Resultados narrador por "Sam" en Todas las categorias

Hercule Poirot and Arthur Hastings reunite for their most difficult case yet. When Poirot receives a letter warning him that a crime is about to be committed by the writer: 'A.B.C' the friends find themselves in a race against time to decipher the killer's twisted logic as he taunts the great detective by announcing the next murder location alphabetically. With every new killing a new pool of suspects is uncovered. Can Poirot and Hastings unmask the killer before a final letter seals an innocent victim's fate?

A practical translation of the principles of attachment theory to nonmonogamous relationships.

How to Stop Worrying and Start Living is essential reading for any overthinker. With time-tested techniques and practical advice, Carnegie illustrates exactly how to let go of fear, lower stress and say goodbye to anxiety for good. Including advice on how to manage money worries, effectively problem solve and foster a positive attitude, Carnegie's book is packed with simple-step solutions, magic formulas and helpful laws to live by to conquer any worrying situation.

In this journey of self-discovery, Sam Heughan sets out along the West Highland Way to explore his heritage and reflect on the personal waypoints that define him. The result is a love letter to the wild Scottish landscape that means so much to Sam, and a charming, funny, wise and searching insight to the world through his eyes. Waypoints is a deeply personal journey that reveals as much to Sam about himself as it does to his audience.

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Duel of Dr. Hirsch is a short story by Gilbert Keith Chesterton: M. Maurice Brun and M. Armand Armagnac were crossing the sunlit Champs Élysées with a kind of vivacious respectability. They were both short, brisk and bold. They both had black beards that did not seem to belong to their faces, after the strange French fashion which makes real hair look like artificial. They were both young. They were both atheists, with a depressing fixity of outlook but great mobility of exposition.

The Absence of Mr Glass: "But What about the two voices?" asked Maggie, staring. - "Have you never heard a ventriloquist?" asked Father Brown. "Don't you know they speak first in their natural voice, and then answer themselves in just that shrill, squeaky, unnatural voice that you heard?" - There was a long silence, and Dr Hood regarded the little man who had spoken with a dark and attentive smile. "You are certainly a very ingenious person," he said; "it could not have been done better in a book.

"The Pit and the Pendulum" is a short story by American writer Edgar Allan Poe and a work of horror fiction. It was first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, and is set very loosely during the Peninsular War between Spain and Napoleonic France (1808–1814), although it invokes the feared Inquisition of earlier centuries. The narrator of the story describes his experience of being tortured.

"The Spectacles" is a short story by Edgar Allan Poe, first published in March 1844 in the Philadelphia Dollar Newspaper. It is one of Poe's comedy tales. The narrator, 22-year-old Napoleon Buonaparte Froissart, changes his last name to "Simpson" as a requirement to inherit a large sum from a distant cousin, Adolphus Simpson. At the opera he sees a beautiful woman in the audience and falls in love instantly. He describes her beauty at length, despite not being able to see her well; he requires spectacles but, in his vanity, "resolutely refused to employ them".

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple of murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

Both by calling and conviction Father Brown knew better than most of us that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

From his cradle to his grave a gale of prosperity bore my friend Ellison along. Nor do I use the word prosperity in its mere worldly sense. I mean it as synonymous with happiness. The person of whom I speak seemed born for the purpose of foreshadowing the doctrines of Turgot, Price, Priestley and Condorcet — of exemplifying by individual instance what has been deemed the chimera of the perfectionists.

"The Black Cat" by Edgar Allan Poe, first published in 1843. An unnamed narrator suffering with alcoholism has a strong affection for pets, until he perversely turns to abusing them. In a drunken rage, he hangs his beloved black cat from a tree. He soon finds another black cat but develops a hatred for it as well. When he attempts to kill it with an axe, his wife stops him – and the narrator murders her instead, concealing the body behind a brick wall. But the cat, accidentally walled in with the corpse, alerts the police with its shrieking cry.

"La musique," says Marmontel, with the same odd confusion of thought and language which leads him to give his very equivocal narratives the title of "Contes Moraux" — "la musique est le seul des talens qui jouissent de lui même; tous les autres veulent des temoins." He here confounds the pleasure derivable from sweet sounds with the capacity for creating them.

Berenice — A Tale. Misery is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon like the rainbow, its hues are as various as the hues of that arch, as distinct too, yet as intimately blended. Overreaching the wide horizon like the rainbow! How is it that from Beauty I have derived a type of unloveliness? — from the covenant of Peace a simile of sorrow?

"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities. The story begins with the unnamed narrator arriving at the house of his childhood friend, Roderick Usher, having received a letter from him in a distant part of the country, complaining of an illness and asking for his help.

Whatever doubt may still envelop the rationale of mesmerism, its startling facts are now almost universally admitted. Of these latter, those who doubt, are your mere doubters by profession—an unprofitable and disreputable tribe.

During a pedestrian tour last summer through one or two of the river counties of New York, the narrator finds himself lost as day declines, the land undulating remarkably and his path winding confusedly through valleys in effort to keep in them. A smoky mist, resembling that of Indian summer, enveloped all things and added to his uncertainty. Not caring much about the matter, he remained unconcerned, prepared to bivouac in the open air with his knapsack for a pillow and his hound as a sentry.

"The Perishing of the Pendragons" by G.K. Chesterton is a Father Brown story where Father Brown is invited on a boat trip around the Cornish coast, where he encounters a family called the Pendragons, who are plagued by a mysterious curse tied to a local legend about a Spanish prisoner and a treacherous coastline.