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"The Man Who Could Work Miracles" is a British fantasy-comedy short story by H. G. Wells first published in 1898 in The Illustrated London News. It carried the subtitle "A Pantoum in Prose." The story is an early example of Contemporary fantasy (not yet recognized, at the time, as a specific sub-genre). In common with later works falling within this definition, the story places a major fantasy premise (a wizard with enormous, virtually unlimited magic power) not in an exotic semi-Medieval setting but in the drab routine daily life of suburban London, very familiar to Wells himself.

"The Man Who Could Work Miracles" is a British fantasy-comedy short story by H. G. Wells first published in 1898 in The Illustrated London News. It carried the subtitle "A Pantoum in Prose." The story is an early example of Contemporary fantasy (not yet recognized, at the time, as a specific sub-genre).

The Man Who Could Work Miracles is a story about Fotheringay, a very unexceptional man who discovers he has an exceptional talent. He can work miracles. He discovers this ability by accident during an argument in a public house - and narrowly avoids setting light to the pub. Some of his other experiments also go awry, and Fotheringay decides to consult the local minister. The latter immediately recognises the potential of this gift and eggs Fotheringay on to greater miracles - with ever greater consequences.

The classic story about the bloke who could. In this tale you are crouched in the middle of an immense hurricane. Houses, animals, trees sweeping past you, and you suddenly realize that you have tampered with the Universe, that you are bringing about the destruction of the World. Lovely British accents in this tale with a message. A delightful little story that is far from the typical Escape style of thriller. Escape with us now to a placid English village in the company of an equally placid little man who one day shook the world as HG Wells told it in his story.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.