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A collection of poems written by the revered American poet, essayist, and journalist. Included are selections from this most famous work, Leaves of Grass, as well as Drum Taps and Songs of Parting.

Abraham Lincoln read it with approval, but Emily Dickinson described its bold language and themes as "disgraceful." And Ralph Waldo Emerson found Leaves of Grass "the most extraordinary piece of wit and wisdom that America has yet contributed," calling it a "combination of the Bhagavad Gita and the New York Herald."

First published in 1855, when Whitman was 37, Leaves of Grass announced a new voice and style in American letters. It attempted to reach out to the common person with an optimistic epic that took the nation as its subject and encouraged readers to connect with nature and unite in a harmonious society where race and class are transcended.

The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass exalted the body and the material world.

Leviathans stride the poetic stage, known to us all and revered by many. Their verse is at once familiar and yet constantly reveals new layers and depths, new ways of thinking and assembling words to reveal new truths, new feelings and above all new poetry.

There is a reason the words of Walt Whitman have persisted in American literature, in literature at large, for so long. He was not simply a man of his time, not just a writer for the moment. Whitman was a man of the people and a writer of the soul—the souls of humankind, and the soul of America.

This book compiles both the first (1855) and final (1892) versions of Walt Whitman's masterpiece Song of Myself in one volume, making it unique and valuable for students of American literature.

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of 12 poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication.

It is hard to top the pleasure of a woodland walk in Spring unless of course you have a lyric poet as your guide. Now that is possible with Poets of Nature. Let Walt Whitman, John Keats, Emily Dickinson, Henry David Thoreau, Emily Bronte, and Ralph Waldo Emerson take you into that realm of Nature "where we seldom wander".

Walt Whitman : ce poète et humaniste fut à l'origine des plus grandes pages de poésie des temps modernes. Elles eurent pour créateur un solitaire américain poussé comme un gratte-ciel dans un désert inculte de maisons à bas étages. Whitman est considéré comme un des deux piliers de la poésie américaine du XIXe siècle, avec Emily Dickinson. Sa voix résolument américaine suscite des émotions vives grâce au vers libre et à la force hypnotique de la répétition ; il clame sensualité et liberté dans une langue populaire, et chaque poème est une leçon de vie, un incontournable de la poésie telle qu'on ne l'apprend pas à l'école.

The themes of shared experience, the relationship of human beings to one another throughout time, and the ultimate power of place are explored in this poem by one of the most revered American poets, Walt Whitman. Its setting of NYC is dear to narrator Diane Havens, a native New Yorker, a Brooklynite.

The role of Fathers has changed much over the course of centuries. Men are now better suited to a role of co-parent in this modern age rather than the stilted, slightly aloof figure of times past. Being a Father is, of course, both a blessing and a burden. This modern day parenting in a frenetic fast changing world has to be both learnt and adapted from some inner well of memory from generations past as well as on the job experience.

In this collection of poetry, Wordsworth, Browning, Kipling, and Yeats are joined by Emily Dickinson, Walt Whitman, Daniel Sheehan, Amy Lowell, Christina Rossetti, and others, all of whom bring words of insight, charm, and emotion. It’s a rich and rewarding combination.

This volume of poetry brings together poems throughout history with very special women. The relationship with our Mother is one of the most powerful many of us will ever feel. It rivals those with our children and partners in a way that both permeates and challenges how and on what terms we live our lives. A woman giving birth is not only bringing life into the World, she is doing so, usually, at great pain to herself.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Walt Whitman stands out as one of poetry's towering anomalies: In celebrating the trees, water, sky and air, the bear, the eagle, the buffalo and the lion, Whitman expressed a uniquely democratic vision that engulfs not only the American continent but the entire universe. His passionate vehemence, his faith in the common man, and his unflinching pursuit of the truth gave form to an arsenal of ideas, inspiring and motivating generations of writers to come.

Walt Whitman said, "...poetry is the voice of the nation, expressing its deepest concerns, ambitions and longings," which is certainly true of the great classic poetry of America. This wide-ranging anthology, from the earliest poets of the 16th century to the present day, reflects the changing preoccupations and visions of Americans, including Henry Wadsworth Longfellow, Edgar Allan Poe, Emily Dickinson, Robert Frost, E.E. Cummings, and more.

Drum-Taps is a collection of poetry written by Walt Whitman during the American Civil War and first published in 1865. Drum-Taps contains poems that bear witness to the violence of war.

The poem "Song of Myself" by Walt Whitman first appeared in his 1855 volume Leaves of Grass. "Song of Myself" is written in Whitman’s signature free verse style. The "I" of the narrator should not be confused with the person of the historical Walt Whitman, as the first-person persona is portrayed as having transcended the conventional boundaries of self. Most critics consider "Song of Myself" as the core of Whitman’s poetic vision, and it remains one of the most acclaimed of all American poems.

This is the long first piece in the first edition of Walt Whitman's classic poetry collection. Among other things, it contains Whitman's philosophy of life and his opinion of the purpose of poets and poetry. Though created when he was in his mid-30s, Whitman spent much of the rest of his life rewriting Leaves of Grass.