Resultados para "Renacer" en Historia

Si quiere descubrir la cautivadora historia del Renacimiento, siga leyendo..."Renaissance" en francés significa "renacimiento", y es el nombre que se le da en Europa al período comprendido entre los siglos XIV y XVII, cuando hubo un marcado resurgimiento en el arte clásico, la educación, la filosofía, la arquitectura y las ciencias naturales. Una vez más, los antiguos territorios romanos adoptaron los escritos de los antiguos griegos y romanos, y la idea del humanismo. El renacimiento marca el final de la Edad Media y el comienzo de la larga marcha hacia la modernidad.

Esta historia de los Reyes Católicos, que no solo se centra en los aspectos más curiosos y extravagantes de su reinado, trae una visión renovada y amena sobre la vida de los monarcas y todo lo que les rodeó desde que eran solo unos niños. Sus relaciones familiares, su educación, su llegada al trono y la construcción de las bases de un imperio que perduraría durante varios siglos tras el descubrimiento de América.

Esta Historia de las mujeres responde a la necesidad de ceder la palabra a las mujeres. Alejadas, desde la Antigüedad, del escenario donde se enfrentan a los dueños del destino, reconstruir su historia significa describir su lento acceso a los medios de expresión y su conversión en persona que asume un papel protagonista. Este análisis implica, asimismo, que las relaciones entre los sexos condicionan los acontecimientos, o la evolución de las sociedades. No se buscan conclusiones tajantes sino que las mujeres encuentren, al fin, su espacio propio.

Tras la caída de Roma en 476 d. C., toda la dinámica de Europa experimentó un cambio total en torno al poder y la cultura. La Edad Media fue un período de la historia interesante de aproximadamente seis siglos, durante el cual Europa estaba tratando de descubrir su identidad y cómo sobreviviría al caos provocado por la caída de Roma. 

Uno de los períodos menos entendidos de la historia europea ocurrió entre el siglo VI y el siglo XIV o XV (dependiendo del historiador que pregunte). Comúnmente llamado la Edad Media, este fue un período de cambio extremo para Europa, que comenzó con la caída del Imperio romano de Occidente. Para un continente que había visto un cambio drástico en la estructura de poder, el mundo parecía ser particularmente duro. Roma había sido un jugador importante en toda Europa durante más de un milenio. Luego desapareció.

In How the Medici Shaped the Renaissance, you’ll study the remarkable trajectory of the Medici from the late 14th century to 1737, when the Medici dynasty ended. Across that span of time, you’ll witness the birth of the Italian Renaissance, and the rise of the Medici as an economic powerhouse under founder Giovanni de’ Medici. You’ll learn how the Medici came to dominate Florence and how they played diverse roles in politics, religion, and culture. 

Chi è stato realmente Leonardo Da Vinci? E qual è stata la rilevanza del suo pensiero, delle sue scoperte, delle sue opere...

Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles.

Existen al menos cinco referencias históricas reales que certifican la existencia de un retrato femenino de manos de Leonardo da Vinci. Un encargo que, al parecer, nunca entregó. Sin embargo, a la hora de identificar a la modelo de la Gioconda, las palabras de Agostino Vespucci, Antonio de Beatis, Giorgio Vasari, Cassiano dal Pozzo y el Anónimo Gaddiano no coinciden.

This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese. 

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. 

this exciting story illuminates the captivating world of the late Renaissance - in this case its plagues, remedies, and alchemy - through the life of Leonardo Fioravanti, a brilliant, remarkably forward-thinking, and utterly unconventional doctor. Fioravanti's marvelous cures and talent for self-aggrandizement earned him the adoration of the people, the scorn of the medical establishment, and a reputation as one of the age's most colorful, combative figures.

In all of human history there has never been an era as richly endowed with human creativity as the Italian Renaissance. When the economic boom of the Late Middle Ages had allowed a flourishing and wealthy merchant class to emerge, a plethora of artists, sculptors, architects, and thinkers followed in their wake. In an astonishingly short period of time, Italy was transformed mentally, physically, and spiritually.

This is a landmark in science writing. It resurrects from the vaults of neglect the polymath Jerome Cardano, a Milanese of the 16th century. Who is he? A gambler and blasphemer, inventor and chancer, plagued by demons and anxieties, astrologer to kings, emperors and popes. This stubborn and unworldly man was the son of a lawyer and a brothel keeper but also a gifted physician and the unacknowledged discoverer of the mathematical foundations of quantum physics.

If ever a catharsis in Western European Civilization occurred, it had to have been the period we refer to as the Renaissance. After a thousand years of theocracy, manorialism, feudalism and narrow economic development, Europe was ripe for change. She got it with a vengeance.

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

In this landmark study of Italy from the 14th through the early 16th centuries, Swiss historian Jacob Burckhardt chronicles the rise of Florence and Venice as powerful city-states, the breakup of the medieval worldview that came with the rediscovery of Greek and Roman culture, and the new emphasis on the role of the individual. All these, Burckhardt explains, went hand in hand with the explorations of science and the more naturalistic depiction of the world in art and literature.

The fifth in the new Naxos Audiobooks series "In a Nutshell", The Renaissance is a short and accessible introduction to the era that gave us Leonardo da Vinci, Michelangelo and Palestrina. The Renaissance swept across Europe between the 14th and 17th centuries, heralding intellectual revolutions in science, art, philosophy and politics, and marking a decisive shift towards modern thinking.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.