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The War of the Worlds is the classic alien-invasion novel: Martian cylinders fall down upon a complacent Victorian England, unleashing towering tripods, heat rays and poisonous black smoke. An unnamed writer is among the humans trying to flee, and it is through his eyes that we see the shattering of ordinary life by beings with advanced intelligence and weaponry. The novel's terror is timeless. Its depiction of technological shock, mass panic and sudden ruin feels both fantastical and unnervingly possible. It exposes the arrogance of empire and the horror of facing a power we don't understand.

I've never been a good bet. I wear my emotions on my tattoo-covered sleeve, I say all the wrong things, and I revel in pissing off a certain redhead far more than I should. In other words, I'm the last person the court would choose to parent any child, let alone three of them. Yet being their...

The day Jerusalem falls, Miriam Elmahdy knows her life is over. Houses are burning, the streets run red with blood, and a traitorous army is massacring every last resident. There is no surviving this, especially not once Miriam catches the eye of War himself. But when the massive and terrifying horseman corners Miriam, he calls her his wife, and instead of killing her, he takes her back to his camp.

A peaceful night in Surrey is shattered when what is thought to be a meteor crashes into Horsell Common. Curious villagers approach the strange cylindrical object, only to be incinerated by a Martian heat-ray. Soon the invaders are sending out their terrible ’tripods’, causing devastation throughout England as ‘intellects vast and cool and unsympathetic’ gradually seek to eradicate the human race.

The War of the Worlds introduced the idea of alien invasion to the world. Featuring inscrutable extra-terrestrials armed with a terrifying array of weapons, including the Heat-Ray, robotic killing machines walking on three legs, and 'black smoke', the novel resonated with Victorian Britain. The ingenious creations of Wells' mind stood out from the abundance of invasion literature that was flooding the market at the time.

A metallic cylinder falls to earth, landing in the sands of Horsell Common, Surrey, generating curiosity and awe. But what's inside soon induces only terror. The story that unfolds is a breathless first-person account of an inconceivable reality: an extraterrestrial war has been waged on the planet.

Strange signals from the edge of the solar system draw the carrier ECS Vanguard into the darkness beyond the planets. There, humanity faces a new alien threat—the Blight. They have come to exterminate what they believe is their ancient enemy's latest puppet civilization. Earth struggles to control the skies with fighters and throws its Lizard shock troops into bloody ground battles. While the war rages, Flex must uncover the truth about the hyperspace rivers connecting the stars, the mysterious Cure that terrorized Venus, and why the Blight believes humanity is already enslaved.

The Resistance has won, but it was Pyrrhic victory. With Sanctuary in flames and Nova missing, it's up to Magnus to turn the tides of war against the Legatus. But will it be enough? Amidst this turmoil, Ubiquity Prime's subjugation fleet steadily approaches Kelruhn, promising total annihilation. Up against the greatest foes of his life, Magnus must lead his meager forces in a war where failure is not an option, and the fate of two worlds hinges on the actions of one man.

Finally possessing the ability to enter the Progenitors’ shadow realm, Commander Reeves and Major Kane embark on a daring mission into the heart of enemy territory. However, en route they must detour to the Quarr planet of Vroxxa, which is under Sa’Nerran occupation. There they will learn the true horrific purpose of the "atmosphere acclimators" the aliens have installed on dozens of worlds. They will also discover the sickening depth of the Sa’Nerran’s cruelty, forcing Reeves to again confront his dark side.

More and more space arks are landing on Lumera. The humans' new home is breathtakingly beautiful, but dangerous plants and bestial predators punish every careless step. Sophisticated aliens keep themselves hidden, and they may be superior to humans. The human colony is beset by internal conflict. A civil war threatens.

Hugh Logan and the other human cores of the expeditionary force are back home, but the cost of keeping their allies alive has been a heavy one. Not happy about losing their prey, the Ssath continue to use the vast resources at their disposal to seek total victory over humanity. They will stop at nothing until Earth’s cores are defeated and the planet is transformed into a feeding ground and hunting preserve.

Voices in the Wind Audio Theatre’s production of THE WAR OF THE WORLDS, the timeless masterpiece made famous by Orson Welles and the Mercury Theatre On The Air on October 30, 1938, comes to life again in this engaging audio theatre performance featuring a stellar cast of voice actors, original music, sound effects, and background ambiences.

When an army of invading Martians lands in England, panic and terror seize the population. As the aliens traverse the country in huge three-legged machines, incinerating all in their path with a heat ray and spreading noxious toxic gases, the people of the Earth must come to terms with the prospect of the end of human civilization and the beginning of Martian rule.

After being kidnapped from Earth by aliens and forced into slavery by the Jekmeerans, Zori VanTeagun and her fellow Terrans have a plan to escape and make it back home. Though commandeering a Jek ship seems impossible, it may be their only hope, and they’re not giving up without a fight. Vergil Ond Hees Perd is tasked with leading a troop to conquer a new planet, and if successful, his crew will be there for a while.

The Protectorate—an interdimensional empire that has conquered five timelines so far—has set its sights on ours. Led by a man willing to risk everything for power and conquest, armed with technology a hundred years ahead of ours—technology promising salvation to its allies and doom to its enemies—and drawing on a far deeper military history, the Protectorate Expeditionary Force has arrived to invade and incorporate our world into the greatest empire the multiverse has ever known, or die trying.

All pretenses of diplomacy have crumbled, and Concord is no longer considered neutral territory. The Imperator is coming, and he intends to reduce the station to dust, forcing Commander Reeves to order an emergency evacuation. But old enemies linger on in the background. Not only must Reeves contend with the Sa’Nerra, but a final showdown with the Lord of Night appears inevitable, and the crime kingpin will stop at nothing to get his revenge. Meanwhile, the Sa’Nerra have invaded Bastion Federation space with thousands of warships and near-unlimited reserves.

Having witnessed the seemingly unconquerable power of the Progenitors first hand, Commander Reeves and Major Kane have an opportunity to tilt the balance of war in their favor. And they intend to take it, no matter the risk or the cost. Despite the setback at the Progenitor world, Reeves is determined to find the "smoking gun" that proves the Sa’Nerra are acting under the influence of an ancient power. Only then can he unite the realms against their enemy. But in order to achieve this, Reeves must pierce the veil of Shadow Space and discover the true scale of the alien armada.

Tensions amongst the six realms are running high as the galaxy witnesses the overwhelming might of the Sa’Nerra armada. The Quarr race are facing defeat, and no one wants to be next. Desperate to find a way to unite the realms against the Sa’Nerra, Commander Reeves and his team take the warship Invictus on a quest to learn about the mysterious and ancient Progenitors—the puppet masters manipulating the war. With threats from the Sa’Nerran Imperator and the New Earth Movement looming over him at every turn, Reeves is still struggling to embrace his legacy.

Frustrated by restrictive rules, maverick warship commander, Dalton Reeves, has crossed the line one time too many. Disciplined for violating orders, Reeves is packed off to “The Abyss”–a dangerous and isolated space city named Concord Station, and officially the worst assignment in the galaxy.

The War of the Worlds is a science fiction novel by H. G. Wells. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians.