale Heart" captures this classic narrative of the unnamed murderer in all its exquisite vileness, its self-effacing insanity that poses rationality where none exists.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the "Great Ghost Stories" collection.

The Tell-Tale Heart is a clever classical gothic horror story birthed in 1843, by the quintessential short story extraordinaire Edgar Allan Poe. In this thrilling roller-coaster tale, we are granted access to the workings of the narrator’s heart - namely the confessions of the heart as well as the lack of having one. The year 1843 also gave birth to The Black Cat. This is arguably Poe’s darkest literary piece which bleeds the themes of brazen blame gaming, alcoholism, domestic violence, and the inescapability of one reaping what one has sown.

The Tell-Tale Heart is a short story by Edgar Allan Poe first published in 1843. It follows an unnamed narrator who insists on his sanity after murdering an old man with a "vulture eye". The murder is carefully calculated, and the murderer hides the body by cutting it into pieces and hiding it under the floorboards. Ultimately the narrator's guilt manifests itself in the hallucination that the man's heart is still beating under the floorboards. The story was first published in James Russell Lowell's The Pioneer in January 1843.

Poe tells the story of a nervous character, alleged to be “crazy” refusing all claims. He believes that his disposition arises from a heightening of the senses: "Above all was the sense of hearing acute" (74). The narrator takes care of a rich old man whose diseased eye he becomes obsessed with. He becomes so obsessed with this EvilEye that eventually, he decides to kill the old man. But what and how he will do it, is a mystery for you to find out.

Poe's classic and gripping short story, reimagined and retold as an incident occurring in Wales, in the modern day.

When a man is killed because of his deformed eye, his heart seeks revenge.

Read by a woman, this rendition of the Poe classic stands out among the others. Nothing in the text suggests that the narrator is a man. How does the meaning shift when the narrator is a woman? What was the relationship between the narrator and the old man? Have a listen.

In this unnerving Edgar Allen Poe tale, our narrator insists on his sanity after carefully calculating and committing the brutal murder of an old man because of his monstrous eye. He argues that it is quite sane to cut the body into pieces and hide it under the floorboards. Will our narrator's guilt be his undoing? To what extent will he go to defend his sanity?

It was the eye. The dull, sightless, vulture's eye that shredded his final nerve. But the murder was done so carefully, so perfectly, that only one thing could reveal the whereabouts of the body. B. J. Harrison gives a masterful reading of the famous murder that wouldn't keep quiet. This audiobook was the #3 best-selling audiobook in 2008 at the iTunes Music Store!

This production is a full audio dramatization of one of the most popular horror stories of the past 200 years. In this story, a man (Edward) is afforded a place to stay in exchange for doing chores around the house. However, his landlord (Mr. Graves), a friendly and gracious old man, has one characteristic which drives Edward to the brink of madness: a pale blue eye. Eventually, Edward decides that he can't take the eye any longer, and despite his generally cordial relationship with Mr. Graves, is determined to kill him, thus ridding himself of the eye forever.

Step into the shadows of the human soul with this haunting collection of Edgar Allan Poe’s most unforgettable tales of madness, obsession, and the supernatural, read in a modern, easy-to-listen-to style by Jen Ponton (30 Rock and The Unbreakable Kimmy Schmidt). From the creeping guilt of The Tell-Tale Heart to the grotesque horror of Berenice, each story pulses with dread, decay, and the desperate need to be heard.

An anthology of chilling, classic horror stories, including "The Tale-Tell Heart", "The Pit and the Pendulum", and "The Fall of the House of Usher" by Edgar Allan Poe; "The Legend of Sleepy Hollow" by Washington Irving; "The Hand", "Was it a Dream?", and "The Horla" by Guy de Maupassant; "The Red Room" by H.G. Wells; "Moon-Face" by Jack London; "The Yellow Wallpaper" by Charlotte Perkins Gilman.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.