Títulos en Antologías y relatos breves

Pittsburgh has recently (and more than once) been called the most livable city in America; yet the old image of smoky skies and steel mills spewing forth grit has never quite disappeared. Its history as a dirty industrial center is a part of its residents, a part of their toughness. The people of the steel city fight.

In stories like "A Night in the Cemetery," "Night of Horror," and "Murder," not only will Chekhov's dark humor and twisted crimes satisfy even the most hardboiled of mystery fans, but readers will again appreciate the penetrating, absurdist insight into the human condition that only Chekhov can bring. Whether it is the death of a young amateur playwright at the hands of an editor who hates bad writing, or a drunken civil servant who ends up trapped in a graveyard, these stories overflow with the unforgettable characters and unique sensibility that will forever make Chekhov one of the most fascinating figures in literature.

From "Trench Town" to "Half Way Tree" to "Norbrook" to "Portmore" and beyond, the stories of Kingston Noir shine light into the darkest corners of this fabled city. Joining award-winning Jamaican authors such as Marlon James, Leone Ross, and Thomas Glave are two "special guest" writers with no Jamaican lineage: Nigerian-born Chris Abani and British writer Ian Thomson.

Each contributor presents a brand new story set in a distinct neighborhood. Brooklyn Noir mixes masters of the mystery genre with the best of New York’s literary fiction community - and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities - in the most diverse urban location on the planet.

The Cocaine Chronicles contains tough tales by a cross-section of today's most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

"Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood - Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village."

San Francisco Noir lashes out with hard-biting tales exploring the shadowy nether regions of scenic "Baghdad by the Bay". In this superb collection, virtuosos of the genre meet up with the best of SF’s literary fiction community to chart a unique psycho-geography for a dark landscape. From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood.

In a city full of police controversies, hippie artist punk houses, and overzealous liberals, Portland, Oregon, is a place where even its fiction blurs with its bizarre realities. Brand-new stories by: Gigi Little, Justin Hocking, Christopher Bolton, Jess Walter, Monica Drake, Jamie S. Rich (illustrated by Joelle Jones), Dan DeWeese, Zoe Trope, Luciana Lopez, Karen Karbo, Bill Cameron, Ariel Gore, Floyd Skloot, Megan Kruse, Kimberly Warner-Cohen, and Jonathan Selwood.

The story I wrote, set in the same Hell's Kitchen neighborhood that's home to my detective hero, Matthew Scudder, was "If You Can't Stand the Heat". (And in fact the bar where the story begins bears a definite resemblance to Grogan's Open House, where Matt's friend Mick Ballou holds court.) I didn't know very much about the young woman who stars in "If You Can't Stand the Heat", not even her name. I learned more as I found myself moved to record further adventures for her.

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."

In the stories of Havana Noir, current and former residents of the city - some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Despestre - uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria.

In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city - the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between. Lehane's own contribution - the longest story in the volume - is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader.

Twelve short stories, 12 points of view, 12 neighborhoods of the same town, and finally, 12 pieces of the same puzzle. Paris Noir takes you on a ride through the old medieval center of town with its intertwined streets, its ghosts, and its secrets buried in history. You'll cruise Paris with its nightclubs full of mysterious beauties who seem to have a lot to hide.

There is something of both the absolutely spectacular and positively disgraceful about Tehran. But most writers around the world are inclined to think that their own sprawling metropolis is the capital of every imaginable vice and crime, of impossible love and tenderness and cruelty and malice in measures that seldom exist anywhere else. For me, Tehran's case is no different - except that there really is a difference here. The city may be a hothouse of decadence, a den of inequity, all that. But it still exists under the watchful eye of a very unique entity, the Islamic Republic.

Brand-new stories by: G. M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta. Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft.

From the introduction by Les Standiford: "The truth is that Miami, though naturally lovely, is a frontier town, perched on the border between the known and the rarely before experienced. The poet Richard Hugo once said that the natural place for the writer was on the edge, and 'edge' might well be the definitive word when it comes to this city... We are not only on the edge of the continent, we are to this country what New York was in Ellis Island's heyday, what the West Coast was in the middle of the 20th century.

When you think of St. Petersburg noir, some of the greatest literary names immediately spring to mind - Alexander Pushkin, Nikolay Gogol, and Fyodor Dostoevsky. Modern day St. Petersburg lavishly offers the scenery and conditions for true noir stories, and the writers in St. Petersburg Noir succeed in concocting their own worlds within this city with stories ranging from mystical to outwardly grotesque.

Brand-new stories from David Housewright, Steve Thayer, Judith Guest, Mary Logue, Bruce Rubenstein, K.J. Erickson, William Kent Krueger, Ellen Hart, Brad Zellar, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart.

Bombay's communal riots of 1992 - in which Hindus were alleged to be the primary perpetrators - were followed by retaliatory bomb blasts in 1993, masterminded by the Muslim-dominated underworld. Over a thousand citizens lost their lives in these internecine bouts of violence and thousands more became refugees in their own city. In a matter of months, Bombay ceased to be the cosmopolitan, wholesome, and middle-class bastion it had been for decades.

Do not go gentle into that good night, wrote Dylan Thomas, and Canadas notorious Ladies Killing Circle has taken his advice to heart. In Going Out with a Bang, the dangerous dames have brought together an explosive mix of authors from across the country. Whether its the boom of drums, the cacophony of a train wreck, or the thud of a body crashing down the stairs, no one goes out without a fight. Twenty authors, along with poet Joy Hewitt Mann, will chill you, entertain you or plain blow you away in this eclectic fictional brew.