Resultados narrador por "Oona Beeson" en Todas las categorias

Even though its famous opera house has shuttered its doors for the war, Covent Garden remains one of the most exciting, bustling areas of London. It’s where Hannah Merrill and Aunt Violet have their bookshop and, in spite of the recent spate of burglaries in the area, it’s generally thought to be a good neighbourhood. So Hannah is surprised when she sees a fellow shopkeeper – a jeweller named Jacob Cornelis – having a heated argument with a stranger. Especially when the next day Cornelis is found dead in his shop, apparently the victim of another burglary.

A novelist ambles down the lanes of a cosy country village, replete with Tudor houses and quaint cottages. In her writer's mind she pictures the sordid truth beyond the veneer, a seemingly laughable proposition - until the coming of the letters. Anonymous letters from a poisoned pen, sowing discord and defaming everybody from the Rector to the 'queen of the village' Miss Decima Asprey. Naturally, where there is venom in the air and dark secrets are threatening to come to light, the shadow of death is not far behind.

Perfect for Janeites everywhere, this enticing collection brings together for the first time six special recordings that offer a glimpse behind the scenes at the life of the celebrated author. Taking us on a journey from her earliest teenage writings, to her love affair aged 20, to the scandalous arrest of her aunt which shook her family, these fascinating programmes offer a closer look at Jane Austen and those around her, as seen through her letters, writings and final home.

Full-cast dramatisations of seven of Ruth Rendell's tense psychological thrillers. This collection includes The Bridesmaid, Going Wrong, King Solomon’s Carpet, People Don’t Do Such Things, The Fever Tree, The Dreadful Day of Judgment and Thornapple. Among the casts of these seven suspenseful adaptations are Jamie Glover, Mark Strong, Reece Shearsmith, Paul Rhys, Danny Sapani and Juliet Aubrey.

Love and death are the principal players in these two BBC Radio full-cast dramatisations of chilling Ruth Rendell stories. In "The Bridesmaid", when Philip embarks on an affair with Senta, his sister's bridesmaid, she reminds him of the stone statue he adored as a child. Yet Senta is married, and Philip's overwhelming aversion to violence leads indirectly to murder and horror as he is drawn into erotic but murderous complicity.

1916, Midwinter Manor: Desperate for a Christmas weekend break from war-torn London, Hannah Merrill and her Aunt Violet take Bartleby the cat and themselves off to visit Hannah’s sister, in her beautiful country estate, deep in the English countryside. The huge house is full of relatives, friends and merrymakers, and everyone’s excited to have a Christmas to remember. But then, when a fellow-guest’s body is found in the library – apparently bludgeoned to death – and a precious ruby is stolen from another guest, it appears that it’s going to be memorable for all the wrong reasons.

1916, London: Keen to support the war effort, bookshop manager and sometime amateur sleuth Hannah Merrill has taken a volunteer role in the library of the nearby military hospital. But arriving at the hospital one cold winter’s morning, she is horrified to find the body of a dead soldier in the library. What’s more, a beautiful young nurse confides in Hannah that she thinks she’s being followed, and then she abruptly disappears. Hannah can’t shake the suspicion that the two cases are connected, but she can’t solve the case alone.

1915, London: Working in the dusty bookshop that her Aunt Violet mysteriously inherited, Hannah Merrill is accustomed to finding twists in every tale. But discovering her beloved best friend Lily-Anne – with a paperknife through her heart – in the middle of the bookshop, is not a plotline she saw coming. The case is anything but textbook. With the discovery of a coded German message, and Hannah’s instinct that Lily-Anne’s husband is keeping secrets, she determines to get to the bottom of it. She can’t do it alone though.