Resultados narrador por "Sally Martin" en Todas las categorias

Contemporary Dickens is a collection of essays that presents some of the most intriguing work being undertaken in Dickens studies today. Through an emphasis on the 19th-century origins of our current critical preoccupations and ways of knowing, these essays reveal Dickens to be our contemporary. The contributors argue that such issues as gender and sexuality, environmentalism, and the construction of national identity were frequently explored and sometimes problematically resolved by Dickens himself.

Traveling Heavy is a deeply moving, unconventional memoir by master storyteller and cultural anthropologist Ruth Behar. Through evocative stories she portrays her life as an immigrant child and later as an adult woman who loves to travel but is terrified of boarding a plane. With an open heart, she writes about her Yiddish-Sephardic-Cuban-American family as well as the strangers who show her kindness as she makes her way through the world.

Anne-Marie Oomen uses a wealth of vivid language and personal details to bring scenes from her childhood on a family farm to life in House of Fields. Yet the focus of this book shifts away from the daily activities of the farm, which Oomen presented in Pulling Down the Barn, to life outside its boundaries, as she explores the complex meaning of "education" in all of its rural forms. Oomen's description of the farmhouse where she grew up becomes the central image for this collection of essays.

What made 1939 the watershed year was the release of several critically acclaimed movies, including The Wizard of Oz and Mr. Smith Goes to Washington. But the most famous of the bunch, and perhaps the most famous movie of all, is Gone With the Wind, and one of the most remarkable aspects of the film is that the quintessential Southern belle was played by Vivien Leigh, a British actress still relatively unknown in Hollywood.

In 1876, Poland's leading actress, Helena Modrzejewska, accompanied by family and friends, emigrated to Southern California to establish a utopian commune that soon failed. Within a year Modrzejewska made her debut in the title role of Adrienne Lecouvreur at San Francisco's California Theatre. She changed her name to Modjeska and quickly became a leading star on the American stage, where she reigned for the next 30 years.