Resultados de "G. K. Chesterton" en Todas las categorias

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather. Also present, in addition to the servants, simply because the Colonel likes his company is the local priest, Father Brown. The godfather has brought a gift for the young lady, a set of three gorgeous, large diamonds, which he has tucked away in his coat pocket.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.

A riveting collection of stories of ships, sailors, adventures on the high seas and maritime mysteries. The Tale by Joseph Conrad. The Saloon Passenger by E. W. Hornung. The Terrible Story of the "Mary Russell" by J. G. Lockhart. Marooned by J. G. Lockhart. A Rash Experiment by W. W. Jacobs. The Mystery of the Mary Celeste by J. G. Lockhart. Smoked Skipper by W. W. Jacobs. The Flying Dutchman by J. G. Lockhart. The Cabin Passenger by W. W. Jacobs. The Ship that saw a Ghost by Frank Norris.

A satirical adventure novel, The Flying Inn is set in a quirky, dystopian England in which a new puritanical government has outlawed alcohol and other traditional English customs. Enter Humphrey Pump and his spirited friend Captain Patrick Dalroy, who take it upon themselves to supply what the government refuses.

Bold and prophetic, this essay is a scathing critique of eugenics and the danger it poses to both individual freedom and societal structure. With his trademark wit and moral clarity, Chesterton discusses the history of eugenics and the growing admiration of the movement – then gaining popularity amongst various intellectuals and politicians – arguing that this genre of ‘improvement’ threatens liberty, dignity and the rights of the poor.

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetic. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine".