Resultados Editorial "Blackstone Publishing" en Antologías y relatos breves

A chilling anthology in tribute to the genius of Shirley Jackson. Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant, and strange, her stories have inspired a generation of writers and listeners. This anthology, edited by legendary horror editor Ellen Datlow, brings together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.

You can’t have a good tale of monster hunting without monsters. And sometimes the monsters don’t need to be hunted. Sometimes it’s fun sitting back at minimum safe distance and watching the mayhem.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

Perfect for fans of Carmen Maria Machado and Kelly Link, Jo Paquette’s Stories I Told My Dead Lover contains eight searing tales of psychological horror that probe the darkest and most deeply buried parts of the human psyche. A child is forced to grow up too soon. A woman trusts her doctor too much. An abandoned woman isn’t as alone as she thinks. An idyllic holiday masks an unspeakable act of violence. Driven, desperate, fighting for the power to choose their own fate, Paquette’s characters dare to push back at the walls that hold them in.

Harlan Ellison’s work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as listeners discovering this zany, polyphonic writer for the first time.

Assemble Artifacts: A short story magazine that assembles a thrilling new mix of stories from genres including horror, science-fiction, comedy, and suspense. Buried at the heart of every story in the magazine is a unique artifact, an object that has inspired our storytellers to create a big idea, an irresistible question, a new immersive world, or a sense of wonder. Unearth your next great listen with Assemble Artifacts.

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

For almost thirty years, Shirley Jackson Award–winning horror author Gemma Files has consistently served up tale after tale celebrating monstrosity in all its forms: the imperfect, the broken, the beautifully alien, and the sadly familiar. Her characters make their own choices and take their own chances, slipping from darkness into deeper darkness yet never losing their humanity—not even when they’re anything but.

This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

At first blush, Widdershins is a conventional haunted house story involving an unsuccessful writer who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend, and his sanity are all destroyed in the process. It can be interpreted as narrating the gradual possession of the protagonist by a mysterious, possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject’s view.