Resultados de "Charlotte Perkins" en Todas las categorias

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

Charlotte Perkins Gilman (July 3, 1860-August 17, 1935) has been inducted into the National Women's Hall of Fame. Included in this collection of her works are "The Yellow Wallpaper", "If I Were a Man", "The Giant Wistaria", "Turned", and "When I Was a Witch". These texts were published in 1892, 1914, 1891, 1911, and 1909.

Turned is a short story written by Charlotte Perkins Gilman in 1911. What would you do if you found out that your husband had cheated on you with the household help?

When I Was a Witch is a short story written by Charlotte Perkins Gilman in 1909. What would you do if you could right all the wrongs that annoy you in this world?

The Giant Wistaria, which was originally published in 1891, is a short story by American writer Charlotte Perkins Gilman. Let's join this well-to-do young couple and their friends as they look forward to a lovely summer in the haunted house they rent.

If I Were a Man is a short story by American writer Charlotte Perkins Gilman. This story, published in 1914, is a "fly on the wall" view of a man's inner landscape as witnessed by his wife, whose wish to inhabit a male consciousness comes true.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

Representing the dark underbelly of Romanticism and beyond, these stories reach the shadowy corners of the human soul as seen through the writings of some of the most prominent authors of the 19th and early 20th centuries. 

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

In a long-unoccupied mansion, a new mother is confined to what was once a nursery. She is assured by her physician husband that it is a necessary cure to ease her "nervous depression." Isolated and powerless, she becomes obsessed with the peeling, sickly colored wallpaper. In it, she sees what no one else can: a prisoner desperate to escape its maddening design. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society.

The story's protagonist and narrator is an unnamed woman whose husband, a doctor named John, makes her spend the summer in the country for her health. The woman, her baby, John, John's sister and some servants stay in a large rented house. John chooses a bedroom for himself and his wife which is large and airy but otherwise quite unpleasant. The narrator takes an immediate dislike to the room's yellow wallpaper. She soon starts to see grotesque images in its pattern. After some time, the narrator becomes convinced that the wallpaper depicts a woman trapped behind a cage.

The Strange Case of Dr. Jekyll and Mr. Hyde grew out of a horrifying nightmare Robert Louis Stevenson had one night in Bournemouth, England, in 1886. "The Yellow Wallpaper" sprang from a catastrophic nervous breakdown Charlotte Perkins Gilman had six years later on the other side of the Atlantic following the birth of her daughter. Now these two haunting, iconic tales are brought together for the first time in this powerful classic audio exploration of madness and the duality of the human soul.

This powerful recording of "The Yellow Wallpaper", read by award-winning narrator Alison Larkin, is followed by an essay entitled "Why I Wrote the Yellow Wallpaper", by Charlotte Perkins Gilman. The narrator of this chilling tale speaks of a beautiful house in the country her husband has taken for the summer. But its beauty is marred by her oppressive bedroom, its ugly yellow wallpaper, and the rest cure that her doctor and husband have forced on her.

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

The Yellow Wallpaper was first published in January 1892. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's physical and mental health. The story is a collection of diary entries written by Jane whose physician husband has confined her to the upstairs bedroom of a house he has rented for the summer. The Yellow Wallpaper has been interpreted as a condemnation of the paternalism of the 19th-century medical profession.

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

A petrifying collection of classic tales of the paranormal, spooky happenings, gruesome deeds and uncanny apparitions. Guaranteed to disturb your dreams and keep you awake all night.

Great Horror Stories is a vintage collection of some of the finest ghost tales, horror stories, and supernatural legends ever written, by the best writers the genre has to offer.

An anthology of chilling, classic horror stories, including "The Tale-Tell Heart", "The Pit and the Pendulum", and "The Fall of the House of Usher" by Edgar Allan Poe; "The Legend of Sleepy Hollow" by Washington Irving; "The Hand", "Was it a Dream?", and "The Horla" by Guy de Maupassant; "The Red Room" by H.G. Wells; "Moon-Face" by Jack London; "The Yellow Wallpaper" by Charlotte Perkins Gilman.