Resultados Editorial "Charles River Editors" en Celebridades del entretenimiento

In the 1950s, popular music in the United States, Britain, and Europe jumped cultural tracks and went off in all directions, each form enjoying its own fan base, and its own way of overlapping with fellow genres.

While actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. Together, they starred in 14 films, including the 1934 box office hit, The Thin Man.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

Although she came of age in an era when Hollywood studios were looking for blonde bombshells like Marilyn Monroe, and she followed that path to instant stardom, Jayne Mansfield had one of the most unique Hollywood careers in the 1950s and 1960s.

Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. The fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence. History for Kids: An Illustrated Biography of Charlie Chaplin for Children comprehensively examines Chaplin’s life and films, exploring the controversies and the ways in which his life and works are mutually informative.

What made 1939 the watershed year was the release of several critically acclaimed movies, including The Wizard of Oz and Mr. Smith Goes to Washington. But the most famous of the bunch, and perhaps the most famous movie of all, is Gone With the Wind, and one of the most remarkable aspects of the film is that the quintessential Southern belle was played by Vivien Leigh, a British actress still relatively unknown in Hollywood.

Like Frank Sinatra, Dean Martin is an American legend for his longevity and success across a garden variety of different platforms. Martin began as a nightclub singer, performed in a comedy act, starred in films, recorded hit albums, and capped his career by serving as a television host. In fact there may be no star who was better able to transcend the different avenues of entertainment.

By the time Willie Hughes Nelson was born in 1933, several of the genres he would later cover and dominate had already passed through an entire generation of pioneering artists. The tradition of authentic country music was handed down by such groups as the Carter family, and the boundaries of style and sound were well set by the time Nelson picked up his first guitar.

Over the course of a career that spanned several decades and ranged from the stage to movies and television, Shirley MacLaine has been one of the most critically acclaimed actresses in America.

The leading men of the 1940s and ‘50s ably represented the visual and cultural expectations of those decades in their iconic films. Some were handsome and glib with quasi-classical dialogue, some could sing, and a few could dance, while others brought an imposing athletic presence to thrillers, westerns, and urban crime dramas.

When people think of musicals, two of the first names that immediately spring to mind are Gene Kelly and Fred Astaire, two giants of one of Hollywood's most distinctive genres. Without question, both men played an instrumental role in popularizing and sustaining the musical from the 1930s through the 1950s, the final decades of Hollywood's Golden Age. Although they did collaborate on two occasions, in many ways Gene Kelly's rise to popularity in the 1940s amounted to a changing of the guard.

When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment.

In the 1940s, there were few actors who personified the all-American look like Burt Lancaster, who set Hollywood ablaze quickly with performances in movies like The Killers, The Flame and the Arrow, and The Crimson Pirate. Indeed, his status as a heartthrob was cemented by 1953's From Here to Eternity, when he and Deborah Kerr shot a romantic scene on a Hawaiian beach that ensured the film's inclusion in the American Film Institute's Top 100 Romantic Films of the 20th century.

As it turned out, however, that was just the first phase in a critically acclaimed career that would span over 40 years. As Lancaster grew older, he wisely veered away from the early kinds of roles he had as a leading man and branched out into more distinguished roles that were also more challenging, earning him brand new levels of acclaim. In time, he would go on to be nominated for four Academy Awards for Best Actor, including a win for Elmer Gantry (1960) when he was in his late 40s. By the time he was finished, the American Film Institute named him 19th on its list of the 50 best actors of the 20th century.

Andy Kaufman never liked to call himself a comedian, so it's a testament to his skills and routines that he is nonetheless considered one of the late 20th century's most famous comedians. In fact, Kaufman's eccentric style and theatrics made him one of the most unique performers of his era, whether it was doing a song and dance routine or staying in character to the extent that nobody could tell whether he was being himself or not.

It is something of a cliché to say that an actor’s life was like a movie he or she might have starred in, but in the case of Myrna Loy, the cliché is true. It is easy to picture her as a little girl, riding the range with her rancher father, sitting around the table and participating charmingly in family discussions of current events.

In 1940, the 4th most popular star in the US was a foreign actor from Australia, and unlike other movie stars, he was more notorious for his pursuits off the screen than on it. In an era long before social media, Errol Flynn represented the epitome of a swashbuckling playboy, with enough mystery and intrigue surrounding him and his background to fascinate even those who didn’t see his movies.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, “Steve is the prototypical cool American male. He's the guy on his horse, the guy alone."

By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in "Oh What a Beautiful Morning" and "Out of My Dreams".

Hollywood has never lacked leading men who could captivate viewers with dramatic performances that depict them as suave romantics or dashing heroes, especially during the Golden Age of Hollywood, when stars like Humphrey Bogart, Clark Gable, and Cary Grant graced screens. But in the mid-20th century, one of the most popular stars was a man who’s been frequently overlooked.

Exhibitionism and narcissism coupled with talent are not the sole property of modern entertainment, as some might suppose. From the beginnings of American theater and film, various personality types prone to self-intoxication by the status of their own careers have acted-out at will in their public lives. For them, there is no barrier between the professional and the private.