Resultados narrador por "Joel Froomkin" en Todas las categorias

As the son of the Morrigan and heir to the vacant Unseelie throne, Valroy itches to shed the mantle of prince and take his place as king. To his great regret one ancient tradition stands in his way, demanding he first take a bride. With all the members of the Unseelie court proving to be insufferable, what is a prince to do? Steal a human, of course.

Heir to the most notorious clan in the Highlands, Hugh MacIain hides his identity while imprisoned in the bowels of Fort William's hell. Aye, this braw warrior has endured horrors that should have seen him dead, though now it appears it's the bloody flux that will send him to Satan's fire. Optimistic, competent, and captivating, Charlotte Hill takes pity on the fevered prisoner sprawled atop a cot in the fort's surgery. When finally the Highlander opens his eyes, he seizes her heart with a pained stare.

Our pain and hurt bled out with every movement, with every step across the dance floor. The Breakers never expected to love me again and I never believed we could get past our pain. Yet here we are. My Breakers are mine once more.

Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.

Dance has always been the answer to everything. It soothed my soul, it kept me sane, and it gave me purpose. It brought the Breakers back to me. It healed us. This time, dance isn’t enough. It’s time to face our enemies. It’s time I fight back. But at what cost? My soul? The death of everyone I care about?

Once upon a time, it ran through their veins, too: Xeno, York, Zayn, and Dax. The Breakers and I were a crew until bad decisions and circumstance ripped us apart. Now the Breakers are back. And they’ve brought trouble. They’re not here at the Stardom Academy to dance. They’re here on a mission for Jeb, the leader of the Skins. He wants something. And me? I’m just a pawn in their game.

After ten years of meditative solitude, the prophet Zarathustra descends from his mountain cave to preach the power of the Superman - a human divinity emancipated from the construct of God. The Superman is free to create his or her own moralities, values, notions of good and evil, and purpose in life. Although people of the town are confounded, Zarathustra resolves to persuade the herd by illuminating the heights to which they can ascend by ignoring promises of otherworldly fulfillment.

Dance is in my blood. It’s what keeps me sane, out of trouble. It used to keep them out of trouble, too - a group of boys I grew up with. Xeno, York, Zayn, and Dax. We were a crew once. and we ruled the clubs. Separately we were insanely good; together we were unbeatable. F--king on fire. I was their girl, and they were my breakers. Until they did something they promised they never would: broke my heart.

One king is dead, and the other is in chains. Tir n’Aill perches on the edge of a knife in the wake of a series of betrayals that has shaken the fae to the core. Abigail finds herself questioning who is friend and who is foe. When she is forced to make her decision between mercy and love, she finds her choice is one that might tear the very world apart. Forces gather to wage war and decide the fate of Tir n’Aill. In the center of it all, Abigail is nearly torn in two, caught between her desire to protect her new people and her love for Valroy. For he is now the Unseelie King.

When the prize is death, some games are better lost than won. If she loses, she becomes his queen, and he unleashes war across Earth and Tir n’Aill alike. If she wins, he dies. The answer seems clear. But then why can’t she bring herself to want victory? The longer Abigail wanders through his Maze of Shadows, the less sure she becomes of anything—allies, enemies, wrong, right, evil, good, hate…and love. With every twist and turn, her heart is more fully trapped in his snare.

Valroy will let nothing block his path to the Unseelie Crown. He is willing to stop at nothing to see both Tir n’Aill and Earth as his dominion, and he'll crush the self-righteous Seelie beneath his bootheels. He had wished for Abigail to stand beside him as his queen, but that went terribly wrong when she chose death over becoming his bride. It was a setback, certainly, but not one he could not overcome. Yet despite being wrenched from the song of life, Abigail returns to Tir n’Aill, only to be hunted by both Seelie and Unseelie alike.

Maxine Parker expected to lose her life when the Vampire King swept through her city like a plague. She did not expect to lose her heart to him as well. Caught between her desire to protect the living and her love for Dracula, she suddenly finds herself the enemy of the hunters who had once been her allies. As the Vampire King unleashes his army of the damned and turns Boston into a sea of carnage, she must decide if she can love the monster for what he is or if she must be the one to end his bloody crusade through history once and for all....

Maxine Parker’s life is an agonizingly solitary one, and not by choice. life. Her empathic ability renders it impossible for her to touch a living soul without killing them. But she cannot kill what is already dead. Thrust into the middle of a war between the Vampire King and three stalwart hunters, she finds herself drawn to Dracula’s alluring seduction. Giving in to her attraction to him would mark the end of her life. Will that be the sacrifice required to save the people of Boston from the plague of death closing in on them?

Art teacher Walter Hartright is on the road to London when he encounters an enigmatic woman dressed entirely in white. She's an unnerving portent of strange things to come as Hartright starts a new job as drawing-master at Limmeridge House. There the teacher falls in love with Laura, his betrothed pupil, who bears a striking resemblance to the woman in white. Soon Walter is drawn into a family intrigue of greed, secrets, madness, and revenge.

This is a story about two teens falling in love over a summer that throws everything possible to keep them apart. Max: Chill. Sports. Gay and not a big deal. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever. Jordan: The opposite of chill. Poetry. His "wives" and the Chandler Mall. Never been kissed and searching for Mr. Right, who probably won't like him anyway. And a secret: A spiraling out of control mother, and the knowledge that he's the only one who can keep the family from falling apart.

The gods are real and incorporated. Providence is a profitable global industry. For Loki, three hundred years is a long time to be trapped in divinity's answer to customer service, especially when the PR machine makes him out to be the bad guy. But that's what happens when you lose a war. All he has to do to regain his godly powers is avoid the seers, outwit the executives, and win a rematch against public perception. Easy.

Wispy Falls’ town motto is: “You’ll be safe here!” But that doesn’t seem to be true. Because in Wispy Falls, monsters live in the woods, and children go missing, and the bodies are beginning to stack up. A seventeen-year-old vlogger known as Storymancer is determined to get to the bottom of what’s wrong in Wispy Falls. A few years ago his six-year-old brother went missing in the woods and no one in town seemed to care enough to find him.

This star-studded anniversary anthology features over twenty-five unforgettable stories from internationally bestselling authors and literary legends. From the Nordic noir of Jo Nesbø and the lyricism of Tennessee Williams to the timeless imagination of Ray Bradbury and the courtroom wit of John Mortimer, these vivid tales reflect the range and tone that have defined The Strand Magazine for a quarter century.

Pissing off God comes with consequences, which should have been obvious in hindsight. For Loki and Lucifer, it’s a victory—and the least of their problems. Building an infernal army is a lot harder when trying to fit it around eight daily hours of mind-numbing labor, uncooperative fugitive deities, and competing layers of escalating sabotage. Even worse, behind its bland corporate veneer, Providence is anything but that: its deities brim with magic, secrets, and ancient scars. The career path is soul-destroying.

The gods are real and incorporated. Providence is a profitable global industry. For Loki, three hundred years is a long time to be trapped in divinity’s answer to crap customer service, especially when the PR machine makes him out to be the bad guy. But that’s what happens when you lose a war. All he has to do to regain his godly powers is avoid the seers, outwit the executives, and win a rematch against public perception. Easy. Too bad he's not the only one playing at espionage.