Títulos en Antologías y relatos breves

Una de las colecciones de relatos de terror más celebradas por el público y la crítica norteamericana en lo que va de siglo, "Contemplad el vacío" ha colocado a Philip Fracassi en el panorama del terror contemporáneo como una de sus voces más interesantes y refrescantes. En estos cuentos encontramos tanto horror cósmico lovecraftiano como gozosas historias dignas de la mejor carnaza ochentera, todo con una visión y una prosa no vista hasta entonces en el género.

Con ánimo de vengarse de una pasada humillación, Montresor busca a Fortunato en plenos carnavales de alguna ciudad italiana (al parecer, Venecia) del siglo XIX. Ambos van disfrazados y gracias a que Fortunato está ebrio, el narrador logra convencerlo de que lo acompañe a la cueva de su palacio, las catacumbas de los Montresor, con el pretexto de probar un nuevo vino amontillado. Anímate a descubrir cómo el vengativo narrador, con una notable maligna inteligencia, humor negro, ironía y sadismo, consuma la más horrible venganza.

He aquí cuatro narraciones perturbadoras que arrastra al lector a los límites del desasosiego y de lo extraño. En Crímenes triviales, una primera obra que no lo parece, se escuchan los ecos de Kafka, Cortázar o Auster. Nos hallamos ante literatura del mayor nivel. Una prosa bien abastecida, un hábil manejo de la narración y de sus ritmos, la capacidad para envolvernos en una atmósfera de ansiedad y suspense- cuando no de mero terror-, y, a la vez, su hondo calado metafísico, hacen de Crímenes triviales una obra fecunda y de nada trivial en la lectura.

Una joven monja pierde su fe al sentirse vulnerable en medio de una epidemia, en Etiopía. De regreso a casa es perseguida por un ser que ella siente, pero no conoce. Al final tendrá que enfrentarse a este ser para descubrir su propósito en este mundo.

Uno de los grandes maestros en el arte de contar historias nos trae esta colección de catorce fascinantes cuentos repletos de elaborados timos, argucias políticas, comportamientos inmorales y aventuras peligrosamente ilícitas; todas ellas aderezadas de los sorprendentes giros inesperados que son signo de identidad de Jeffrey Archer.

Elles també maten no és un exercici de literatura criminal femenina, que ja existeix i rutlla molt bé. Simplement és un recull de relats que demostra que les autores catalanes escriuen allò que els surt de l’ànima, però que si cal matar, maten. Tretze escriptores han compost un relat ben negre. Fora manies i supersticions. El tretze és un bon número i entre totes han construït una antologia que enlluerna per la diversitat de les veus que la integren.

The protected escapees of the blood-farm experiments are free, secure, and set for life. Kind of. Because there’s something new to fear in this short thriller, the twisting finale of the Young Blood Trilogy.

Their captivity was traumatizing. And draining. But revenge is in the blood for a group of brave survivors in this chilling short story of conspiracies and youthful pleasures gone awry.

Audiolibro producido con música original y sonido 3D, el mismo está diseñado para ser escuchado con auriculares. La historia presenta a un narrador anónimo obsesionado con el ojo enfermo (que llama "ojo de buitre") de un anciano con el cual convive. Finalmente decide asesinarlo. El crimen es estudiado cuidadosamente y, tras ser perpetrado, el cadáver es despedazado y escondido bajo las tablas del suelo de la casa. La policía acude a la misma y el asesino acaba delatándose a sí mismo, imaginando alucinadamente que el corazón del viejo se ha puesto a latir bajo la tarima.

First Thrills will include never-before-published stories by New York Times best-selling authors including Lee Child, Stephen Coonts, Jeffery Deaver, Heather Graham, Joan Johnston, John Lescroart, Alex Kava and Deb Carlin, Michael Palmer (with Daniel James Palmer), Karin Slaughter, and Wendi Corsi Staub.

Bad things have been happening since Mia began to mature. Her dad left. Boys at school can’t keep their hands to themselves. A lecherous stepfather has moved in. Her only refuge is an abandoned lot on her suburban cul-de-sac, crawling with feral felines - one of which follows Mia home. Ghostly white and affectionate, she is Mia’s new companion and - as Mia’s tormenters will soon discover - her fierce protector.

While renovating her Victorian home, Ana Clementine finds an ornate door buried under forty years of earth. Once she restores it to the attic, she starts hearing whispers, her loving husband has become a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.

After years of traditional treatments and therapies, Derrick still suffers from pain ineluctable enough that it has become his identity. Then he hears of an exclusive, very private New York clinic that promises relief. It comes highly recommended by a friend. The multisession remedy unfolds as a sensorial wonder that’s so illuminating it’s enough to bring tears to Derrick’s eyes. It’s all working so well. So unexpectedly well.

Poison-tongued film critic Reginald Wright is known for his creative insults and intolerance for the garbage culture, insufferable rudeness, and thoughtless racism of predictably common people. Now, against his better judgment, and with a marriage in crisis, he’s attempting a getaway in the Poconos that quickly fulfills his every low expectation. In fact, it’s becoming a nightmare. And that’s just what Reginald needs to wake up.

It’s bad enough that its venom-dripping chelicerae can slice through flesh like warm butter. Worse? It’s right there under the bunk. It’s a fact now. To make it through the night, the children must obey the rules: don’t get out of bed, stay out of the shadows, and don’t wake the beast. But as the threats multiply, so do the rules of survival. And with the safety of dawn still hours away, the fun is just beginning.

Violet Strange is no ordinary well-to-do young New York City debutante. Unbeknownst to family and society friends, she leads a secret life as a professional sleuth for a private detective agency. On a mission to raise money for an undisclosed project, the determined and gutsy young debutante diligently snoops around sleepwalking widows, violent and sinister characters, whispering clocks and concealed tombs, connecting clues to solve tales of murder, mystery and intrigue.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the "Great Ghost Stories" collection.

This is a story from the Chilling Ghost Stories collection. In Rats by M. R. James, Mr. Thompson comes to regret his decision to investigate a locked room in a country inn.

This is a story from the "Great Ghost Stories" collection.