Resultados narrador por "Eleanor Yates" en Todas las categorias

France 1944: Frankie opens her eyes and winces. The daylight coming through the shutters is acid-bright, but that’s not what is causing her pain. As she tries to speak through burned and blistered lips, she realises there is only darkness where her memories should be. She is fed sips of water by a kindly old French man, Antoine, who tells her that his grandson found her lying next to her burning plane, crying out for a man called Michael. A man she cannot remember.

It is 1939, and working-class Evie Bishop has received a scholarship to study mathematics at Oxford when tragedy turns her life upside down. Evie must seek a new future for herself and, inspired to contribute to the war effort, joins the Women’s Auxiliary Air Force as an Ops Room plotter. Posted to a fighter station on the Sussex Coast, Evie befriends two other WAAFs. But the German bombers seem to know more than they should about the base’s operations, and soon Evie, May and Jess are caught up in a world more dangerous than they ever imagined.

The blackbirds’ song uplifts and restores in this captivating novella from one of the most exciting voices in children’s fiction. After a devastating car crash, Annie is unable to play her flute and retreats from the music she’s always loved. She exists in a world of angry silence – furious with her mum and furious she can’t seem to play her beloved flute any more. Then she meets Noah, who shows her the blackbirds’ nest hidden in the scrubland near their flats.

Juno’s furious about being sent to stay with her grandfather for the summer. She’ll miss all the fun she and her friends had planned for the holidays. She’ll also miss her mum, but it’s her mum’s fault for leaving anyway. Then Juno discovers a long-forgotten little family in her grandfather’s attic. As she works to carefully craft a new home for them, can she learn to forgive her mum and understand her reasons for going away?

The cattle car is dark, except for the light filtering through the boarded windows. There are too many of us to count, crushed up against each other. The air is stuffy, carrying the scent of our terror—none of us know what awaits us when this train stops. I cling onto Mama’s hand and Nora, my twin sister, clutches Papa’s.

As I hear the words every mother dreads, my pulse races, and I go cold. But even as my world turns upside down, I know the things I’m being told just don’t add up. I have to find out what really happened the night my beautiful boy died. The police tell me it was a tragedy no one could have prevented. But then they reveal the terrible things Tom was keeping from me. The person they describe is nothing like the decent, honest man I raised.

All I ever wanted was to keep my son safe. I married the perfect husband, built the perfect home. I’ve tried to give Finn the life I never had. Everything was going so well. Until now. It’s just small things at first - a punctured tyre, an open gate that I'm sure I locked. But then I see the photograph of two young girls, and a night I’ve tried to forget. I know I have to stop pretending that nothing is happening. I can’t escape the truth. Someone knows my secret. But what do they want from me?

When Jess bumps into Milan unexpectedly, sparks are reignited, and she wonders if she made a mistake finishing with him in Amberton. But matters are complicated when a film company arrives at Bentley Priory to make a morale-boosting film about the RAF. The lead actor is none other than Leonard Steele, a man from Jess’ past who could ruin everything she has worked so hard to build.

After failing to help evacuee siblings whom she witnesses being separated, May wishes she’d had the confidence to speak up. When Jess suggests a pantomime to boost morale on the station, May is desperate to help - but is held back by her own insecurities. With her low self-esteem also affecting her relationship with Squadron Leader Peter Travis, May is fed up with being her own worst enemy and decides to take charge of her destiny. But the past she ran from, plus a crisis with one of the evacuees, throw May into the midst of a drama that will test all of her newfound confidence.

Robin and Prudence Merriot have been dissemblers since they were children. And in this age of slippery politics, they need to be. So it is nothing for them to rescue a rich heiress from her abductor. But once committed to their masquerade, they must see it through.