Resultados Editorial "Audible Studios" en Afroamericana

DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amid prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?

This remarkable novel begins in 1850s Louisiana, where Gilda escapes slavery and learns about freedom while working in a brothel. After being initiated into eternal life as one who "shares the blood" by two women there, Gilda spends the next 200 years searching for a place to call home. An instant lesbian classic when it was first published in 1991, The Gilda Stories has endured as an auspiciously prescient book in its explorations of blackness, radical ecology, re-definitions of family, and yes, the erotic potential of the vampire story.

Light-skinned Black woman Irene Redfield encounters an old childhood friend - Clare - who is now "passing" as a White woman. Clare is married to a racist White man, who doesn't know she has African American blood. In spite of the danger of being found out by her husband and society at large, she finds herself helplessly drawn to Irene's world.

Azu Wilson gave his oldest daughter the name Snow because she was born amongst his snowfall on the city of Gary, Indiana in 2001. Then, Azu had just began to drop tons kilos of coke on the city, starting the birth of his empire. Fast forward 18 years later, Snow is Azu's favorite girl and only daughter. She has been doted on by her father. Now, she is off to college with her best friends, Tristan and Bae. They hope that their move out of the violent streets of Chicago to Tallahassee will bring positive change to the brutally savage lives they have lived.

Meet Heaven: a young girl who is loving, submissive, and beyond appreciative of her husband, Ross. As a teenager, Heaven lived solely for her sister, Divine, and her daughter, Sunshine. Because her mother is mentally ill and her father ran off, Heaven had to do some unimaginable things just to feed the family. Then came Ross, and everything changed. He wasn't some filthy rich, dope boy that some young girls dream of, but Heaven felt like Ross was her blessing.

It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival - until her power-corrupted father commits an unforgiveable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree....

When Snow Wilson graduated from high school, she would have never imagined that such unimaginable deadly circumstances would snatch her off of the campus of the HBCU and land her in the whirlwind of the drug game. Yet, she juggled it all to the best of her ability in order to take care of her brothers, Killion and Prince, and her incarcerated best friend, Bae. She found her strength to push past her pain with the help of Zo, a single father, with the same reason to hustle hard in order to survive.

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

For years, young Mud and her family have roamed the high grasses, swamps, and deserts of the sub-Sahara. Now the earth is scorched by drought, and the mutilated bodies of family and friends lie scattered on the ground, shot down by ivory hunters. Nothing - not the once familiar terrain, or the age-old rhythms of life, or even memory itself - seems reliable anymore. Yet a slim prophecy of hope is passed on from water hole to water hole: the sacred white bone of legend will point the elephants toward the Safe Place.

Nova York, Réveillon de 1933. Max Disher acaba de levar um fora de uma garota que lhe disse “não dançar com negros”, quando ouve a grande notícia: um médico inventou um processo para transformar a pele negra em branca: o método Black No More™. Seria essa a solução para o racismo em um país onde a Lei delimitava o (pouco) espaço dos negros? Cansado de ser maltratado devido a sua pele escura, Max agarra a oportunidade e se torna Matthew Fisher, um homem branco e, portanto, capaz de conquistar respeito, dinheiro e uma bela esposa.

Playwright, poet, and novelist Ntozake Shange originally composed for colored girls who have considered suicide/when the rainbow is enuf in as a mesmerizingly original choreopoem. The New York Post called it "rich with the author's special voice: by turns bitter, funny, ironic, and savage; fiercely honest and personal." Now a new audiobook, it chronicles the interconnected lives of a group of women facing shatteringly difficult issues, and evokes the indomitable power of enduring hope and joy.

After years of military service, Evan Miller wants a quiet life. The small town of Ravenswood seems perfect - until he stumbles upon a vicious web of lies with his new neighbor at its center. Ruth Kabbah is rude, awkward, and - according to everyone in town - bad news. Thing is, no one will tell Evan why. Does she perform ritual sacrifices? Howl at the moon? Pour the milk before the tea? He has no clue. But he desperately wants to find out. The more Evan’s isolated, eccentric neighbor pushes him away, the more he wants her.

Beaumont Hill, the only African American skier on the US Olympic team, is heavily favored to win gold - until he takes a devastating fall and loses it all. His back broken, Beau has lost the will to live. But former gymnast Shayna DaCosta is determined to help do more than see him plod through life. She's been there, taken the bull by the proverbial horns, and made a productive life for herself. As attracted as she is to Beau, he's still the patient, and she can't get romantically involved.

Anais Cooper is burnt out on big city living. When she unexpectedly inherits a house on Anastasia Island, a suburb of St. Augustine, Florida, she quits her job and moves south. Anais's goal is to turn the ramshackle house into an upscale spa. Retired athlete Palmer Freeman, Anais's next door neighbor, has plans for the property. All his offers are turned down flat. It's just a matter of time. He doubts that Anais has the business acumen or means to turn the home into an income producing property. Palmer, a single parent, raising two girls, has his own challenges.

A gruesome war results in the old gods' departure from earth. The only remnants of their existence lie in two girls. Twins, separated at birth. Goddesses who grow up believing that they are human. Daughters of Nri explores their epic journey of self-discovery as they embark on a path back to one another. Strong-willed Naala grows up seeking adventure in her quiet and small village. While the more reserved Sinai resides in the cold and political palace of Nri.

Faydé ha preso la sua decisione. Andrà a Maroua, a servizio nella casa di qualche fulani benestante, come hanno fatto le sue amiche, che tornano al villaggio per le festività ben vestite e cariche di doni per le proprie famiglie. Per sua madre, Kondem, la sola idea è insopportabile. Lei sa bene che vita fanno le domestiche in città, e non vuole che sua figlia sperimenti sulla propria pelle la stessa sofferenza e la stessa umiliazione che l'hanno fatta tornare in montagna giurando: mai più.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Quatro mulheres da mesma família, com faces-fases em encruzilhamento, compõem uma gira, um xirê de águas.

Un'incredibile storia cyberpunk dalla Nigeria futura, dove gli abitanti senza cittadinanza sono del tutto sacrificabili e per sopravvivere è necessario porre in atto soluzioni radicali. Un mix esplosivo tra gli scenari alla William Gisbon e l'azione alla Richard Morgan.

In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.