Resultados para "Atlántida" en Literatura y ficción

"L'Atlàntida" de Verdaguer s'estructura en deu cants en quartets de versos alexandrins amb rima consonàntica alternant, precedits d'una "Introducció" i seguits per una "Conclusió", ambdues en sextets de versos decasíl·labs. Aquesta estructura formal, que es correspon, com veurem, amb el contingut argumental, es trencada sovint amb la inclusió d'altres esquemes mètrics. Un jove mariner genovès anomenat Crostòfor Colom, únic supervivent d'un naufragi, arriba a la costa atlàntica d'Andalusia.

Cuando el narrador de esta novela conoce a Mirko Bevilacqua, un hombre extravagante que frecuenta de manera intermitente y clandestina a Clara, una joven que cuida de una anciana y elegante dama croata, su percepción de la realidad cambia irreversiblemente.

You don't mess with Atlanta Burns. Everyone knows that. And that's kinda how she likes it - until the day Atlanta is drawn into a battle against two groups of bullies and saves a pair of new, unexpected friends. But actions have consequences, and when another teen turns up dead - by an apparent suicide - Atlanta knows foul play is involved. And worse: She knows it's her fault. You go poking rattlesnakes, maybe you get bit.

In 1950s Houston, an affluent couple is transformed by tragedy when their son dies under mysterious circumstances and the husband loses his job of 40 years. Shirley Knight recreates her Tony-nominated performance in this 1995 Pulitzer Prize-winning drama.

There is a river that flows through the misty landscape of imagination, seeping up through the rocky earth high in the Appalachian Mountains. It winds southward through the foothills and the piedmont: It tumbles past the fall line, widens and deepens, and then meanders across the coastal plain until it finally reaches the gulf of Mexico.And all along its length the great river inspires stories to tease listeners into wonder, or send a shiver down their spines.

Lola McInnis has hit rock bottom after catching her fiancé cheating with his personal trainer. In a desperate attempt to make a fresh start, she sinks the last of her savings into renovating two houses in an up-and-coming Atlanta neighborhood, but the project hits the skids when her contractor bails.

A full cast, fully soundscaped production for the holidays from the Atlanta Radio Theatre Company! Welcome, welcome one and all to our family Christmas! To every family Christmas that ever was or ever will be! Behold the traditional Christmas tree weighted down with ornaments and decorations! Every five year old's Christmas morning writ large and come true! Christmas is memories.

It's Atlanta's senior year of high school, and she is officially infamous. Not only has she saved herself from a predator, brought down an untouchable dogfighting ring, and battled a pack of high school bullies, but she's also proclaimed to the Internet her willingness to fight for anyone who needs help. And Atlanta can't believe what's coming out of the woodwork. From an old friend to a troop of troubled girls with connections to a local fracking company, there's definitely fire in the water.

Ah, the sweet, sweet singing of the whip-poor-wills. Surely one of the most innocent, purest bird songs one can know, plaintive and perfect in the clean morning light. Unless, of course, you happen to live near the decayed New England village of Dunwich, have seen the mad fires blazing from the ancient stone circles atop Sentinel Mountain, and remember the horrible events of 70 years ago.

There is something wrong in the decayed seacoast town of Innsmouth. Something wrong in the crumbling buildings. Something wrong in the cold deep waters. Something wrong in the blood. This is a full-cast, soundscaped audio dramatization of the classic work by one of the masters of horror.

Surely it is possible to outlive the past. Surely it is possible to outrun one's ancestors, to outrun history, to outrun fate. Surely a man's destiny lies in his own hands, and not in the misdeeds of men a hundred generations dead. Beware, England. The last Delapore has come home. This is a full-cast, soundscaped audio dramatization of a classic work by one of the masters of horror, featuring the voice of Harlan Ellison as Delapore.

In H. P. Lovecraft's classic horror story, an old man consents to a radio interview. In that interview a number of terrible truths come out: The truth about an expedition to Antarctica where everyone died horribly. The truth about an attempt to find the expedition's mysterious killers. The truth about a desolate plateau in the heart of a frozen continent. The truth about life and intelligence on Earth. And the truth about the prehistoric horror that still waits lurking...At the Mountains of Madness.

Un atlante smisurato di isole reali e immaginarie, scritto con velocità e leggerezza settecentesca: tra resoconto di viaggio, critica, saggio e narrazione. Un atlante da tenere sul comodino, da consultare ogni volta che si è incalzati da un desiderio, una nostalgia e una fantasia, da gustare a poco a poco o approfondire in lunghe ore di lettura sognante. Sempre sollecitati e guidati da un personaggio grande della storia culturale e artistica, questo atlante parte dalla Grecia e alla Grecia ritorna, per fare all'incontrario il viaggio di Colombo.

The "blasted heath" they called it. Five acres of grey desolation, like a sore eaten into the land. West of Arkham, the hills rise wild. There are dark little glens where the trees hang precariously and where thin brooklets trickle, never having been touched by sunlight. There was once a road over the hills and through the valley, but people ceased to use it. The old folk have died or gone away, and the farms and villages are slowly decaying back into dark woods and narrow clearings. A family died up there.

Nel 1941 gli Alleati stanno perdendo la guerra, almeno nell'Atlantico. Migliaia di navi partono dal Nord America cariche di rifornimenti per il Regno Unito, ma viveri e munizioni non arrivano a destinazione: i convogli vengono sistematicamente intercettati e distrutti dagli U-Boot, i temibili sottomarini dei nazisti. La Gran Bretagna è ormai allo stremo, ma il primo ministro Winston Churchill non vuole che la popolazione ne sia informata. I vertici politici e militari mentono sul numero di imbarcazioni affondate e su quello dei morti, pur sapendo che manca poco alla resa.

L'arrogante marchese di Halifax ha rapito Mary di Wentort, la donna amata dal capitano William Mac-Lellan che è immediatamente partito per salvarla sulla sua nave, la Tuonante. Con il capitano Mac-Lellan c'è la sua fedele ciurma tra cui l'imbattibile artigliere Testa di Pietra e il giovane gabbiere Piccolo Fiocco. È l'inizio di un lungo inseguimento all'insegna di burrasche e arrembaggi mentre sullo sfondo scorre sanguinosa la guerra d'indipendenza americana.

Motherhood isn’t easy, especially when you’re a mother of a Black son. Ten years ago, Cheryl jumped at the chance to send her son, Javonte, to an exclusive boarding school in New England - far away from Atlanta and the violence of the city streets. It was the American dream, or was it? Now settled in Vermont, Javonte is married and well-employed, but Cheryl hardly ever sees him, and when she does, her own son seems like someone she only used to know.

Lina Henry is a wife and mother who likens herself to a pretty paper doll. She lives in a beautiful home in the Atlanta suburbs. Her husband, David, is a well-to-do investment banker. She’s raised two wonderful teenagers. To the outside world, the Henry family is perfect. What no one knows is that Lina’s paper doll life is being torn apart in a controlling and abusive marriage. Then Lina develops an unexpected friendship with another man, and reconnects with her former best friend. But as David senses his loss of control, he becomes more dangerous.

It is a story told many times in the century since the Great Martian Invasion - of a devastating and irresistible assault, of mankind in panicked flight, and of humanity's miraculous salvation. Every man and woman, girl, and boy across the globe knows the tale and hears it with reverence and gratitude. And yet - is that the whole story? Did the invaders have all the advantages? All the technology? Not all the brains were on their side. Not all the guile. Certainly not all the ruthless determination.

Ever notice sounds? I mean really notice them? I do. I don't have any choice, not since I fell into The Loop. And what's The Loop? It's a world - a world of sounds and narration, of incidental music and special effects. The Loop is ambiance, implication, and the subtle - and not-so-subtle - manipulations of the Off-Mike People. But people are the same on or off The Loop, a distressing fact that always seems to add up to Blues for Johnny Raven.