Resultados de "William Hope Hodgson" en Todas las categorias

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A classic poem written to mirror the pain of the loss of romance. There is no remedy. There seems no hope. The anguish comes through loud and clear in this piece, written by William Hope Hodgson and narrated by Glenn Hascall.

William Hope Hodgson began his working career as a seaman, where he learned to fear and hate the sea. This short story takes place in the laboratory of a scientist who is in contact by one-way wireless telegraph with an unnamed friend who is on a ship trapped in a terrible storm. The sea becomes an evil thing, and the entity is determined to destroy the living, and the ship they came on. But before death comes to those aboard the doomed vessel, it brings out the very worst in the passengers.

Mysterious deaths and disappearances on a doomed ship on its final voyage. Another ship appears out of nowhere, then vanishes. A single survivor of the Mortzestus gives his account of terror and haunting on the high seas in this classic tale by master writer William Hope Hodgson.

The Voice in the Night is an uncanny story about a ship becalmed in fog in the middle of the Pacific. In the night, the watch hears a voice hailing the ship. It would seem to be a lone man in a rowing boat, but the individual does not wish to be seen. He is starving and urgently wants food - but despite this, he will not approach the ship and vehemently rejects the idea of being rescued. Instead they have to float some provisions out to him in a crate, which he takes off to a nearby island where his fiancée is dying of hunger.

William Hope Hodgson (1877-1918) was an English author. He produced a large body of work including horror, fantastic fiction, and science fiction stories. 'The Baumoff Explosive' (sometimes known as 'Eloi, Eloi, Lama Sabachthani') was first published in 1919. This story is one of Hodgson's most powerful and disturbing and is especially relevant to modern times because of its themes of blasphemy, religious mania, obsession with the crucifixion of Jesus, and suicide bombing.

William Hope Hodgson (1877-1918) was an English author of horror, fantastic fiction, and science fiction. Hodgson used his experiences at sea to lend authentic detail to his short horror stories, many of which are set on the ocean. He became one of the most influential horror writers of the 20th century. He died in World War I at age 40. 'A Tropical Horror' is the vivid story of a ship which is attacked by a hideous sea serpent.

Von 1973 bis 1990 strahlte Sender Freies Berlin (SFB) die beliebte Hörfunksendung "Nur für starke Nerven" (ab 1987 unter dem Namen "Die Mitternachtsstory") aus. Der Schauspieler Friedrich Schoenfelder las darin Grusel- und Kriminalgeschichten für Erwachsene zur guten Nacht vor. Bezeichnenderweise schlug er selbst 1972 der Unterhaltungsabteilung des SFB vor, eine Sendereihe zu starten, in der von ihm redaktionell ausgewählte Gruselgeschichten zu Gehör kommen sollten.

In the far future the sun has died and the darkness has become the abode of monsters. Humanity has been driven back to its last redoubt, an eight mile high pyramid of indestructible metal. From the observatory at the peak of the pyramid the Monstruwacans observe the surrounding Night Land to detect and monitor the huge monstrous forces that surround the redoubt. When a young observer telepath starts hearing a woman’s voice in his head he realises that somewhere out there in the dark, there are other humans.

FNH Audio presents an unabridged reading of William Hope Hodgson's "The Derelict". When a storm abates, leaving the ship in need of repairs, the men set to work, only to discover another ship a mile off, a floating wreck, a derelict. Thinking there may be salvage to be had, they cross to the mysterious stranger. Instead of salvage, they discover horror and death, and possibly a clue to the origin of life itself.

Grief. An emotion we all experience at one time or another, but there is no grief greater then the loss of a loved one. In this short poem by William Hope Hodgson, the narrator is alone with his grief and the realization that what had been will never be again.

Un uomo, spinto dalla curiosità, si addentra in una foresta e scopre un antico manoscritto. Il testo racconta la storia di un eremita che vive in una casa solitaria, arroccata su una scogliera e sospesa sopra un abisso insondabile. Quella che inizia come la semplice cronaca di una vita isolata si trasforma presto in un incubo indescrivibile: orrori innominabili emergono dall’oscurità sottostante, creature mostruose dai contorni indefiniti assediano la casa, mentre il protagonista sprofonda in un’angoscia crescente, in bilico tra follia e realtà.

De acuerdo con la tradición familiar de los Higgins, toda primogénita es acosada por un caballo fantasmal durante su noviazgo. Esta historia ha sido considerada una leyenda, pero ahora por primera vez en siete generaciones, una mujer es la primogénita y su prometido ha terminado con un brazo roto después de un ataque por un asaltante misterioso. Se le pide entonces a Carnacki que investigar. Él y la mujer, Mary y su prometido, Beaumont, escuchan el golpeteo de cascos en la noche, pero no se ve ningún caballo.

Carnacki decide ir a un viaje a bordo del Jarvee, el antiguo velero su amigo el capitán Thompson, no solo con la intención de distraerse, sino también para investigar las quejas ambiguas de fantasmas que su amigo había estado haciendo. Carnacki realiza sus métodos de buscar exhaustivamente y completamente en el área designada para eliminar las evidentes causas físicas de una manifestación.

Carnacki enfrenta quizás su más poderoso adversario: un inquietante espíritu de un cerdo de gigantescas proporciones que intenta entrar en nuestro mundo, y que se manifiesta como una serie de terribles pesadillas. Él está equipado con una nueva variante de su pentagrama eléctrico con los tubos de los colores del arco iris. Cuando se conecta a la cabeza del soñador estos tubos fluctúan en color y en la intensidad de la luz. Carnacki toma fotografías los tubos en una tira de papel de lento movimiento que desarrolla especialmente para crear imágenes de en alto relieve.

"The House on the Borderland," tells the story of an unnamed protagonist who discovers a manuscript written by a previous occupant of a remote and decaying house on the edge of a vast and mysterious abyss. The manuscript details the strange and terrifying experiences of the previous occupant, who is drawn into a world of cosmic horror and ancient evil.

Una capilla adjunta a una mansión Victoriana contiene una daga antigua, aparentemente maldita, dado que aparentemente ha asesinado a alguien por voluntad propia, y naturalmente, Carnacki es llamado para investigar. Pasa la noche en la capilla de las armadura con su cámara lista para fotografiar cualquier fenómeno misterioso. Toda la noche escucha ruidos misteriosos. Al acercase al altar, la daga casi lo mata. La evidencia fotográfica establece, sin embargo, que hay una explicación racional.

En una antigua mansión, el dormitorio conocido como el Cuarto Gris fue el sitio de un espeluznante asesinato hace generaciones. Carnacki es convocado para investigar un a espíritu ruidoso que arranca la ropa de cama y golpea las puertas. La manifestación es mucho más poderosa de lo que él esperaba, y pasa una noche miserable, aterrorizado dentro de su Pentagrama Eléctrico mientras una horrible aparición en forma de una mano humana acecha sus defensas. Al día siguiente, Carnacki encuentra el legendario "Anillo de la suerte", y lo lleva con él en el pentagrama.

"The Thing in the Weeds" is a short story by William Hope Hodgson from his "Sargasso Sea Stories" in which he portrays a monster lurking in the darkest recesses of the unfathomable depths of the sea. An example of Lovecraft’s major principle of "fear of the unknown", the terror in this Hodgson story is a mysterious one, despite the fact that it haunts and kills the characters.