Resultados narrador por "Dick Terhune" en Todas las categorias

An argument against rule by the dead. In January of the year 897, the reigning pope had his predecessor's corpse pulled from its tomb, dressed in full vestments, propped upright, and put on trial in Rome. A deacon answered the prosecution in the dead man's voice, and the sentence was carried out on the body. History treats the Cadaver Synod as a medieval freak show. Barbarous Ancestors treats it as a method, and follows that method into the marble courtroom where it now decides American life.

Two words in red ink killed a screenplay and began a book. In 1985 a young dramatist sent a teleplay about William Jennings Bryan to a historian for review. It came back with BAD DRAMA scrawled across the title page, and the play was buried. Forty years later the writer went back to find out whether the verdict had fallen on his work or on the man he had dared to take seriously.

Ischia is Burning is a novel I excavated from a steel filing cabinet in a Manhattan apartment, where it had been sitting for more than three decades inside a folder marked Ischia, in the form of a screenplay I wrote at twenty-five years old in the second year of an MFA program at Columbia. The novel that has just been published is what happened when I sat down with that folder in May, found the staples rusted and half the dialogue wincing, and wrote what the twenty-five-year-old version could not yet write.

A pharmacist's grandson discovers that art is the oldest prescription in Western civilization. For twenty-five centuries, from the Theatre of Dionysus to the infinite scroll on your phone, institutional art has functioned not as a liberating force but as a sedative: an analgesic for the pain of consciousness that keeps the patient still while the conditions producing the pain remain untouched. The beauty is real. The emotions are real. The catharsis is real. And the function of all of it is pharmacy. They can't help but stand. You are standing now. You just don't know it yet.

In October 1972, a seven-year-old boy in Nebraska sat on red shag carpeting in front of a wood-grain television console and absorbed the full commercial curriculum of Saturday morning. He did not know he was being trained. That is the central finding of this book. Selling Saturday Morning reconstructs the twelve-year period between 1968 and 1980 in which American broadcast television built, contested, and politically ratified a commercial pedagogy of childhood.

Contrary to popular belief, the roots of American country music do not lie solely on southern farms or in mountain hollows. Rather, much of this music recorded before World War II emerged from the bustling cities and towns of the Piedmont South. No group contributed more to the commercialization of early country music than southern factory workers.

There is a sign on a wall at LaGuardia Community College in Queens, mounted above a narrow shelf. The sign bears the universal symbol for Deaf access. The shelf once held a TTY, a text telephone that gave Deaf people their first access to instantaneous distance communication. The TTY is gone. The smartphone replaced it. The sign is still there, pointing to something that no longer exists. That empty shelf is the governing image of this book, because the pattern it represents is the story of every technology Western civilization has worshipped for the past century. Something arrives.

Who decides what a character is on the American stage? The playwright who created the character, or the institution that controls the production?

What happened during the decades the Gospels never mention? Between the birth of Jesus in Bethlehem and his emergence at the Jordan River lies a vast silence. No record of his childhood. No explanation of how a carpenter's son became the most influential figure in human history. The Missing Years fills that silence—a year-by-year account of the formative life no one recorded. Here is the boy who lost his father at fourteen and became head of a large family. The young man who turned down a fortune and a marriage proposal to stay true to his mission.

This dark fantasy delivers deadly dungeons, a rule-bound magic system, and immersive, story-first survival in a world where every spell and decision has a cost. Centuries ago, divine magic shattered the world. Now, in the ruins of a dying realm, only one wizard remains—trapped between life and death, powerless, and forgotten. To reclaim his body and restore the lost Guild of Wizards, the ghostly mage must recover a mythical relic buried deep in the dungeons: the Aard of Being.

An ancient prophecy comes to pass. The shackled and the oppressed gain unimaginable powers. And the re-evolution of Earth begins. In 1850s Mississippi, a young enslaved woman named Mirabelle barely survives day to day, praying for a better life. Then, a solar eclipse envelops the world in an eerie glow. Suddenly, not only Mirabelle but all Black people become virtually unkillable. The enslaved throw off their shackles. And all that was is now–undone. But evil will always find a way. So it falls on Mirabelle and her allies to outrun their enemies and unlock the secrets of an ages-old prophecy.

Selections from the Writings of 'Abdu'l-Baha is a timeless collection of writings, containing spiritual and practical guidance for all aspects of life. This compilation of correspondence and other written works of one of the central figures of the Baha'i Faith, covers a wide range of topics. The wisdom imparted in this volume remains as timeless and relevant today as when it was first committed to paper.

Briar Lee Mitchell interviewed over 20 serial and rampage killers, to gain insight into their lives today. Some have been incarcerated for decades and their outlook on life, their crimes, and what purpose they might have was discussed in detail with interesting and sometimes unusual results.

Fabian Videla’s story could be your story. Breaking the Mold teaches you how to build and run a successful business with particular emphasis on the construction industry. Born in Argentina, Videla moved to the USA as a penniless young man. Through dedication and hard work, he applied the lessons taught to him in his childhood and young-adult years, changing his position as a local handyman to the CEO of a conglomerate with interests in construction, trading, and software companies on three continents.

The true horror, though, is what had been imprisoned deep beneath the stone monstrosity and is released into an unsuspecting world. Villicus Shanks, a powerful vampire during the Middle Ages, a time when vampires warred amongst themselves to feed on the few humans left alive during the plague, was imprisoned by those who feared him the most — his own kind. Let loose back into a world brimming with money, greed, power, and huge herds of people, Villicus’s thirst for blood and revenge seems unquenchable until he meets Amanda Brax, a human woman.