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Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Life doesn’t end. Reality isn’t fixed. Time doesn’t work the way you think. Even the universe, despite its size, is surprisingly aware of and attuned to each of us. Then come those moments when all boundaries dissolve, worlds merge, and we are given glimpses into how connected everything is. Call Me Jonah is the story of an ordinary man who experiences such extraordinary moments starting in childhood and that continue throughout his lifetime. Afraid of ridicule, he keeps hidden what he learns from each mystical encounter for decades.