Resultados de "Edith Hall" en Todas las categorias

The BBC Radio 3 series exploring the meaning of the male nude in the visual arts. When we think of the nude we usually think of the female nude, and in Western art in particular, we're often contemplating an image where the artist is primarily concerned with sensuality and desire. If we spare a thought for the male nude at all, he tends to appear as a figure symbolising courage and endurance. Both perspectives are, of course, a simplification or distortion.

Acclaimed classics scholar Edith Hall's Introducing the Ancient Greeks is the first book to offer a synthesis of the entire ancient Greek experience, from the rise of the Mycenaean kingdoms of the sixteenth century BC to the final victory of Christianity over paganism in AD 391. Each of the ten chapters visits a different Greek community at a different moment during the twenty centuries of ancient Greek history.

The roots of today's environmental catastrophe run deep into humanity's past. Through this unprecedented reading of Homer's Iliad, the award-winning classicist Edith Hall examines how this foundational text both documents the environmental practices of the ancient Greeks and betrays an awareness of the dangers posed by the destruction of the natural landscape. Underlying Homer's account of brutal military operations, alliances, and cataclysmic struggle is a palpable understanding that the direction in which humanity was headed could create a world that was uninhabitable.

This Very Short Introduction introduces the life, work, and influence of one of the greatest dramatists of all time, Sophocles the Athenian. Placing his plays within their historical context, and explaining the conventions of ancient Greek tragic theatre, Edith Hall spotlights their distinctive features—tight plots, titanic personalities, lucid style, sympathetic women, exquisite poetry, and stagecraft. This analysis is followed by an account of how and why Sophoclean dramas have survived to be read and widely performed into the twenty-first century.

In Sophocles’ tragedy Oedipus the Tyrant, a messenger arrives to report that Jocasta, queen of Thebes, has killed herself. To prepare listeners for this terrible news, he announces, “The tragedies that hurt the most are those that sufferers have chosen for themselves.” Edith Hall, whose own life and psyche have been shaped by such loss—her mother’s grandfather, mother, and first cousin all took their own lives—traces the philosophical arguments on suicide, from Plato and Aristotle to David Hume and Albert Camus.