Resultados de "Mary Shelley" en Todas las categorias

LES GRANDS TEXTES DU XIXe SIÈCLE. 16 juin 1816. L'orage gronde. Dans une ville cachée au milieu des arbres, sur les bords riants du lac de Genève, une petite société s'ennuie. Il y a deux poètes, Byron et Shelley, leurs compagnes, Claire et Mary, un médecin, Polidori. On se raconte d'horribles histoires, selon la mode du temps. On décide même d'en écrire. Dans la nuit, la jeune Mary – elle n'a pas encore 19 ans – ne peut dormir : elle rêve d'un hideux fantasme d'homme.

Mary Shelley is of course known because of her short novel Frankenstein. Still, she was always writing, and these tales and mysteries written on her extended travels show how interested she was in the strangeness of people. I also think she wanted to make her mark in a tribute to her famous mother, Mary Wollstonecraft, and her famous husband, Percy Bysshe Shelley, who called her “a child of love and light.”

Reducing the original text by almost forty pages, this abridged version of Frankenstein also updates the language of the original novel for modern listeners. Sentence by sentence, we have replaced outdated vocabulary and convoluted paragraphs in a way that is true to the original text but easier to follow. This version also provides careful edits of overly long and redundant scenes so that the main story moves along at a faster pace.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein's life with terror, dread and misery.

Die Suche nach Vergeltung für das Leid, das über seine Familie kam, treibt Victor Frankenstein ins Hochgebirge. Schöpfer und Geschöpf treffen erstmals wieder aufeinander. Frankenstein wird sich allmählich der erdrückenden Verantwortung bewusst, die er durch seinen unüberlegten Schöpfungsakt auf sich genommen hat. Sein Geschöpf verspricht, ihn und die Seinen zukünftig unter einer einzigen schrecklichen Bedingung zu verschonen ...

Die Gruselkabinett Hörspiel Box 4 beinhaltet die Geschichten: "Frankenstein" von Mary W. Shelley, "Der Freischütz" von Johann August Apel und "Der Werwolf" von Alexandre Dumas.

Schon über 200 Jahre alt und dennoch unvergessen: Die Geschichte des jungen Schweizer Naturwissenschaftlers Viktor Frankenstein, der aus toter Materie einen künstlichen Menschen zusammenbaut. Erst durch die Grausamkeit und Ignoranz seiner Umwelt wird dieser zu dem Monster, für das ihn alle halten. Mit ihrem Debüt "Frankenstein" stellt die damals 19-jährige Mary Shelley bis heute gültige Fragen nach dem Umgang mit der Natur, der Verantwortung von Wissenschaft, nach Normen und Ausgrenzung. Eindrucksvoll liest Regina Münch den berühmtesten Schauerroman der Literaturgeschichte.

This bundle features two classic horror stories narrated by Jake Urry. Dracula, by Bram Stoker, is a timeless horror classic that has captivated listeners for over a century. Frankenstein, by Mary Shelley, is a thrilling and captivating novel that has mesmerised listeners for over 200 years.

Viktor Frankenstein ist von der Idee besessen, das Elixier des Lebens zu finden. In einer düsteren Novembernacht gelingt ihm das Unfassbare: Aus Leichenteilen, die er aus Friedhöfen zusammengetragen hat, formt er einen menschenähnlichen Körper, ein überdimensionales, hässliches Monstrum und haucht ihm Leben ein. Das Monster lernt schnell und versucht vergeblich die Zuneigung anderer Menschen zu erlangen. In seiner Isolation verflucht es seinen Schöpfer.

In this Audio Play, an award winning stage adaptation of Mary Shelley's classic gothic novel is brought to life.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Share the spine-chilling tale of Frankenstein with young readers in this fun chapter book! Perfectly spooky, beginner readers will explore the balance between technology and humanity in this adaptation of Mary Shelley’s classic novel. With just the right amount of scary for spooky little...

In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula and Frankenstein, a thrilling drama about the scandalous Mary Shelley and Lord Byron in Bloody Poetry, the sensational psycho-sexual thriller The Mysteries of Udolpho, four spine-chilling dramatised tales and two of Mary Shelley's finest short stories.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

Far from its popular image, the story of Frankenstein as told by Mary Shelley is not a tale that finds horror in a hideous "monster", or a "crazed" scientist. The darkness in the narrative is found in the profound loneliness of both Creator and Created, as they seek one another in a tragic cycle of unfulfilled longing and revenge.

This powerful novel, first published in 1818, still surprises and shocks us with the fundamental questions about the moral boundaries of human discovery, and helps us to question what it means to be human.

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

Mary Shelley hat als 18jährige etwas vollbracht, was noch kein Mensch vor oder nach ihr geschafft hat: In diesem zarten Alter einen Roman zu verfassen, der die Zeiten überdauert und eine bis heute aktuelle Thematik behandelt. Können, dürfen und sollen wir Leben auf Basis aller uns zu Verfügung stehenden technischen Mitteln ermöglichen oder sind Gottes bescheidene und beschränkte Grenzen Sperrgebiet für unseren Intellekt?

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.