Títulos en Drama y teatro

The warmth from the fire spreads through the air and greets the king warmly as he thinks about the challenges ahead. While facing his greatest test and enemies lying ahead, the warmth reminds him of the hope that he has. The king will face familiar foes who wish to bring harm to his people, and he must face these challenges while also raising a family. Will he find a way to protect the people he loves, the ones he leads, and the men he calls brothers? Time and faith will only tell. What a journey indeed!

Acclaimed classicist James Romm translates surviving pieces of timeless wisdom from the lost plays of ancient Athens. "The truly happy man ought to stay at home." "Hunger, and lack of coin, put a stop to love." "Hades, alone of the gods, does not enjoy bribes." These quotes―and hundreds of...

When the world drowns and there is no land left to stand on — where do you go? Welcome to No Place But the Water, a haunting, full-cast drama set in a future flooded world. It begins at a hotel on the edge of the water, and with a messy family of dreamers in the middle of nowhere: their last...

A protagonista deste romance vai do paraíso ao inferno em poucas páginas. Casada com a mulher que ama, ela suspeita de que tenha sido traída durante uma de suas viagens de negócios. A angústia de não saber o que se passa, o medo de perguntar, a desconfiança e a dúvida, que nunca tiveram espaço na relação–considerada perfeita pelos amigos–agora rondam o casal. Mas será mesmo que a traição existiu? Ou era o amor que estava minguando?

"One NIght" Is an original one act play written by Christopher Swann that lasts just over 75 minutes. On one night in November 1920 two Officers were tasked with choosing the "Unknown Warrior" who was to be laid to rest in Westminster Abbey. They entered a small chapel in Northern France where...

The Complete Original Works of William Shakespeare is a monumental archive of the human soul. For over four hundred years, these works have been the gold standard of storytelling, influencing everything from high art to modern cinema.

Cronaca di un tradimento è un racconto che si svolge in due momenti storici e luoghi diversi: Roma, nel '44 dopo lo sbarco degli americani ad Anzio, e Brooklyn all'inizio degli anni ’80. Il protagonista è un sessantenne italoamericano che vive a Brooklyn. La sua vita metodica viene sconvolta...

”Crónica de una traición es un relato que se desarrolla en dos momentos históricos y lugares diferentes: Roma, en 1944, después del desembarco de los estadounidenses en Anzio; y Brooklyn, al comienzo de la década de 1980. El protagonista es un sexagenario italoamericano que vive en...

Robert Browning was fascinated by people—not only people of his own day, but also people who had lived in the remote past. Five of his famous dramatic monologues are spoken by characters from the ancient Classical world: a Greek goddess (Artemis), a Roman senator (in “Imperante Augusto Natus Est—”), an Arab physician (Karshish), a Greek poet (Cleon), and the last surviving eyewitness of Jesus Christ (in “A Death in the Desert”). They probe many different questions, especially regarding the transition from paganism to Christianity.

Bloomsbury presents Julius Caesar and Me, written and read by Paterson Joseph. 'Julius Caesar is, simply, Shakespeare's African play' John Kani In 2012, actor Paterson Joseph played the role of Brutus in the Royal Shakespeare Company's acclaimed production of Julius Caesar - Gregory Doran's last...

Major BBC adaptations of Ford Madox Ford’s two most famous works, with stellar casts including Tom Goodman-Hill, Ruth Gemmell, Kyle Soller and Mark Bonnar A forgotten great of British fiction, Ford Madox Ford wrote over 80 books, founded two trailblazing literary journals and was a friend and...

A gripping full-cast dramatisation of Japan’s 2011 nuclear emergency, narrated by Romola Garai When a tsunami hit Japan’s Fukushima nuclear plant in March 2011, surging past defences and flood reactors, it triggered the worst nuclear incident since the Chernobyl disaster in 1986. This...

Bloomsbury presents The Actor Speaks, written and read by Patsy Rodenburg. From the bestselling author of The Right to Speak and The Need for Words comes this Bloomsbury Revelations edition of the essential guide to voice work: The Actor Speaks. Beginning with what every first-year acting...

Bloomsbury presents Rise Up by Chris Jones, read by Christopher Ragland. Penned by one of America’s best-known daily theatre critics and organized chronologically, this lively and readable book tells the story of Broadway’s renaissance from the darkest days of the AIDS crisis, via the...

Three dramas by Barry Hines and an abridged reading of his classic Kes (A Kestrel for a Knave) Yorkshire-born author Barry Hines is renowned for his 1968 novel A Kestrel for a Knave (later turned into Ken Loach’s award-winning film Kes) and for scripting the BAFTA-winning BBC TV film Threads...

" الإله يقدِّم استقالته " المسرحية التي أخفتها نوال سعداوي عن الأعين عشر سنوات ثمَّ أحرق ناشرها جميع نسخها بعد أن كثر الجدل حولها ورفضت بعد ذلك جميع دور النَّشر...

All of the Shakespeare plays within the Argo Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations.

London, 1989. In a quiet theatre audition room, a young actress meets the legendary director Sir Peter Hall. What begins as a simple audition slowly becomes something more—a confrontation between ambition, motherhood, and the expectations placed on women in the theatre. As past and present echo each other, the question lingers: how much has really changed?

Ana precisa contar algo terrível, mas Lívia não quer deixá-la dizer. Lívia insiste em falar de uma nova peça, mas Ana sente que chegou ao seu terceiro ato. Inseparáveis e, ao mesmo tempo, sozinhas em suas dores, as personagens-atrizes se confrontam, enquanto enfrentam, com bastante humor, a sua (a nossa) estranha condição.

Alles, was du siehst, ist nur Teil meiner Fassade. Ich spiele ein Spiel, das ich längst hätte verlieren sollen. Und dann kommt sie. Louisa Velmont. Die Tochter aus gutem Haus, der ich nicht zu nah kommen darf. Sie ist die verbotene Frucht. Verlobt. Unberührbar. Tabu. Ich wäre nicht Stone Blakewell, wenn ich es schaffen würde, mich von ihr fernzuhalten. Der erste Kuss ist elektrisierend und ich weiß sofort, dass ich mehr will. Doch wenn sie erfährt, was ich verberge, wird mein größter Fehler nicht mein Geheimnis sein, sondern, dass ich sie nicht gehen lassen kann.