Resultados Editorial "Blackstone Publishing" en Literatura y ficción

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

Taking its inspiration from Great Expectations, this novel teases us with the question of what Pip might have been like had he grown up in the American South of the 1960s and 1970s. A guilty encounter with an escaped felon, a summer spent working for an eccentric man with a mysterious past, conflicted erotic feelings for his employer’s niece and nephew—these events set the stage for a journey of sexual and moral discovery that takes Newt Seward to New England, Rome, and Paris—all before returning home to confront his life’s many expectations and disappointments.

Isaac Frost is an assassin. Raised in the Graveyard of the cruel and mysterious Undertaker, he has mastered the deadly art of the knife and the skill of survival, together with scores of others just like him—young men taken from their families to become the most infamous killers throughout the realms of elves and humans. But Isaac is unique: a single drop of another’s blood can confer upon him the knowledge and power of friend and foe alike.

When Phoebe, goddess of the moon, is killed by the knights of the sun god, Hyperion, all who follow her are branded heretics. With Phoebe gone, the souls of the dead are no longer ferried to the underworld, and instead linger on as shades who feast on the blood of the living. Raef is a child of the night. He lives in the shadows, on scraps, eking out a meager existence as a thief. But when an ornate box is sequestered in the Temple of Hyperion, the chance of a big score proves too great to resist. What he finds within propels him on an odyssey across the sea and back again.

Keera is a killer. As the King’s Blade, she is the most talented spy in the kingdom. And the king’s favored assassin. When a mysterious figure moves against the Crown, Keera is called upon to hunt down the so-called Shadow. She tracks her target into the magical lands of the Fae, but Faeland is not what it seems—and neither is the Shadow. Keera is shocked by what she learns and can’t help but wonder who her enemy truly is: the King that destroyed her people or the Shadow that threatens the peace.

Boston real estate agent William Collins knows that his habits are slipping out of control. Due to obsessive-compulsive daily cleaning binges and a penchant for nightly online cruising for hookups, he finds his sales figures slipping despite a booming market. There’s also his ongoing struggle to collect the rent from his passive-aggressive tenant and his worries about his best friend, Edward, whom he’s certainly not in love with. Just as he decides to do something about his life, he meets Charlotte and Samuel, wealthy suburbanites looking for the perfect city apartment.

Carson Chow is a high functioning addict. For years, he's been able to meet the increasing demands from his aging immigrant parents while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses 38 phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother. He throws himself into the preparation of his mother's funeral. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Patrick O’Neil is a travel agent who never goes anywhere. His closest confidante, Sharon, is chain-smoking her way to singles hell, passing up man after man. His parents, proprietors of a suburban men’s store whose fortunes are sagging more visibly than its customers, can’t agree how best to interfere in their sons’ lives. And his lover, Arthur (a nice golden retriever of a guy to whom Patrick can’t quite commit), wants to cement their relationship by buying a house. Then a call comes in the middle of another sleepless night.

Fueled by tomato sandwiches and green milkshakes, and obsessed with cars, Philbet struggles with life and love as a gay boy in rural Georgia. He’s happiest when helping Grandaddy dig potatoes from the vegetable garden that connects their houses. But Philbet’s world is shattered and his resilience shaken by events that crush his innocence and sense of security; expose his misshapen chest skillfully hidden behind shirts Mama makes at home; and convince him that he’s not fit to be loved by Knox, the older boy he idolizes to distraction.

A new Civil War is brewing. With the city of Bewelcome as its headquarters, Allan Pinkerton’s Detective Agency leads a siege on Hex City, the town founded by “Reverend” Asher Rook and his consort, the Mayan goddess Ixchel. Monsters prowl the battleground, rocket trails of spells crisscross the sky, and an unnatural rain falls. Sides must be taken, but Pinkerton-agent-turned-outlaw Ed Morrow, spiritualist Yancey Kloves, and even Rook must choose what ruin or redemption means to each of them. Meanwhile, Chess Pargeter gears up for the greatest fight of his life—and death.

Welcome to Hex City. Population: magicians. Thanks to hexslinger “Reverend” Asher Rook, sorcerers now have a sanctuary where they can live and work in peace. But a storm is coming—a tempest known as Chess Pargeter. Infuriated by his former lover Rook’s betrayal and sacrificed in the name of the Mayan goddess who is Rook’s current consort, Chess leaves a trail of death and destruction in his wake. Caught up in Chess’s crusade is Pinkerton-agent-turned-outlaw Ed Morrow and a young woman spiritualist.

Pinkerton agent Ed Morrow is going undercover to infiltrate the gang, armed with a shotgun and a device that measures sorcerous energy. His job is to gain knowledge of Rook’s power and unlock its secrets. But there is someone else who has Rook in her sights: the Lady of Traps and Snares, a bloodthirsty Mayan goddess who will stop at nothing to satisfy her own desires. Caught between the good, the bad, and the unholy, Morrow will have to ride out a storm of magical mayhem to survive.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

In Nebula Award-winning author Sam J. Miller’s devastating debut short-fiction collection—featuring an introduction by Amal El-Mohtar—queer infatuation, inevitable heartbreak, and brutal revenge seamlessly intertwine. Whether innocent, guilty, or not even human, the boys, beasts, and men roaming through Miller’s gorgeously crafted worlds can destroy listeners, yet leave them wanting more.

Trans sailor Darragh Thorn has made a comfortable life for himself among people who love and accept him. Ten years after his exile from home, though, his sister asks him to reconcile with their ailing father. Determined to resolve his feelings rather than just survive them, Darragh sets off on a quest to find the one person who can heal a half-dead man: the mysterious enchanter who once gave him the magic he needed to become his true self.

Two young women attending college decide to have a summer adventure canoeing the rapids-strewn Thelon River that runs 450 miles through the uninhabited Barren Lands of subarctic Canada. Holly made the trip once before with a group of skilled paddlers she trained with at camp, and she wants to share that experience with her friend and lover, Lee, believing it will draw them closer. But a week in, Holly, the risk-taker, falls while taking a selfie near the edge of a cliff. She is left injured and comatose, and soon dies.

Someone is murdering the homeless in Detroit’s Cass Corridor―by immolation. These horrific crimes wouldn’t require an investigation by Charlie Mack and her crack team investigators, except that one of the burned bodies is her mother’s friend. There’s a lot wrong with this case: the police won’t admit a serial killer is on the loose, drug trafficking intersects with the deaths, and a rogue cop is involved. The timing also couldn’t be worse―Charlie and Mandy are finally moving in together.

When a guilt-ridden client has an unexpected change of heart, the Mack team’s careful preparation for his grand jury testimony is blown to smithereens. Now, Charlie and Gil must pull out all the stops to defend him from his new enemies and the estrangement of his father. Meanwhile, Charlie reports for jury duty and unwittingly begins to unravel a disturbing plan to alter the outcome of a crime lord’s conspiracy trial.

When private investigator Charlie Mack is hired by her ex-husband’s new wife, Pamela, things get awkward quickly. Her ex, Franklin, has been charged with his brother-in-law’s murder. Charlie and Pamela both believe he didn’t do it, but he has gone into hiding for some reason neither of them understands. To the police, it adds up to easy guilt, but to Charlie, it indicates that Franklin has stumbled onto something that likely comes with life-threatening complications.