Resultados narrador por "Ghizela Rowe" en Todas las categorias

Aphra Behn was a prolific and well-established poet and playwright but facts about her life remain scant and difficult to confirm. What can safely be said is that Aphra Behn is regarded as a key English playwright and a major figure in Restoration theatre. Her poetry is now far more appreciated and seen as a breakthrough for women of the 17th Century and beyond. Her first play, ‘The Forc’d Marriage’, was staged in 1670, and thereafter many followed, including her later comic works, which were more commercially successful.

Aleksander Głowacki, who wrote under the nom de plume Boleslaw Prus, was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’, for both his journalistic and literary offerings. His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.

Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the 'Lake Poets'. Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade. Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler.

It is often said that two things are unavoidable: death and taxes.Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s eternal journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell.

With almost a million words at its command, it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of the Victorian Poet Laureate Alfred Austin.

Edith Nesbit is more famously known as a writer of children’s stories such as The Railway Children. But in this volume we explore her short stories of the macabre and ghostly sort. Thought of as the first modern writer for children she also wrote for adults producing over 50 books in total as well as collections of poetry which we shall explore in a separate volume. These stories are brought to your ears in eerie detail by Ghizela Rowe and Richard Mitchley.

This collection of short stories contains several gothic tales of the macabre and chilling, by writers as diverse as Robert Louis Stevenson, Mary Shelley, H. P. Lovecraft and A. M. Burrage. These tales are designed to unsettle you, just a little, as you sit back and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are: "The Body Snatcher", by Robert Louis Stevenson; "The Mortal Immortal", by Mary Shelley; "The Thing on the Doorstep", by HP Lovecraft; and "Waxworks", by AM Burrage.

Paul Laurence Dunbar was born on 27th June 1872 in Dayton, Ohio. His parents had been slaves in Kentucky before the Civil War. Dunbar wrote his first poem at age six and gave his first public recital at age nine. By 16, he was already published as a poet in The Herald, a local newspaper. After completing his formal schooling in 1891, Dunbar was employed as an elevator operator, at four dollars a week. His hopes of a legal career floundered on a lack of funds and racial discrimination. However, he wrote his poetry and took every opportunity to publish.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

August - the eighth month of the year in the Gregorian calendar and the full palette of nature is on glorious display. Our poets, Wordsworth, Swinburne, Alford, Riley, and Hardy, describe and reveal their thoughts on the month and notable dates within it.

Elizabeth Gaskell is equally well known as Mrs Gaskell. When her mother died, she was three months old and she was sent to live in Knutsford, Cheshire with her Aunt Hannah, this setting would become the basis for her novel Cranford.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered too. Poets as rich and diverse as Tennyson, Hardy, Shelley, and Poe here share their words, thoughts and visions with us.

“If music be the food of love, play on" was one of Shakespeare’s finest lines. If music is food then poetry is the wine. In this volume of classic love poetry the flavoured capture of words and rhythms makes us think more carefully of words and their value to us. They also surprise us with their structure and meaning, layering in thoughts and emotions that we might otherwise shy away from. Poems are wonderful ways to express what we feel for a very special someone.

In this collection of poetry, Wordsworth, Browning, Kipling, and Yeats are joined by Emily Dickinson, Walt Whitman, Daniel Sheehan, Amy Lowell, Christina Rossetti, and others, all of whom bring words of insight, charm, and emotion. It’s a rich and rewarding combination.

This second volume of poetry for Mother's Day further explores that key relationship with our Mother through the verse of many of our greatest poets. The relationship with our Mother is one of the most powerful many of us will ever feel. It rivals those with our children and partners in a way that both permeates and challenges how and on what terms we live our lives. A woman giving birth is not only bringing life into the World, she is doing so, usually, at great pain to herself.

This volume of poetry brings together poems throughout history with very special women. The relationship with our Mother is one of the most powerful many of us will ever feel. It rivals those with our children and partners in a way that both permeates and challenges how and on what terms we live our lives. A woman giving birth is not only bringing life into the World, she is doing so, usually, at great pain to herself.

Art. The greatest standard bearer of what the human condition really is? Or emperor’s clothes, cheap gimmicks displayed as all-knowing? When it comes to writing we have our favourite authors. But what of the authors themselves? What are they keen to write of? For our classic authors, from Poe to Lovecraft, from Woolf to Fitzgerald, art in their words is something to be admired. From many angles, many views, their stories, their characters interact with art, and the consequences fall as they may.

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

The human race prides itself on being the most organised of animals. We manage the fate of all other species. All other animals bow to our control or suffer. In diminishing numbers we allow some to live in the wild, but in increasing numbers we domesticate them, and whether they become part of the family, a best friend or a wonderfully decorative accessory, we take their compliance for granted.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....