Títulos en Poesía

In My Grandfather's God, David Somerfleck invites listeners into a poetic journey through the vast landscape of human experience—where love and loss, spirituality and skepticism, pain and transcendence intersect.

From the celebrated author of Philomath, an astonishingly inventive collection of poems illuminating human, planetary, and personal survival.

El esperado audiolibro de Defreds. "Ya no quedan ciudades" está formado por poemas y microcuentos que conmueven por su sencillez y por dar un toque en el corazón. Defreds, recitando sus propias palabras, aborda el universo del amor en toda su extensión pero no deja de lado temas tan queridos para él como la amistad, la infancia, la paternidad, la autoestima, la nostalgia, las canciones; los recuerdos que caldean el alma. En este caso nos presenta los apartados del libro organizados a través de las ciudades que han marcado sentimentalmente la vida de Defreds.

El único texto de García Lorca que sin discusión se reconoce como escrito en Cuba es este poema, "Son de negros en Cuba", un canto a la capital del Oriente cubano y a su ritmo típico. Algunos estudiosos han visto su origen en una conversación mantenida durante la visita del poeta al valle del Yumurí; al comentar la belleza del paisaje, alguien afirmó que en Santiago de Cuba había parajes todavía más hermosos, y Lorca, entusiasmado, dijo que no se iría sin visitar esa ciudad.

Nunca he sido una chica fácil. Hay que saber leerme, pero ahí entran la magia y las ganas de cada uno. Bienvenidos a mi mundo lleno de contradicciones, de altos y bajos. Ni yo misma me entiendo a veces, pero por eso escribo; es mi terapia y seguro que tenemos algo en común. Leer, escribir y llorar son la mejor terapia ante cualquier situación de la vida y ayudan a conocerse mejor. Espero que disfrutes de este pedacito de mí y que marques muchas esquinas de hojas como hago yo cuando algo me despierta mariposas en el estómago.

Un lobo marsupial extinto es un fantasma. Una tortuga es un espíritu antiguo que se pasea por una isla en el fin del mundo. Un oso polar disecado es la modesta prueba de una inmensa derrota. Ya sean las aguas microscópicas en las que habita el resistente tardígrado, la ardiente imaginación de la que proviene el imposible lebrílope o la reserva de Woodside, California, donde la gorila Koko aprendió lenguaje de señas, cada ecosistema se presenta como un lugar de descubrimiento, de comunión.

Nos dijeron que si parecíamos dulces y obedientes, trabajábamos duro, éramos honradas, coherentes con nuestros actos y nuestros principios, tendríamos una vida fácil y placentera. Y así lo hicimos. Caminamos cada mañana por la senda de migas de pan que nuestra conciencia nos iba dejando en el bosque de lo cotidiano. Pero con los años fuimos viendo que otras mujeres tomaban atajos y pisaban las reglas que tanto nos costaba mantener, y aun así sus vidas eran fáciles y placenteras. Asombradas, nos preguntamos (¿cómo no preguntar?) qué les ocurriría por tal osadía a esas transgresoras.

During the Victorian era, many authors tried their hand at a range of literary genres, including poetry. While Victorian verse is often less elegant and graceful than the lyric productions of earlier centuries, it has a distinctive note of earnestness and humanistic charm.

مرثیہ گوئی کے شہنشاہ میر انیس نے کربلا کے غم کو زبان و دل کی گہرائیوں سے امر کر دیا ان کی شاعری میں فن کی رفعت بیان کی سچائی اور جذبات کی شدت جھلکتی ہے میر انیس کے کلام میں ادب کی عظمت اور روحانیت کی تاثیر ایک ساتھ جلوہ گر ہے ان کا ہر شعر تاریخ کربلا کا زندہ نقشہ پیش کرتا ہے مرثیہ خواں فواد خان تھیٹر کے معروف مصنف ہدایت کار اور اداکار ہیں وہ اردو زبان سے گہری محبت رکھتے ہیں اور اس کے فروغ کے لیے بےحد پر جوش ہیں

In Ironhood, the acclaimed poet Raymond Luczak recalls the neighbors and shopkeepers he once knew while growing up in Ironwood, Michigan during the 1970s and 1980s. They included a scruffy man who smoked cheap cigars while tending to his fragrant backyard garden, a cat-eyed woman who stood watch over a sea of typewriters, a bald jeweler whose dexterous fingers repaired a watch's minuscule innards, and tired cashiers in red smocks who dreamed at the western edge of town.

Starseed is a channeled poetry book about the global starseed awakening happening at this time. This poetry book is for those who are ready to connect to their galactic lineage, and our place among the stars. This channeled poetry book was inspired by all the star brothers and sisters working to elevate the consciousness of the planet. If you’re a starseed going through a massive spiritual awakening, allow Starseed Awaken The World to help you step into your purpose and power, to awaken yourself and others!

Since the beginning of time.... the oppressive “dis-ease” of “Macho-ism” continues to have a devastating impact on ourselves and our world. The macho plague has reeked havoc on our lives.... and been the primary cause of wars, racism, sexism, desecration of the animals and the land, (to name a few),... and the horrific example of bullying it demonstrates for our young ones. This is a very personal book, of short essays, poems, stories, and other pieces, that gets to the “heart” of the macho.... and offers a healing, path for the future.

Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. Her next novel in 1801 'Father and Daughter', was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times. From this point on published works were far more regular. The following year her volume 'Poems' appeared and was again very popular.

Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. After the death of her mother on New Year's Eve 1784 she became her father's housekeeper and hostess. The young Amelia was energetic, attractive, and an admirer of fashion. She spent much of her youth writing poetry and plays and putting on local amateur theatricals. At 18 she had published anonymously 'The Dangers of Coquetry'.

The bookshelves of American literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented modernist poet Hart Crane.

The bookshelves of American literature are incredible collections that have gathered together centuries of very talented authors. From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure. Among them is the talented but neglected poet James Monroe Whitfield.

Crystal Raindrops is a moving collection of poems that reflect unspoken pain, silent struggles, and the journey toward healing. The umbrella symbolizes protection, strength, and empowerment through life’s darkest storms. Each poem carries a story meant to inspire forgiveness, mindfulness, self-love, and confidence. This book is a reminder that no one is truly alone. Even in the heaviest downpour, there is hope, growth, and the promise of a rainbow beyond the clouds.

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery. Of particular interest was her short poem ‘The Black Man's Lament’ in 1826. Her life now was in the main spent travelling and working for charities and against slavery. She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name.

Laura Kiesel plumbs the depths of familial dysfunction, and the wretched inheritance of addiction, thoroughly and with impressive nuance in "Swallowing the Stem of Adam’s Apple," combining integrity and personal grit that’s interwoven throughout her lyrical style. She writes beautifully about her fractured relationship with her mother, and the ripple effect it has had throughout the rest of her life. Her work is an unflinching examination of the erotic implications of romantic relationships and filled with visually exhilarating metaphors and analogies.