Resultados narrador por "John Burlinson" en Todas las categorias

Ten years after a tragic incident on the lake, an AA meeting in a small, religious town in the deep south of the USA descends into bitterness and chaos when a flood hits. Trapped within the local church, tempers escalate and well-buried secrets begin to emerge. Personalities clash, reputations are dissected and questioned, and everybody's demons are laid bare.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

The Wild Duck (Vilanden) is a tragedy with comic episodes. Ibsen himself characterized the play as a tragicomedy. It depicts ordinary life realistically instead of romantically and sentimentally, a revolutionary concept in Ibsen's time. The play is now generally acknowledged as one of Ibsen's supreme accomplishments.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

Mr. Hoopdriver is a frustrated draper’s assistant in Putney, London. He is badly paid, over-worked, and he needs a holiday. He also owns a bicycle—though he is an awkward rider. When his annual ten days’ holiday comes around, Mr. Hoopdriver sets out on a bicycling tour of the “Southern Coast.” Wells wrote this at the height of the bicycling craze and before the automobile. The bicycle gave freedom to the working class, weakened the English class structure and gave a boost to female emancipation. In his story he explores these changes.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

The notorious pirate Captain Flint is dead, and his great horde of stolen treasure lies lost, stashed and buried on an island far, far away. Jim Hawkins, the humble son of a country innkeeper, comes into possession of the only map to Flint's treasure and is soon swept away on a high seas adventure of treachery and survival.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.