Resultados de "G. K. Chesterton" en Todas las categorias

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

This collection of short essays by G.K. Chesterton is as applicable in 2020 as it was when it was written in 1923 during the first "Progressive Era". He saves his most subtle and cutting humor for commentary to skewer his favorite targets: feminists, vegetarians, modernists, journalists, social reformers, psychologists, and "sophisticated" people in general.

Orthodoxy (1908) by G. K. Chesterton is a classic of Christian apologetics. The audiobook is a companion to his volume of essays titled Heretics, and focuses on the Apostles' Creed. It was written when Chesterton was an Anglican; he converted to Catholicism 14 years later. The prose is witty and incisive, meaning Chesterton at the height of his power.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight into the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

The picturesque city and state of Heiligwaldenstein was one of those toy kingdoms of which certain parts of the German Empire still consist. It had come under the Prussian hegemony quite late in history-- hardly fifty years before the fine summer day when Flambeau and Father Brown found themselves sitting in its gardens and drinking its beer.

"The God of the Gongs" by G.K. Chesterton is a Father Brown story: It was one of those chilly and empty afternoons in early winter, when the daylight is silver rather than gold and pewter rather than silver. If it was dreary in a hundred bleak offices and yawning drawing-rooms, it was drearier still along the edges of the flat Essex coast, where the monotony was the more inhuman for being broken at very long intervals by a lamppost that looked less civilized than a tree, or a tree that looked more ugly than a lamppost.

The Salad of Colonel Cray is a short story by Gilbert Keith Chesterton: Black figure of Dr. Oman standing on the sunlit lawn and looking steadily into the room. Before he could quite recover himself Cray had cloven in.

The Strange Crime of John Boulnois is a short story by Gilbert Keith Chesterton: Mr. Calhoun Kidd was a very young gentleman with a very old face, a face dried up with its own eagerness, framed in blue-black hair and a black butterfly tie. He was the emissary in England of the colossal American daily called The Western Sun—also humorously described as the "Rising Sunset.

Initially published in 1910 and one of G. K. Chesterton's most popular mysteries, The Blue Cross is the first short story to feature the iconic detective-priest, Father Brown. When Father Brown, a quiet, unassuming priest, embarks on a trip to London carrying a priceless silver cross, an infamous master criminal sees the perfect opportunity for theft. But, as the savvy Father illustrates, we oughtn't judge a book by its cover.

The third collection of short stories featuring G.K. Chesterton's iconic priest-detective, Father Brown. In this brilliantly thrilling volume, Father Brown, our quiet yet sharp-minded amateur detective, once again solves a series of baffling mysteries which perplex the local community. From miraculous resurrections, cursed relics and seemingly impossible murders, Father Brown uses his profound understanding of human nature and knack for deduction to get to the root of these bewildering mysteries.

In this enthralling crime novel, a baffling murder shocks London: a man has been murdered in a locked room after receiving anonymous threats, his body resurfacing in a nearby canal. Witnesses swear no one went in – or out. The suspect? A supposedly invisible man. But as panic spreads across the local area, Father Brown, the quiet priest with a razor-sharp mind, believes all is not what it seems. As he begins to unravel the fatal mystery, Brown cleverly illustrates how anyone can become invisible – not by magic, but by expectation.

Innocent Smith, an eccentric man with a mysterious past, moves into a quiet boarding house. At first, Smith breathes new life into his fellow residents' lives with his peculiar games and daring antics, transforming their everyday experiences into opportunities for adventure and meaning. However, almost immediately after his arrival, two doctors appear with some unfortunate news: Smith is wanted for burglary, polygamy and attempted murder. Unnerved by the accusation, Smith begins to fire several shots from a revolver, seemingly confirming his guilt.

The Definitive Detective Collection brings together the finest deductive minds in fiction. Join Edgar Allan Poe's Auguste Dupin as he invents the detective genre in the mid-1800s, and follow the logical clues to the most famous detective ever committed to paper, Sherlock Holmes, in Victorian London. Along the way you'll also meet Josephine Tey's formiddable Inspector Alan Grant, as-well as G. K. Chesterton's beloved Father Brown, as they solve crimes in wondorously inventive and ingenious ways.

In Heretics, G.K. Chesterton delivers a sharp, witty, and unapologetically bold critique of the intellectual movements and cultural trends of the early 20th century. With his signature blend of humor, paradox, and piercing insight, Chesterton examines the philosophical “heresies” of his time...

Step into one of the most brilliant works of Christian apologetics ever written. In Orthodoxy, G.K. Chesterton unleashes his wit, paradox, and razor-sharp intellect to defend the enduring power of faith against skepticism, materialism, and modern chaos. First published in 1908, this timeless...

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Duel of Dr. Hirsch is a short story by Gilbert Keith Chesterton: M. Maurice Brun and M. Armand Armagnac were crossing the sunlit Champs Élysées with a kind of vivacious respectability. They were both short, brisk and bold. They both had black beards that did not seem to belong to their faces, after the strange French fashion which makes real hair look like artificial. They were both young. They were both atheists, with a depressing fixity of outlook but great mobility of exposition.

The Absence of Mr Glass: "But What about the two voices?" asked Maggie, staring. - "Have you never heard a ventriloquist?" asked Father Brown. "Don't you know they speak first in their natural voice, and then answer themselves in just that shrill, squeaky, unnatural voice that you heard?" - There was a long silence, and Dr Hood regarded the little man who had spoken with a dark and attentive smile. "You are certainly a very ingenious person," he said; "it could not have been done better in a book.

Two men appeared simultaneously at the two ends of a sort of passage running along the side of the Apollo Theatre in the Adelphi. The evening daylight in the streets was large and luminous, opalescent and empty. The passage was comparatively long and dark, so each man could see the other as a mere black silhouette at the other end. Nevertheless, each man knew the other, even in that inky outline; for they were both men of striking appearance and they hated each other.